• Black Label Society - CATACOMBS OF THE BLACK VATICAN

    Image: Black Label Society, Catacombs Of The Black Vatican, Pitriff, Review, Classic Metal Black Label Society
    CATACOMBS OF THE BLACK VATICAN

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    When Zakk Wylde decides to release new music, the metal world definitely stops for a moment and listens. They may not like it all, but they do listen. It's a testament to how unbelievable the man is on guitar; a true legend who stands shoulder to shoulder with the Eddie Van Halen's and Dimebag Darrell's

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  • Lacuna Coil - BROKEN CROWN HALO

    Image: Lacuna Coil, Broken Crown Halo, Review, Modern Metal, Pitriff Lacuna Coil
    BROKEN CROWN HALO

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    It's not really much of a secret that two of my favorite bands out there today are fronted by ladies. Those two bands are Halestorm and Lacuna Coil. While it took me awhile to latch onto Halestorm, Lacuna Coil was a band that I latched on the very first time I heard them. I remember getting a sampler

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  • Sevendust - TIME TRAVELERS & BONFIRES

    Image: Sevendust, Time Travelers & Bonfires, Review, Modern Metal, Pitriff Sevendust
    TIME TRAVELERS & BONFIRES

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    Sevendust are really a band for the fans, and the fans are definitely always there for the band. Case in point - their latest release TIME TRAVELERS & BONFIRES. This release is one paid for by the latest trend hitting the music business, pre-funding by the fans to pay for a project. The band asked for a lot for

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  • Various Artists: Ronnie James Dio - THIS IS YOUR LIFE

    Image: Dio, This Is Your Life, Pitriff, Review, Classic metal Various Artists
    RONNIE JAMES DIO: THIS IS YOUR LIFE

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    As much as I want to take this at face value, it's hard to not at least wonder just how many times Wendy Dio is going to visit the Dio well and mine more material culled from his past work. There's already been multiple live releases, deluxe reissues, an officially sanctioned band playing the

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  • Red Reign - CHASING SHADOWS

    Image: Red Reign, Chasing Shadows, Pitriff, Review, Classic Metal Red Reign
    CHASING SHADOWS

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    It's not very often that a band that has zero backing behind it sweeps in and just monopolizes my listening time. Generally, bands like Red Reign get 30 seconds as I quickly scan through their music and I'm on to something else that I'm getting pressured to review by a publicist. For Red Reign, I was asked to review

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  • Steel Panther - ALL YOU CAN EAT

    Image: Steel Panther, All You Can Eat, The Classic Metal Show Steel Panther
    ALL YOU CAN EAT

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    They certainly are the joke that just keeps on being retold and being funny, now aren't they? I'm sure there's a lot less people that remember them as Metal Shop, Metal Skool or even way back to the Danger Kitty days, but a whole lot more people have discovered this band since they adopted the name Steel

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  • Sebastian Bach - GIVE 'EM HELL

    Sebastian Bach, Give 'Em Hell, Pitriff, CD Review Sebastian Bach
    GIVE 'EM HELL

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    It seems like every time Sebastian Bach releases new music, the first thought that comes to my mind is "this dude comes off like a douchebag ALOT in interviews, but he just kicks ass musically." Amazing how that comes back around. Baz is back, and he's been saying some interesting things in recent interviews. Yet, just ignoring that

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  • Gamma Ray - EMPIRE OF THE UNDEAD

    Image: Gamma Ray, Empire Of The Undead, Pitriff, CD Review, Power Metal Gamma Ray
    EMPIRE OF THE UNDEAD

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    My affinity for Gamma Ray really predates the band itself, as it's much more of an appreciation for the vocal work of singer Kai Hansen. Be it with Gamma Ray or his legendary work with his previous band Helloween, Hansen has always been not only one of the most elite vocalists in power metal in my eyes,

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  • Vandenberg's MoonKings - VANDENBERG'S MOONKINGS

    Image: Vandenberg's Moonkings, Pitriff, Classic Rock, Classic Metal Vandenberg's MoonKings
    VANDENBERG'S MOONKINGS

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    Adrian Vandenberg and Jake E. Lee have seemingly the same career path. Both were great in super huge bands (Vandenberg in Whitesnake, Lee in Ozzy), recorded even better material when they broke away (Lee with Badlands, Vandenberg with Manic Eden), and then both walked away and just left music behind for awhile. Now, both are back. Lee's Red Dragon

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  • Pilgrim - II: VOID WORSHIP

    Image: Pilgrim, Void Worship, Pitriff, doom metal, review Pilgrim
    II: VOID WORSHIP

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    In the epic world of doom metal, there are a lot of pretenders. There are only a few that are truly authentic though. Pilgrim is one of the most authentic I think I've ever heard. Their grinding, slow moving sludge is such from which legends put on this Earth to slay anyone or anything in it's path. Made up

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  • Hatecore Inc. - NO HOPE, NO ESCAPE VOL. 1

    Image: Hatecore Inc, No Hope, No Escape Vol 1, Pitriff, Review Hatecore, Inc.
    NO HOPE, NO ESCAPE VOL. 1: WELCOME TO MY WAR

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    Being from the Cleveland area, I've seen a lot of bands get ignored for whatever reason. On the national side of things, most people look at bands north of Columbus as being from "Cleveland". Unfortunately though, that's not how it works. For as long as I've been in this scene, there

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  • KXM - KXM

    Image: KXM, George Lynch, Dug Pinnick, Ray Luzier, Pitriff KXM
    KXM

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    Some points of clarity before I write a single world about the new project KXM, in order that this review is understood and evaluated fairly by anyone reading it. This project features three guys - Dug Pinnick of King's X, George Lynch of Dokken and Lynch Mob fame, and Ray Luzier who is currently the drummer for Korn. Out of fairness, I'll

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Review - Jeff Scott Soto DAMAGE CONTROL

Image: Jeff Scott Soto, Damage Control, Pitriff, CD ReviewsJeff Scott Soto
DAMAGE CONTROL

Jeff Scott Soto is, by far, my favorite singer out there today. The guy has one of the strongest voices in the world, and his ability to use it in a multitude of ways stretches far past what most singers ever showcase. Let’s face it, you have to have incredible talent to be able to front a band that was defined by a voice (Journey), as well as fronting a metal band of prominence (Yngwie Malmsteen’s Rising Force).

Even the great ones come back to earth occasionally though. While DAMAGE CONTROL is a fine album without anything that you’d look at cringe on, it lacks anything that really grabs you too much either. It’s fairly standard, and while it does feature a full plate of good songs, there’s not really a great or unique moment on it. The truth is that Soto pretty much spoiled fans with his last release BEAUTIFUL MESS. That album had so many twists, turns and unexpected moments that anything a bit more standard would feel like a step backwards. Still, DAMAGE CONTROL feels like a step backwards.

Even stepping backwards though, I’m happy to have DAMAGE CONTROL. Songs like the arena rocker “Afterworld” certainly will have your head bobbing and will tempt you to throw your fist in the air and scream “Hey” on queue. Other songs, like “Look Inside Your Heart” definitely find Soto channelling his inner Journey once again. For his part, Soto sounds fantastic as always on DAMAGE CONTROL. He’s a big time voice that knows when to croon and when to shout, and as always, he puts it together perfectly. Listening to songs like “If I Never Let Her Go”, it’s apparent that he’s very compelling as a singer.

The issue with DAMAGE CONTROL is that so much of the material is very formulaic. It’s kind of like listening to a Bryan Adams record with a better vocalist. With his last release BEAUTIFUL MESS, there were twists and turns from song to song. That really doesn’t happen here. Instead, you have 11 really strong songs that are all pretty similar stylistically. DAMAGE CONTROL fails to deliver something unique like “21st Century” or “Mountain” from the last album. While songs like “Give A Little More” and “Damage Control” are certainly good songs, they are very predictable AOR rock.

PITRIFF RATING – 80/100 - To reiterate, DAMAGE CONTROL is a solid album; completely listenable and entertaining. Unfortunately for Jeff Scott Soto, he raised the bar very high with BEAUTIFUL MESS to a point where a straight forward rock record was not about to clear that hurdle. I like it. I don’t love it. It’ll be in my Ipod for the next six months, so it will probably grow on me. For now though, it’s a solid, standard release from the best vocalist making music today.

Chris Akin

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