• Wretch - WARRIORS

    Image: Wretch, Warriors, Review, Power Metal, Chris Akin, Pitriff Wretch


    There's an unwritten rule that I rarely follow here in Cleveland. That rule is that if a band is from Cleveland, I'm supposed to write all glowing things or else be called a hater by the local community. It's sad that it's like that, but the truth is what it is. For years I've lived with that stigma, to the point

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  • Machine Head - BLOODSTONE & DIAMONDS

    Image: Machine Head, Bloodstone & Diamonds, Pitriff, Review, Thrash Metal Machine Head


    What happened to Machine Head really is a crime. Unfortunately for them, it's a crime they perpetrated upon themselves. With a mistake so many made in their youth, this band singlehandedly torpedoed themselves from ascending to the heights in metal held by only the select few like Metallica and Megadeth before them. After THE MORE THINGS CHANGE came

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  • Nashville Outlaws - TRIBUTE TO MOTLEY CRUE

    Image: Nashville Outlaws, Motley Crue Tribute Nashville Outlaws


    With the music industry pretty much dead anymore, nothing really comes off as shocking. After all, you have very desperate companies trying to hang on and make money from an industry that has about as much relevance today as the typewriter ribbon makers of the world still do. The current trend for the last half decade

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  • Texas Hippie Coalition - RIDE ON

    Image: Texas Hippie Coalition, Ride On, Heavy Metal, Hard Rock, Review, Classic Metal Texas Hippie Coalition


    I tell this story often, but it's one of my favorites of the past year. I had the chance to interview the Texas Hippie Coalition earlier this year at Rock On The Range in Columbus, Ohio. I was in a small tent with a bunch of photographers. The tent was fairly quiet really, as the much bigger adjacent

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  • Sammy Hagar - LITE ROAST

    Image: Sammy Hagar, Lite Roast, NonMetal, Review Sammy Hagar


    I get it. You are Sammy Hagar. You've seen huge success in virtually every world you've entered. In music, he was the main focus of Montrose. He parlayed that into a very successful solo career. That wasn't enough, so he joined the world's largest band at the time (Van Halen), and took them to commercial heights that even they

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  • Cavalera Conspiracy - PANDEMONIUM

    Image: Cavalera Conspiracy, Pandemonium, Pitriff, Death Metal, Review Cavalera Conspiracy


    There's always good news and bad news whenever Max Cavalera gets busy with new music. The good is that you get a whole lot of new music, seemingly all in a very short time. The bad news is it's generally spotty at best, because he simply writes and releases too much music at the same time. His band Soulfly released

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  • Slipknot - .5 THE GRAY MATTER

    Image: Slipknot, .5 The Gray Matter, Pitriff, CD Review, Modern Metal Slipknot


    With a ton of speculation and even more wonderment on this band's ability to continue on without founding members Paul Gray and Joey Jordison, Slipknot has returned after far too long of a layoff with .5 THE GRAY MATTER. I've listened to this release multiple times a day for the last week or so that I've had it,

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Review - Jeff Scott Soto DAMAGE CONTROL

Image: Jeff Scott Soto, Damage Control, Pitriff, CD ReviewsJeff Scott Soto

Jeff Scott Soto is, by far, my favorite singer out there today. The guy has one of the strongest voices in the world, and his ability to use it in a multitude of ways stretches far past what most singers ever showcase. Let’s face it, you have to have incredible talent to be able to front a band that was defined by a voice (Journey), as well as fronting a metal band of prominence (Yngwie Malmsteen’s Rising Force).

Even the great ones come back to earth occasionally though. While DAMAGE CONTROL is a fine album without anything that you’d look at cringe on, it lacks anything that really grabs you too much either. It’s fairly standard, and while it does feature a full plate of good songs, there’s not really a great or unique moment on it. The truth is that Soto pretty much spoiled fans with his last release BEAUTIFUL MESS. That album had so many twists, turns and unexpected moments that anything a bit more standard would feel like a step backwards. Still, DAMAGE CONTROL feels like a step backwards.

Even stepping backwards though, I’m happy to have DAMAGE CONTROL. Songs like the arena rocker “Afterworld” certainly will have your head bobbing and will tempt you to throw your fist in the air and scream “Hey” on queue. Other songs, like “Look Inside Your Heart” definitely find Soto channelling his inner Journey once again. For his part, Soto sounds fantastic as always on DAMAGE CONTROL. He’s a big time voice that knows when to croon and when to shout, and as always, he puts it together perfectly. Listening to songs like “If I Never Let Her Go”, it’s apparent that he’s very compelling as a singer.

The issue with DAMAGE CONTROL is that so much of the material is very formulaic. It’s kind of like listening to a Bryan Adams record with a better vocalist. With his last release BEAUTIFUL MESS, there were twists and turns from song to song. That really doesn’t happen here. Instead, you have 11 really strong songs that are all pretty similar stylistically. DAMAGE CONTROL fails to deliver something unique like “21st Century” or “Mountain” from the last album. While songs like “Give A Little More” and “Damage Control” are certainly good songs, they are very predictable AOR rock.

PITRIFF RATING – 80/100 - To reiterate, DAMAGE CONTROL is a solid album; completely listenable and entertaining. Unfortunately for Jeff Scott Soto, he raised the bar very high with BEAUTIFUL MESS to a point where a straight forward rock record was not about to clear that hurdle. I like it. I don’t love it. It’ll be in my Ipod for the next six months, so it will probably grow on me. For now though, it’s a solid, standard release from the best vocalist making music today.

Chris Akin

Image: Cause/Effect Metallica, Chris Akin

A look at one of the most polarizing, iconic and best selling albums of all time from author, rock critic and shock jock radio host Chris Akin.


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The shockingly honest and emotional first book from radio personality and rock critic Chris Akin.

CLICK HERE to learn more about LITTLE VICTORIES.

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Available January 13th in Paperback and Digital Formats on Amazon and iTunes.

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