Written by Chris Akin
Some points of clarity before I write a single world about the new project KXM, in order that this review is understood and evaluated fairly by anyone reading it. This project features three guys - Dug Pinnick of King's X, George Lynch of Dokken and Lynch Mob fame, and Ray Luzier who is currently the drummer for Korn. Out of fairness, I'll allow the following for this review. First, I'm not a fan of Dug Pinnick's music at all. I've interviewed him several times (I think five times, actually), and he's a super cool guy, but musically I've just never, ever gotten King's X as much as I've wanted to understand why so many just worship them. In many ways, King's X falls into that category that Dream Theater does for me - that I just don't understand the appeal of. As for Lynch, again putting it out there, I work for Dokken as their webmaster and also for current Dokken guitarist Jon Levin as his as well. That said, I think Lynch has the distinction of not only recording some of the best music of the "hair era and beyond (because LYNCH/PILSON was by far his best recorded work), but he's also recorded two of the worst albums of all time in my ears in Dokken's SHADOWLIFE and Lynch Mob's SMOKE THIS. I haven't liked much of Lynch's work in a long time, as Microdot, Souls of We and other stuff I'm sure I'm missing have just not been very good. As for Luzier, I think I met him once at a David Lee Roth show in the late 90s, enjoyed the DLR Band album he played on, like Korn, and also remember that he had some sort of association with Darren Householder from one of my favorite bands that never made it big, Love/Hate. So there, it's on the table.
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