• Nashville Outlaws - TRIBUTE TO MOTLEY CRUE

    Image: Nashville Outlaws, Motley Crue Tribute Nashville Outlaws
    A TRIBUTE TO MOTLEY CRUE

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    With the music industry pretty much dead anymore, nothing really comes off as shocking. After all, you have very desperate companies trying to hang on and make money from an industry that has about as much relevance today as the typewriter ribbon makers of the world still do. The current trend for the last half decade

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  • Texas Hippie Coalition - RIDE ON

    Image: Texas Hippie Coalition, Ride On, Heavy Metal, Hard Rock, Review, Classic Metal Texas Hippie Coalition
    RIDE ON

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    I tell this story often, but it's one of my favorites of the past year. I had the chance to interview the Texas Hippie Coalition earlier this year at Rock On The Range in Columbus, Ohio. I was in a small tent with a bunch of photographers. The tent was fairly quiet really, as the much bigger adjacent

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  • Sammy Hagar - LITE ROAST

    Image: Sammy Hagar, Lite Roast, NonMetal, Review Sammy Hagar
    LITE ROAST

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    I get it. You are Sammy Hagar. You've seen huge success in virtually every world you've entered. In music, he was the main focus of Montrose. He parlayed that into a very successful solo career. That wasn't enough, so he joined the world's largest band at the time (Van Halen), and took them to commercial heights that even they

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  • Cavalera Conspiracy - PANDEMONIUM

    Image: Cavalera Conspiracy, Pandemonium, Pitriff, Death Metal, Review Cavalera Conspiracy
    PANDEMONIUM

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    There's always good news and bad news whenever Max Cavalera gets busy with new music. The good is that you get a whole lot of new music, seemingly all in a very short time. The bad news is it's generally spotty at best, because he simply writes and releases too much music at the same time. His band Soulfly released

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  • Slipknot - .5 THE GRAY MATTER

    Image: Slipknot, .5 The Gray Matter, Pitriff, CD Review, Modern Metal Slipknot
    .5 THE GRAY MATTER

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    With a ton of speculation and even more wonderment on this band's ability to continue on without founding members Paul Gray and Joey Jordison, Slipknot has returned after far too long of a layoff with .5 THE GRAY MATTER. I've listened to this release multiple times a day for the last week or so that I've had it,

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  • Opeth - PALE COMMUNION

    Image: Opeth, Pale Communion, Pitriff, Review, Progressive Metal Opeth
    PALE COMMUNION

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    Opeth simply fails as a band, at least to me. While I'll admit to never fully understanding the amazement and awe so many have for this band, I've appreciated them from afar. I've listened, and I've at least wrapped my head around what they were trying to do. Their fusing of death metal with progressive elements always made for an

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  • Cannibal Corpse - A SKELETAL DOMAIN

    Cannibal Corpse, A Skeletal Domain, Review, Death Metal Cannibal Corpse
    A SKELETAL DOMAIN

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    So really, what does anyone expect when you get a Cannibal Corpse release handed to you? Ballads, love songs and fun? Not hardly. There's an expectation of severe brutality which the band delivers time and time again. Certainly, it comes with different levels of acceptance to one's ears, but ultimately the only thing that matters if it says

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  • Exodus - BLOOD IN, BLOOD OUT

    Image: Exodus, Blood In Blood Out, Pitriff, Review, Thrash Metal Exodus
    BLOOD IN, BLOOD OUT

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    Unless you call Testament a "thrash band" (which I don't personally), Exodus would rank as my favorite true Thrash band of all time. They have had good times and bad. Occasionally, like on FABULOUS DISASTER, they have misstepped along the way. But overall, they are one of the true powerhouses in the history of thrash metal. Since 2004

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  • Mr. Big - ...THE STORIES WE COULD TELL

    Mr. Big, The Stories We Could Tell, Reviews, Classic Metal, Chris Akin, Pitriff Mr. Big
    ...THE STORIES WE COULD TELL

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    As a fan of Mr. Big, I can't honestly say that many people thought that their reunion was much more than a cash grab opportunity for the guys in the band who, while immensely talented, failed to find solo success to match their collaborative efforts. It was never a question of if they could still play.

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  • Slash - WORLD ON FIRE

    Image: Slash, Myles Kennedy, Conspirators, World On Fire, Pitriff, review, classic metal Slash
    WORLD ON FIRE

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    Hey Gene Simmons. The corpse of rock n' roll just had a baby. That baby is not an average baby at all. That baby was not stillborn, but came out kicking and screaming with an intensity rarely seen. This baby is destined for greatness. This infant is out to prove you wrong. While your days of spitting fire and

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  • Davey Suicide - WORLDWIDE SUICIDE

    Image: Davey Suicide, Worldwide Suicide, Pitriff, Reviews, Modern Metal Davey Suicide
    WORLDWIDE SUICIDE

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    I had the pleasure of working directly with Davey Suicide as he prepped his debut release a few years ago for release. I got to work with him on some promotional stuff, some publicity stuff, his website and a lot more of that kind of stuff. In that work, I quickly found him to be far more than the

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  • Ministry - LAST TANGLE IN PARIS

    Image: Ministry, Last Tangle In Paris, Pitriff, Review, Industrial Metal Ministry
    LAST TANGLE IN PARIS

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    Al Jourgensen of Ministry has been threatening to take his ball and go home for a long time now. Quite frankly, I'm not sure I believe that he'll ever retire. Every time he says he's retiring, he seems to come right back with more music that's stronger, meaner and just better than anything in his past. Being quite

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Review - Overkill THE ELECTRIC AGE

Image: Overkill, Pitriff, CD ReviewOverkill
THE ELECTRIC AGE

If you are a fan of most of the big name metal bands and have been for 20+ years as so many of us have been, then you have really lived through ebbs and flows in their careers. For most of them, they are simply not as good as they once were. Sure, we still like what they do and support it, but let’s be honest about it. We do so out of respect for the past brilliance, and not because today’s stuff is of the same caliber. Pick a band – Metallica, Slayer, Megadeth, Anthrax, Exodus, Testament – some have put out strong releases, but can you say that their career in the last 15 years has been as strong as the first 10-15? Probably not. In my eyes, only one band of that ilk can say they are as strong, and I would argue they are stronger. That band is Overkill. While every album hasn’t been a home run (IMMORTALIS was kind of lacking), it’s pretty hard to argue that albums like FROM THE UNDERGROUND AND BELOW, IRONBOUND and NECROSHINE aren’t as strong or stronger than the classics like TAKING OVER or UNDER THE INFLUENCE.

 

Overkill have returned following the album that got them more praise than anything they have done in 20 years. IRONBOUND was named album of the year for 2010 in literally hundreds of metal publications, as well it should have been. It was a dominant release, that saw these New Jersey veterans more fierce than ever before. They are back with THE ELECTRIC AGE, and once again they are banging ahead on all cylinders. While THE ELECTRIC AGE is not as strong as IRONBOUND, it’s certainly quality metal the way you expect Overkill to deliver it. Bobby “Blitz” Ellsworth is once again spitting lyrics like a menacing school kid throws insults at a fat girl. His antagonistic delivery on songs like “Save Yourself” is pretty much standard Ellsworth in action.

As for the rest of the band, this lineup has been together long enough now to where they are an extremely tight unit. Guitarist Dave Linsk and rhythm player Derek “The Skull” Tailer rip through song after song in what can only be described as a show of brute force. The riffs that power anthemic numbers like “Drop The Hammer Down” are explosive, while the solo creates more of a haunting ambience to enhance the song instead of cutting through it sonically. Where these guys don’t demand all the attention, bassist D. D. Verni and drummer Ron Lipnicki make their presence felt. As always, the foundation for each song is rock solid – strong enough to stack skyscrapers on…thrash metal like “Wish You Were Dead” or “Electric Rattlesnake”.

PITRIFF RATING – 85/100 – This is a solid effort from Overkill. It’s not as good as IRONBOUND, primarily because the songs lack a lot of differences from track to track. That said though, if your in the mood for nearly an hour of bludgeoning, then look no further than THE ELECTRIC AGE. As they always do, Overkill has delivered the goods.

Chris Akin

Image: Cause/Effect Metallica, Chris Akin

A look at one of the most polarizing, iconic and best selling albums of all time from author, rock critic and shock jock radio host Chris Akin.

CLICK HERE to learn more about CAUSE/EFFECT: METALLICA.

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The shockingly honest and emotional first book from radio personality and rock critic Chris Akin.

CLICK HERE to learn more about LITTLE VICTORIES.

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Read Reviews and Excerpts from LITTLE VICTORIES: A TALE OF DIVORCE, DEBAUCHERY AND FINDING HAPPINESS HERE!

Available January 13th in Paperback and Digital Formats on Amazon and iTunes.

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