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  • Sevendust - KILL THE FLAW

    Image: Sevendust, Kill The Flaw Sevendust


    When I first saw Sevendust’s new release was titled KILL THE FLAW, my initial thought was “what exactly is the flaw?” It leads you to wonder just what it is that caused this band to not break big, while bands with lesser quality catalogs like Disturbed or Korn had such crazy amounts of success at the same time. This

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  • Iron Maiden - THE BOOK OF SOULS

    Image: Iron Maiden, The Book of Souls, Review, Classic Metal, Pitriff, Chris Akin Iron Maiden


    They don’t do it that often anymore, but there’s always excitement when Iron Maiden comes out with new music. Knowing that they are closing in on the end of their career, you really do end up hoping that when they go out for good, it will be with a bang. I think it’s universally agreed upon that

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  • Slayer - REPENTLESS

    Image: Slayer, Repentless, Pitriff, Review, Thrash Metal, Chris Akin Slayer


    Probably more than any release in their history, Slayer came into releasing this album at a crossroads. This WAS the album that, in many ways, dictated if the band could continue on or if it was indeed time to drift off quietly to Hell. The loss of guitarist Jeff Hanneman and the removal of drummer Dave Lombardo had almost every Slayer

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  • Operation: Mindcrime - THE KEY

    Image: Operation Mindcrime, Geoff Tate, Reviews, Music, heavy metal Operation: Mindcrime


    Geoff Tate’s falling out and subsequent two years of lawsuits, multiple versions of the same band and overall craziness in the press definitely tarnished a legacy that once seemed untouchable. Think about it. Even with over a decade of arguably bad releases (Q2K, TRIBE, AMERICAN SOLDIER, DEDICATED TO CHAOS), it wasn’t until the now infamous spitting incident and the

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    Image: WASP, Golgotha, Blackie Lawless, Pitriff, Review, Heavy Metal W.A.S.P.


    W.A.S.P. is one of those bands that has a ridiculously loyal fanbase...and good for them, actually. Doing THE CLASSIC METAL SHOW, we get shit on repeatedly anytime we say anything that is less than glowing about W.A.S.P., Blackie Lawless or any of the band’s former or present members. Oh well...comes with the territory, I guess. After what seems like quite a

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Image: Shrapnel, The Virus Conspires, Pitriff, Thrash, ReviewShrapnel


For the last five to ten years, I have been championing the return of thrash metal by a series of new bands. Some have made it and built pretty solid careers (Havok, Municipal Waste), and others have come and gone (what happened to Lazarus AD). That said though, there's be no shortage of bands in the last decade that have returned to the roots of thrash to make authentic and new thrash that have been more than welcome to those of us that live in hope that Exodus and Death Angel can continue their winning ways since coming back. In short, it's been very good to have a gluttony of new bands making this kind of music. Formed in 2009, Shrapnel jumps right into the middle of this fold with THE VIRUS CONSPIRES. This release is 100% a facemelter, seemingly cut out of 1988 and intent to simply destroy everything in it's path. It's technically excellent, sonically crushing and as good a thrasher as anything that's come along in awhile.

On THE VIRUS CONSPIRES, you can't help but be blown away with the level of heaviness and the raw power exhibited by Shrapnel. Songs like "22" just come ripping through the headphones and take your ears off with their blazing fury. Certainly, like most thrash bands, the core to their sound is the guitarwork. Nathan Sadd is a beast on lead guitar, and he's tempered well by the blazing rhythm work of fellow guitarist Chris Martin. These guys have riffs that simply tear through the air when listening to them, and yet their breakdowns are about as effortless as anything you will ever hear. On "22", the tempo transitions to and from hyperspeed are amazing. Sadd's solo roars as well, proving him to be far more than a thrasher. It's some of the coolest guitarwork in this kind of music I've heard in awhile.

That said though, this band is far more than a lot of guitars. Drummer Simon Jackson is both a hyperspeed beast and a technical technician behind the kit. His blast beats are ably turned on and off throughout material like "The Virus Conspires". While in most bands he would be teamed with the bassist, Jackson seems more on his own as bassist Darryl Abbot seems more content to follow along and thicken up the rhythm playing provided by Martin. In a lot of ways, the rhythm provided by Martin and Abbot reminds a lot of the early Death Angel albums. Finally, vocalist Jae Hadley is not overly flashy or anything, but he brings the nasty vocally. He's a fairly typical thrash vocalist to be honest, and that's all the more that songs like "Poison The Mind" or "Kingdom Come" call for.

PITRIFF RATING - 96/100 - I love thrash metal, and am very judgmental of it as it stands as probably my favorite "type" of metal there is. THE VIRUS CONSPIRES from Shrapnel is as good as anything that has come out in the last decade, be it from a new act or the all time veterans of the genre. This asskicker is well worth a listen or 50.

Image: Cause/Effect Metallica, Chris Akin

A look at one of the most polarizing, iconic and best selling albums of all time from author, rock critic and shock jock radio host Chris Akin.


Buy Now:  Paperback    Digital

Image: Little Victories, Book, Chris Akin

The shockingly honest and emotional first book from radio personality and rock critic Chris Akin.

CLICK HERE to learn more about LITTLE VICTORIES.

Buy Now:  Paperback     Digital


Available January 13th in Paperback and Digital Formats on Amazon and iTunes.

 Image: Keel, pitriff, heavy metal, news, reviews, interviews

Want Streets Of Rock N' Roll Radio On Your Phone - CLICK HERE To Download The New App


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