• Halestorm - INTO THE WILD LIFE

    Image: Halestorm, Into The Wild Life, Pitriff, heavy metal, reviews, interviews Halestorm
    INTO THE WILD LIFE

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    With the release of THE STRANGE CASE OF…, I fell in love with Lzzy Hale. So much so, in fact, that I jokingly got down on one knee and asked her to marry me at Rock On The Range two years ago (a proposal that she didn’t flat out turn down, so maybe there’s still hope!!). Let’s be

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  • Marilyn Manson - THE PALE EMPEROR

    Image: Marilyn Manson, The Pale Emperor, Pitriff, Modern Metal, Reviews Marilyn Manson
    THE PALE EMPEROR

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    MP3

    Let’s just call it the way it is. It’s been a very, very long time since Marilyn Manson recorded a really good, memorable release that any of us still listen to on a regular basis. To many, the would probably says that it’s been since MECHANICAL ANIMALS back in 1998. For me personally, I’ll be a bit more

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  • Black Star Riders - THE KILLER INSTINCT

    Image: Black Star Riders, The Killer Instinct, Review, Classic Rock, Pitriff Black Star Riders
    THE KILLER INSTINCT

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    When Black Star Riders made their decision to record under a new name instead of as Thin Lizzy, it was met with a lot of opinions. For most, I would assume they were happy that they decided to move away from the name they had been touring under. For many, I'm sure there was a lot of

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  • Lynch Mob - SUN RED SUN

    Image: Lynch Mob, Sun Red Sun, George Lynch, Classic Rock, Reviews Lynch Mob
    SUN RED SUN

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    On THE CLASSIC METAL SHOW, George Lynch is regularly a topic of conversation. Maybe that has to do with the fact that Neeley is a personal friend of Don Dokken and I work for Don on his website, but I like to believe that he becomes a topic because, first and foremost, we are big fans of the

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  • Karma To Burn - ARCH STANTON

    Image: Arch Stanton, Karma To Burn, Pitriff, Stoner Metal, Reviews Karma To Burn
    ARCH STANTON

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    MP3

    There are those of us who know. We will forever be known as the "fortunate ones". There are those of you that have no idea. You will be known as the "unfortunate ones". What is it we know that you don't? We know the sheer greatness of Karma To Burn. For those that are unfortunate ones, let me

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  • U.D.O. - DECADENT

    Image: U.D.O. - DECADENT, Classic Metal, Reviews, Pitriff U.D.O.
    DECADENT

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    I'm sure I'm not in the minority here, but I'm glad that we now have a killer version of Accept with Mark Tornillo as well as the continuation of U.D.O. with Udo Dirkschneider. In short, it's led to both bands stepping up their game and creating great music. While neither side will admit competition with the other band, the fans certainly

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  • Sweet & Lynch - ONLY TO RISE

    Image: Sweet & Lynch, Only To Rise, CD Review, Classic Metal, Pitriff Sweet & Lynch
    ONLY TO RISE

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    Being completely honest here, I really didn't expect a whole lot out of this. I'm not the biggest Stryper fan in the world by a long shot, and the truth is that I just never could fully get into Michael Sweet's vocals. There's just always been something about him. I'm not sure what it is. I guess

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Image: Shades Of Resistence, Pitriff, Cleveland, hard rock, heavy metal, veilShades Of Remembrance
VEIL

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For years and years, there have been many progressive metal bands that have struggled to be heard.  For many, they never get the chance, and therefore never truly get out there.  For others, their sheer will to be known pushed them to be discovered by fans.  With progressive metal, it's difficult to really make a statement about your sound.  Everyone looks and claims to sound like the next Fates Warning, Dream Theater or Queensryche, but with such lofty names to put as an equal to yourself, the actual music behind it lets you down somewhat.  For Cleveland's Shades Of Remembrance, they can loosely claim the name Fates Warning as somewhat of an influence, but ultimately they are not a good counter to any of those named bands.  While VEIL is a very good release, it's not really comparable to big name progressive metal bands.  They are much more metal; more gritty and more raw then the uber polished approach the bands listed about have exhibited.  Don't take that as a bad thing either, as it's refreshing to hear powerful progressive playing without some studio engineer "cleaning it up".  This is a solid listen.

Listening to VEIL numerous times, the performance that sticks out the most to me is that of guitarist Al Bauhof and rhythm player Calvin Burgess.  In many ways, their raw and gritty, almost barroom sound has more of a very early Iron Maiden meets Black Sabbath combined power than what you get from most prog bands.  Listening to songs like "False Intentions", you can tell these guys have much more of a "metal lineage" than they do "prog".  On other songs like "Bad Memory", the crunch of the guiding riff feels ripped straight off an early Testament album, and that's all good with me.  They lay some dirty, fat groundwork for vocalist Elm Burgess to showcase from.  In a lot of ways, he reminds me of Russell Allen of Symphony X, in that he's not a pure, clean singer.  Instead, he adds a lot of grit to his clean vocals, which makes them sound tougher and more rugged.  There are times, like on "Scream", where the vocals do come off a touch flat around the high end, but overall you have as much attitude as polish throughout.  Elm additionally plays bass, and teams with drummer Todd Martin to provide a solid rhythm section that is so important to this kind of band.  While I'm not overwhelmed with the sound of the drums on VEIL (they do have a bit of a cardboard box feel on some songs, most notably on "Scream" where there's not as much music covering it up), it's clear that Martin can play.

PITRIFF RATING - 74/100 - These guys are an unsigned band, so the production things are somewhat expected based on budget.  But I have to judge on what I hear, and not what "could have been".  I haven't seen this band, but my assumption is that there's a lot of energy at their shows based on some powerful songs that are on display here.  VEIL does it's job to create interest in this band.  With any luck, it will produce enough residual income for the band so they can record in a better environment next time around.  Still though, this raw sound with progressive elements is welcomed.  Pretty good record.

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A look at one of the most polarizing, iconic and best selling albums of all time from author, rock critic and shock jock radio host Chris Akin.

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