• Black Stone Cherry - KENTUCKY

    Image: Black Stone Cherry, Kentucky Black Stone Cherry
    KENTUCKY

    CD
    MP3

    This collection of southern boys are not the most original band in the world. They’ll never be accused of being the most musically gifted fellas in the world. Certainly, no one will ever listen to them and think, “wow, that’s really cutting edge music”. To the contrary though, release in and release out, the same thought comes to mind

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  • Zakk Wylde - BOOK OF SHADOWS II

    Image: Zakk Wylde, Book Of Shadows II Zakk Wylde
    BOOK OF SHADOWS II

    CD
    MP3

    Sequels to albums, at least in my listening experience, are generally poor. The two that immediately jump to mind for me are Rob Zombie’s HELLBELLY DELUXE 2 and Meat Loaf’s BAT OUT OF HELL 2. Both releases were pretty lame, and garnered attention solely because they were named after much more historic releases in their creator’s career.

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  • Dream Theater - THE ASTONISHING

    Image: Dream Theater, The Astonishing, Pitriff, Chris Akin Dream Theater
    THE ASTONISHING

    CD
    MP3

    So, Dream Theater is back with a release that many are calling their most in-depth, and yet polarizing release. Fair enough. With 34 tracks and clocking in at over two hours in length, it’s certainly the most challenging on a listener to fully grasp and comprehend. Along with THE ASTONISHING, you are expected to read the book of lyrics

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  • Megadeth - DYSTOPIA

    Image: Megadeth, Dystopia, Dave Mustaine, David Ellefson, Kiko Loureiro, Chris Adler Megadeth
    DYSTOPIA

    CD
    MP3

    More than any other metal band in history, being a hardcore Megadeth fan is truly a rollercoaster ride. This is a band with multiple duds in their catalog, and yet they always seem to rebound. Think about it, they’ve truly had some bad releases in their catalog. RISK was terrible. THE WORLD NEEDS A HERO wasn’t a lot better. And yet,

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  • Anthrax - FOR ALL KINGS

    Image: Anthrax, For All Kings, Pitriff, Chris Akin Anthrax
    FOR ALL KINGS

    CD
    MP3

    Depending on your perspective, Anthrax is either having a career resurgence or floundering at the end of their career. I’m stunned how many people actually didn’t like their last effort, FOR ALL KINGS. In these ears, that was the best effort of their career. What made it great, to me, was the mixture of crushing heaviness combined with some

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Image: James Labrie, Impermanent Resonance, Pitriff, cd reviewJames Labrie
IMPERMANENT RESONANCE

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iTunes
Amazon

I make no bones about it. I'm not a Dream Theater fan. To be blunt and to the point, I've always appreciated the immense talent they have as individual musicians, but I've always found them to be the single most undisciplined songwriters in the history of heavy metal. They have always written bloated songs that are more focused on getting everyone's individual parts into each song than on writing a cohesive 4-6 minute song that's digestible to the average metal fan (such as I am). That's just my opinion, and I'm sure the throngs of DT loyalists out there will react with their typical "you don't know shit, that's why they're brilliant" response. So be it. I won't convince you, and you won't convince me...so we leave it there. That said though, I've been a big fan of vocalist James Labrie's solo efforts since he started putting them out. Specifically with his release ELEMENTS OF PERSUASION which featured the killer song "Freak", Labrie has proven to be solid for a more traditional listener such as I am. With IMPERMANENT RESONANCE, Labrie has once again put forth a solid effort.

Featuring no songs that even break the 5 ½ minute mark, Labrie has crafted a solid collection of simple, powerful and yet a touch progressive metal that just works for him. Without question, songs like the absolutely killer "Letting Go" or "Undertow" are about as standard as Labrie would ever do. On songs like "Agony", Labrie teams with vocalist Peter Wildoer to trade clean vocals (Labrie) with Death Metal screams (Wildoer). It works here. Labrie, for his part, sounds great as usual. Songs like the midtempo rocker "Destined To Burn" are excellent, with Labrie's soaring chorus being instantly memorable.

What makes IMPERMANENT RESONANCE so good though is not only Labrie, but the thick guitar sound provided by returning guitarist Marco Sfogli. His playing is rich and powerful, adding a lot of heavy flavor to each and every song. He's very underrated as a player (since I'm assuming that no one outside of the Labrie fan club has heard of him). His work on the ballad "Say Your Still Mine" literally carries the track. He works well with the rhythm section comprised of Wildoer on drums and Ray Riendeau on bass. Keyboardist Matt Guillory also appears on the disc, but outside of his piano on "Say Your Still Mine", he's pretty much unnecessary to most of these songs.

PITRIFF RATING - 82/100 - James Labrie solo is far greater than Dream Theater in my humble opinion. IMPERMANENT RESONANCE is a solid effort from Labrie; one that does nothing to deter his fans in any way. It's definitely not his best solo release, but it's on par with the others that he's released to date. In short, IMPERMANENT RESONANCE is worth the time invested to hear it.

Image: Cause/Effect Metallica, Chris Akin

A look at one of the most polarizing, iconic and best selling albums of all time from author, rock critic and shock jock radio host Chris Akin.

CLICK HERE to learn more about CAUSE/EFFECT: METALLICA.

Buy Now:  Paperback    Digital

Image: Little Victories, Book, Chris Akin

The shockingly honest and emotional first book from radio personality and rock critic Chris Akin.

CLICK HERE to learn more about LITTLE VICTORIES.

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Read Reviews and Excerpts from LITTLE VICTORIES: A TALE OF DIVORCE, DEBAUCHERY AND FINDING HAPPINESS HERE!

Available January 13th in Paperback and Digital Formats on Amazon and iTunes.

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