BLEED & SCREAM
While most bands mellow like wine with age Sweden's Eclipse have followed a different trajectory becoming heavier over the course of their thirteen year career. Bleed & Scream, the band's fourth release, showcases these stellar musicians at the apex of their creativity and aggression. Having slowly shed the melodic hard pop of their early days, this album is pure unadulterated metallic rock of the classiest variety.
Each song glimmers strongly with its own unique identity proving the Swedes have worked hard at evolving their craft rather than finding a "formula" and riding it out. Stand out tracks like "Bleed & Scream" "SOS" "Wake Me Up" & "A Bitter Taste" are as different from one another as they are from any other bands in the melodic metal scene. After a decade of writing, this skill deserves more applause than it gets.
Chris Robinson Brotherhood
BIG MOON RITUAL
Man, oh man. Sometimes I hear music that really, really makes me question my decision of 1986 to just quit smoking pot. I've never lied to anyone about it. I loved smoking pot - everything about it. I loved the buzz. I loved the warm, bubbly feeling as you let it find its way through your lungs while you held it in before that euphoric release that was, generally, followed by a soft giggle of the purest enjoyment. I loved the relaxing serenity it can put your mind into, specifically if you had just the right music playing while you enjoyed passing a joint around a campfire or mixing in pipe hits when you grew tired of drinking beer by the six pack. Yes, I do miss smoking pot, but thankfully I am one of those rare breed that still enjoys the best pot smoking music while being completely herb free!
It's been five years since Rush unleashed their SNAKES AND ARROWS release, and to be honest, it's been longer still since they put out a release that was truly great. Like most of their material outside of the 80s, SNAKES AND ARROWS was a little better than competent classic progressive hard rock. For the diehards, always being good but not great leaves them wondering when the next great release will emerge. For those that are just fans in passing (like this guy), the thought of a new release generates very little in the way of expectation.
REGRINDING THE AXES
What could be more useless in 2012 than a new Molly Hatchet studio album? Clearly the band knew. The correct answer is: a Molly Hatchet covers album. Look, I've got no real issues with Molly Hatchet. Every tractor pull and ribfest has to have their live band entertainment, and Foghat always needs a co-headliner. As far as recorded music though, I have to assume that Molly Hatchet recorded music stopped meaning anything to anyone around the time the replacement players started outnumbering the original members in the band. Still, they want to continue on, so God bless 'em.
Throughout my lifetime as a Clevelander, Michael Stanley has been a musical pillar in my life. As long as I’ve been listening to rock music, Michael Stanley has been one of those artists that’s been a fixture for me. I’ve easily seen him perform 30 times, including all 10 of the sold out shows at the Front Row Theatre and the infamous party in the parking lot outside of old Cleveland Stadium. When I got my first walkman in 1982, the first three tapes that came with it were Genesis – GENESIS, Pat Benatar – GET NERVOUS and Michael Stanley Band – MSB. In so many ways, Stanley has been a better version of Bruce Springsteen for me – a storyteller with stories that I could more directly relate to along the way. “Thank God for the man who puts the white lines on the highway”. Indeed.