• Opeth - PALE COMMUNION

    Image: Opeth, Pale Communion, Pitriff, Review, Progressive Metal Opeth
    PALE COMMUNION

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    Opeth simply fails as a band, at least to me. While I'll admit to never fully understanding the amazement and awe so many have for this band, I've appreciated them from afar. I've listened, and I've at least wrapped my head around what they were trying to do. Their fusing of death metal with progressive elements always made for an

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  • Cannibal Corpse - A SKELETAL DOMAIN

    Cannibal Corpse, A Skeletal Domain, Review, Death Metal Cannibal Corpse
    A SKELETAL DOMAIN

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    So really, what does anyone expect when you get a Cannibal Corpse release handed to you? Ballads, love songs and fun? Not hardly. There's an expectation of severe brutality which the band delivers time and time again. Certainly, it comes with different levels of acceptance to one's ears, but ultimately the only thing that matters if it says

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  • Exodus - BLOOD IN, BLOOD OUT

    Image: Exodus, Blood In Blood Out, Pitriff, Review, Thrash Metal Exodus
    BLOOD IN, BLOOD OUT

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    Unless you call Testament a "thrash band" (which I don't personally), Exodus would rank as my favorite true Thrash band of all time. They have had good times and bad. Occasionally, like on FABULOUS DISASTER, they have misstepped along the way. But overall, they are one of the true powerhouses in the history of thrash metal. Since 2004

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  • Mr. Big - ...THE STORIES WE COULD TELL

    Mr. Big, The Stories We Could Tell, Reviews, Classic Metal, Chris Akin, Pitriff Mr. Big
    ...THE STORIES WE COULD TELL

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    As a fan of Mr. Big, I can't honestly say that many people thought that their reunion was much more than a cash grab opportunity for the guys in the band who, while immensely talented, failed to find solo success to match their collaborative efforts. It was never a question of if they could still play.

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  • Slash - WORLD ON FIRE

    Image: Slash, Myles Kennedy, Conspirators, World On Fire, Pitriff, review, classic metal Slash
    WORLD ON FIRE

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    Hey Gene Simmons. The corpse of rock n' roll just had a baby. That baby is not an average baby at all. That baby was not stillborn, but came out kicking and screaming with an intensity rarely seen. This baby is destined for greatness. This infant is out to prove you wrong. While your days of spitting fire and

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  • Davey Suicide - WORLDWIDE SUICIDE

    Image: Davey Suicide, Worldwide Suicide, Pitriff, Reviews, Modern Metal Davey Suicide
    WORLDWIDE SUICIDE

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    I had the pleasure of working directly with Davey Suicide as he prepped his debut release a few years ago for release. I got to work with him on some promotional stuff, some publicity stuff, his website and a lot more of that kind of stuff. In that work, I quickly found him to be far more than the

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  • Ministry - LAST TANGLE IN PARIS

    Image: Ministry, Last Tangle In Paris, Pitriff, Review, Industrial Metal Ministry
    LAST TANGLE IN PARIS

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    Al Jourgensen of Ministry has been threatening to take his ball and go home for a long time now. Quite frankly, I'm not sure I believe that he'll ever retire. Every time he says he's retiring, he seems to come right back with more music that's stronger, meaner and just better than anything in his past. Being quite

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  • Kix - ROCK YOUR FACE OFF

    Image: Kix, Rock Your Face Off, Classic Metal, Pitriff, Review Kix
    ROCK YOUR FACE OFF

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    Kix might just be the last of the '80's bands to release new material. By now, it seems like everybody else you could name from the glory days of yesteryear has made a stab at making music in the new millennium. Of course, a lot of them, we wish they hadn't, and just left us to our misty-eyed

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  • Evergrey - HYMNS FOR THE BROKEN

    Image: Evergrey, Hymns For The Broken, Review, Progressive Metal Evergrey
    HYMNS FOR THE BROKEN

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    In the world of progressive metal, there are exactly 2 bands which I worship. Those bands are Symphony X and Evergrey. Both bands are immensely talented, feature incredible musicianship, and come full of great lyrical and musical representations that tell amazing stories to the listeners. Following their last release GLORIOUS COLLISION, it really seemed like Evergrey may have

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  • Ace Frehley - SPACE INVADER

    Image: Ace Frehley, Space Invader, Pitriff, Classic Metal, Reviews Ace Frehley
    SPACE INVADER

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    Am I the only one that is tired of not only Ace Frehley, but all members of Kiss past and present? Since they were nominated for the ROCK AND ROLL HALL OF CORPORATE, it has been a steady stream of nonsense, bickering, anger, hurt feelings and now emotional trauma. It's over already. Get over it. It's 2014. Kiss is

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  • Blackberry Smoke - LEAVE A SCAR

    Image: Blackberry Smoke, Leave A Scar, Pitriff, Review, Rock Blackberry Smoke
    LEAVE A SCAR - LIVE IN NORTH CAROLINA

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    Right up front, Blackberry Smoke is not a metal band. They are a southern-rock band, in the classic, original sense. These days, the term "southern rock" has been applied to everybody from Black Stone Cherry to Nashville Pussy to Crowbar, all sounds that would be alien and extreme in the days of Skynyrd and

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  • Skid Row - UNITED WORLD REBELLION, CHAPTER 2

    Image: Skid Row, United World Rebellion Chapter 2, Pitriff, Classic Metal, Review Skid Row
    UNITED WORLD REBELLION, CHAPTER 2

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    Part two of the three part Skid Row series known as UNITED WORLD REBELLION has been unleashed. Dubbed as RISE OF THE DAMNATION ARMY, UWR2 picks up where the first EP left off. There's simple math here. Over the course of these two EPs you have 14 songs. If you put the two together, you've got

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  • Downset - ONE BLOOD

    Image: Downset, One Blood, Pitriff, Review Downset
    ONE BLOOD

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    As a fan of Downset, I wasn't really surprised when the band split up in 2009. They claimed that "the band has run it's course". As a fan, I believe that. They definitely had a huge influence on a lot of the bigger nu-metal bands of the 2000s. Certainly, anyone that heard releases like DO WE SPEAK A DEAD LANGUAGE

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Molly Hatchet - REGRINDING THE AXES

Image: Molly Hatchet, Regrinding The Axes, heavy metal, pitriff, hard rock, news, interviews, reviewsMolly Hatchet
REGRINDING THE AXES

What could be more useless in 2012 than a new Molly Hatchet studio album?  Clearly the band knew.  The correct answer is: a Molly Hatchet covers album.  Look, I've got no real issues with Molly Hatchet.  Every tractor pull and ribfest has to have their live band entertainment, and Foghat always needs a co-headliner.  As far as recorded music though, I have to assume that Molly Hatchet recorded music stopped meaning anything to anyone around the time the replacement players started outnumbering the original members in the band.  Still, they want to continue on, so God bless 'em.

 

REGRINDING THE AXES couldn't have been more useless a release if Tesla recorded it and called it REAL TO REEL 3.  Here's a word of advice to all the bands out there from a simple nobody that's a music fan.  The overwhelming majority of us DO NOT CARE who your influences were.  Your influences are meant to be a one line thing we read in an interview...not a $15 bill we have to pay if we are catalog collectors.  Another thing - cover songs are meant to be a single song tagged on the end of a great album.  I don't care if you are a fan of Megadeth, Motley Crue or Molly Hatchet - it's a fact that 99.99% of the time fans hate covers albums and feel ripped off by their favorite bands when they put them out.

Now that you know where I'm coming from here, on to the review.  "Freebird" cover - well, no shock that Molly Hatchet would be a. influenced, and b. covering a Lynyrd Skynyrd tune, is there?  Decent cover, although it's almost a note for note replication of the original and, therefore, fairly useless to me.  Hatchet's cover of George Thorogood and the Destroyers' "Bad To The Bone" is embarrassing.  Hearing lead vocalist Phil McCormack struggle with the stuttering "B-B-B-B-Bad" parts is laughable; distracting enough to make me think that they should have scrapped the entire song.  The problem with this whole release is that all the songs are so stereotypical of what you would expect from this that there's nothing fresh or interesting about it.  Rolling Stones, ZZ Top, Allman Brothers, Thin Lizzy - all are what every band of this ilk was influenced by.  Yet, all the songs they chose to cover were the most recognizable from each band, so there's no coolness factor there as well.  Even further down the suck trail, every song feels almost note for note like the original.  It's clear the band had NO intention of putting their own spin on this at all.

PITRIFF RATING - 8/100 - Unless I'm mistaken, there's not a single member of this band that's been there for every show and every album.  It's hard to take them as anything but a cover band when there's no member that knows the entire history of the band.  This is what a cover band does - they play cover songs.  If four friends and I got together and recorded these songs, we'd have almost as much right to call ourselves Molly Hatchet.  Interestingly, there's probably be as much interest in that release as there will be in this one.  Molly Hatchet is no longer flirting with disaster.  They are married to it.  Terrible.

Chris Akin

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