Some albums are just meant to be kept for personal use. I can always appreciate when a band wants to branch out and try something different. Sometimes, it’s a cool little gem for fans. As an example, I very much like Aerosmith’s HONKIN’ ON BOBO release where they stretched themselves by doing an album of Blues sub-standards. The obvious marker for a successful stretch outward would be Tesla’s FIVE MAN ACOUSTICAL JAM. The difference between those bands and a band like Ektomorf is pretty clear though. Those bands had an established audience. Maybe they do somewhere else, but Ektomorf doesn’t mean a whole lot to metal audiences here in the States. I like them a lot, personally, but I’m one person. In fact, the sad truth is that if you played a single song frrom Ektomorf’s back catalog for most fans, they would think it’s Soulfly.
Mike Portnoy sure did torch his career in short order, didn’t he? In the span of a year, he went from one of the most loved and respected musicians in the world to a punching bag amongst metal fans. The whole drama with quitting Dream Theater, joining Avenged Sevenfold, being thrown out of Avenged Sevenfold, then being blocked from rejoining Dream Theater was somewhat amusing to watch in a sad sort of way. In the wake of all this, Portnoy was left without a band and had to create a new one. Adrenaline Mob is that band.
THE AGE OF REMIX HELL
I like Mark Hunter. I consider him a friend, and I'm pretty sure he considers me as a friend as well. That said, "what the fuck, bro?"
Maybe I'm just getting old and am no longer in tune with what the kids want to hear today. I get that. I understand that this whole Dubstep crazy is in right now. I get that today's kids are just as content to listen to the work of a DJ that never touches an instrument as they might be to an actual band that plays their instruments and creates their music organically. I get all that. I just don't get why.
Hopes Die Last
TRUST NO ONE
I won't lie here - I was a fan of the early versions of nu-metal, or metalcore or whatever you want to call it. More than anything, if there's a shift in sound and it's still heavy sounding, I generally will like it for awhile. When people start mimmicking it, but don't do it as well is when I lose interest in trend hopping bands. I would say that I jumped off this bandwagon about the same time that Howard Jones joined Killswitch Engage. While that band is OK at times (definitely not a big favorite of mine), the new breed that followed for the last five or six years has been, to put it bluntly, pathetic. I'm screaming because I'm angry. Now I'm singing clean but slightly out of key to exhibit my emo pain of my existence. Now I'm screaming again while our downtuned riff churns in circles. Yeah...we all get it. Further, most fans of metal checked out on it.
Walking With Kings
WALKING WITH KINGS
I’m a big Rich Ward fan - huge, actually. I think he is the one guitarist out there that’s never been given his just due. Stuck Mojo was a tremendous band that never got the credit they deserved while lesser bands like Limp Bizkit and Korn rose to dominance for a decade. Ward has a large body of work with Stuck Mojo, as well as other bands like Sick Speed, The Duke and Adrenaline Mob. While he’s teetered in and out of Christian-like themes for years, Ward has now put together and recorded a full Christian Rock album with Walking With Kings. Past Stuck Mojo, this may be his best project to date.