ALL OUT WAR
Any time you put the "Cavalera" name on a project, I'm always going to be willing to give it a chance. Sure, I know that this is not Max or Igor Cavalera, but it's still a Cavalera, and metal with that name on it has yet to truly disappoint me. Max Cavalera's son Richie has emerged with the band Incite - a band that's been given every break the Cavalera tree can give it in order to gain some traction in the underground world. While I'm yet to see any real buzz come of that, it's very clear that growing up as part of the Cav Clan has shown young Richie just what it takes to create powerful modern extreme metal. ALL OUT WAR is a solid collection of tunes, and a good sophomore effort for a band that's going to have to overcome the stigma of association with a metal legend in order to make their own mark. So far, so good.
In Alcatraz 1962
Standby Records is one of those labels putting out modern metal where they are pretty much hit or miss with me. They have put out some bands like Hopes Die Last, Modern Day Escape and Davey Suicide who's music I have completely dug. Then again, there are other bands like Blessed By A Burden or Emergency 911 that have just sucked balls. With that label, there really is no middle ground. Add In Alcatraz 1962 to the "completely dug" list. THE DRIVE is a fairly simple, extremely punishing and yet sonically excellent dose of hammer smashes to the face. Without question, THE DRIVE is one of those releases that leaves me thinking there is hope for the next generation of metal bands.
ALL I WAS
For the last 2 months, I've been slowed down in writing anything based on the fact that I was going through a divorce, which really pretty much fucked up my brain. The last thing I've wanted to do during this time was listen to new music and try to pick through it to figure out the ins and outs of what anyone was trying to say artistically. But like everything else, you have to get back up in the saddle and ride once again. Thankfully, the album I chose to get me back together was this one, ALL I WAS by Alter Bridge/Creed guitarist Mark Tremonti. Why am I thankful, exactly? Well, primarily because this album not only kicks a ton of ass, but it contains the song "The Things I've Seen"; just a masterful song that could have been written directly from the never centers that have feed my brain for seven weeks.
As a fan of Linkin Park, the last few years have been pretty rough sailing. The albums have gotten progressively worse, to the point where a good many fans have jumped off the bandwagon for good. For some reason, I continue to stay interested in what they are doing. That said though, I do so not expecting much good at all out of LIVING THINGS.
Still, the band has surprised me here. While they no longer sound, at all, like the band that recorded HYBRID THEORY or METEORA, they have progessed their experimental side from the last two releases and found some decent ground to work from. In a lot of ways, LIVING THINGS reminds me of Nine Inch Nails' YEAR ZERO album from a decade ago. What I mean by that is there are enough elements of the music to let you know that it's the same band, but the sound and experimentation has transformed the band almost completely away from their original, core sound.
ANGER DENIAL ACCEPTANCE
I'm a guy that pretty much accepted, but never really liked, a whole lot of that late 90s/early 2000s brand of metal that was inspired by the success of Slipknot but really took dramatic steps toward being a more sterile version of that exciting band. That said though, one band that I truly did enjoy immensely was Spineshank. Their STRICTLY DIESEL release was an impressive collection of polished, angry modern metal that should have stood as the blueprint of how to move the genre along. It didn't though, as the masses gravitated more to the Killswitch Engage sound than what Spineshank had to offer. They continued on, but the albums got weaker and weaker as they came along...eventually leading to the band breaking up.