• Megadeth - DYSTOPIA

    Image: Megadeth, Dystopia, Dave Mustaine, David Ellefson, Kiko Loureiro, Chris Adler Megadeth


    More than any other metal band in history, being a hardcore Megadeth fan is truly a rollercoaster ride. This is a band with multiple duds in their catalog, and yet they always seem to rebound. Think about it, they’ve truly had some bad releases in their catalog. RISK was terrible. THE WORLD NEEDS A HERO wasn’t a lot better. And yet,

    Read More
  • Anthrax - FOR ALL KINGS

    Image: Anthrax, For All Kings, Pitriff, Chris Akin Anthrax


    Depending on your perspective, Anthrax is either having a career resurgence or floundering at the end of their career. I’m stunned how many people actually didn’t like their last effort, FOR ALL KINGS. In these ears, that was the best effort of their career. What made it great, to me, was the mixture of crushing heaviness combined with some

    Read More
  • Sevendust - KILL THE FLAW

    Image: Sevendust, Kill The Flaw Sevendust


    When I first saw Sevendust’s new release was titled KILL THE FLAW, my initial thought was “what exactly is the flaw?” It leads you to wonder just what it is that caused this band to not break big, while bands with lesser quality catalogs like Disturbed or Korn had such crazy amounts of success at the same time. This

    Read More
  • Iron Maiden - THE BOOK OF SOULS

    Image: Iron Maiden, The Book of Souls, Review, Classic Metal, Pitriff, Chris Akin Iron Maiden


    They don’t do it that often anymore, but there’s always excitement when Iron Maiden comes out with new music. Knowing that they are closing in on the end of their career, you really do end up hoping that when they go out for good, it will be with a bang. I think it’s universally agreed upon that

    Read More
  • Slayer - REPENTLESS

    Image: Slayer, Repentless, Pitriff, Review, Thrash Metal, Chris Akin Slayer


    Probably more than any release in their history, Slayer came into releasing this album at a crossroads. This WAS the album that, in many ways, dictated if the band could continue on or if it was indeed time to drift off quietly to Hell. The loss of guitarist Jeff Hanneman and the removal of drummer Dave Lombardo had almost every Slayer

    Read More
  • Operation: Mindcrime - THE KEY

    Image: Operation Mindcrime, Geoff Tate, Reviews, Music, heavy metal Operation: Mindcrime


    Geoff Tate’s falling out and subsequent two years of lawsuits, multiple versions of the same band and overall craziness in the press definitely tarnished a legacy that once seemed untouchable. Think about it. Even with over a decade of arguably bad releases (Q2K, TRIBE, AMERICAN SOLDIER, DEDICATED TO CHAOS), it wasn’t until the now infamous spitting incident and the

    Read More

    Image: WASP, Golgotha, Blackie Lawless, Pitriff, Review, Heavy Metal W.A.S.P.


    W.A.S.P. is one of those bands that has a ridiculously loyal fanbase...and good for them, actually. Doing THE CLASSIC METAL SHOW, we get shit on repeatedly anytime we say anything that is less than glowing about W.A.S.P., Blackie Lawless or any of the band’s former or present members. Oh well...comes with the territory, I guess. After what seems like quite a

    Read More
  • 1
  • 2
  • 3
  • 4
  • 5
  • 6
  • 7

Image: Godsmack, 1000hp, review, pitriff, modern metalGodsmack


I must be getting old, because recently, I've noticed my attitude softening toward the dreaded "nu-metal" bands of fifteen years ago. Maybe it's just nostalgia for what I now perceive (incorrectly, I'm sure) as a simpler time, but the burnout and disinterest I felt circa 2002, the year I quit seriously listening to mainstream rock radio has mellowed of late. Don't get me wrong, I still won't go out of my way to listen to Creed (for just one example), but maybe I'm not going to dive through a glass door to get to the tuner to change the station before Scott Stapp's droning vocals start.

All this brings us to Godsmack's latest album, 1000hp. I thought Godsmack were just about the best of the best of the new breed back in '98, when their self-titled debut was released. I can still remember walking around campus my freshman year of college, inwardly chanting the chorus of "Whatever." The song just came out at the perfect time in my life. And even though I got bored with Godsmack after their second album, partly because there was just so much music out there to explore in the post-Napster universe, I still respected them. It seemed to me like they, and a few others, actually understood what metal is supposed to FEEL like. A lot of bands can drop-tune and sound angry or moody, but they forget about that sense of power that's supposed to be there.

So here they are again, Sully and the gang returned after four years and nearly breaking up over hurt feelings about side-projects. And although song titles like "FML" (I guessed "Fuck My Life" even before I'd heard the song), "Something Different," and "What's Next," would indicate a deep yearning for change and a dissatisfaction with the predictable, Godsmack play it straight down the middle. There's nothing as aggressive or raging as the first two albums, but if you've heard Faceless, IV, or The Oracle, you know what to expect. Chunky, heavy riffs, midtempo grooves, and angsty psychobabble lyrics. It's a poor man's mix of Black Album-era Metallica and early Alice In Chains, Sully's Hetfield-isms leading the way. And yet he seems to be singing more and growling less with each successive release. The more energetic songs like "What's Next," "Locked & Loaded" and the title track (complete with the overused motorcycle sound effect) remind me why I still like this band.

But there's no denying the music sounds pretty samey after not very long. That's one of the problems with drop-tuning. Whether you drop your top string to D, C or B, you're pretty much stuck playing in that key—there's not that much you can do with the guitar until you tune it back up. This has always been a problem with Godsmack. The unwavering approach extends to the lyrics as well. "Don't cry or sympathy," Sully sings on "Locked & Loaded," "All your whining, it fuckin' tires me." Interesting words from a guy who's never shied away from trite, talk show-style self-examination.

PITRIFF RATING - 71/100 - It's Godsmack. You know what you're getting. 1000hp might overestimate its engine specs by about half, but fans of the band have no reason in the world to be disappointed. Having said that, if you've moved on at all on your own personal musical odyssey, no one could blame you for not being bowled over. There's a definite sense of having heard it all before. I prefer the Godsmack of the first two albums, back when, if they did a ballad, it was the creepiness of "Voodoo," and not this album's "Something Different." Godsmack do what they do, and do it well, so to give them a lower rating would be unfair. And in their own active-rock world, I'd take 'em in a heartbeat over Three Days Grace or Papa Roach.

Image: Cause/Effect Metallica, Chris Akin

A look at one of the most polarizing, iconic and best selling albums of all time from author, rock critic and shock jock radio host Chris Akin.


Buy Now:  Paperback    Digital

Image: Little Victories, Book, Chris Akin

The shockingly honest and emotional first book from radio personality and rock critic Chris Akin.

CLICK HERE to learn more about LITTLE VICTORIES.

Buy Now:  Paperback     Digital


Available January 13th in Paperback and Digital Formats on Amazon and iTunes.

 Image: Keel, pitriff, heavy metal, news, reviews, interviews

Want Streets Of Rock N' Roll Radio On Your Phone - CLICK HERE To Download The New App