• Opeth - PALE COMMUNION

    Image: Opeth, Pale Communion, Pitriff, Review, Progressive Metal Opeth
    PALE COMMUNION

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    Opeth simply fails as a band, at least to me. While I'll admit to never fully understanding the amazement and awe so many have for this band, I've appreciated them from afar. I've listened, and I've at least wrapped my head around what they were trying to do. Their fusing of death metal with progressive elements always made for an

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  • Cannibal Corpse - A SKELETAL DOMAIN

    Cannibal Corpse, A Skeletal Domain, Review, Death Metal Cannibal Corpse
    A SKELETAL DOMAIN

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    So really, what does anyone expect when you get a Cannibal Corpse release handed to you? Ballads, love songs and fun? Not hardly. There's an expectation of severe brutality which the band delivers time and time again. Certainly, it comes with different levels of acceptance to one's ears, but ultimately the only thing that matters if it says

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  • Exodus - BLOOD IN, BLOOD OUT

    Image: Exodus, Blood In Blood Out, Pitriff, Review, Thrash Metal Exodus
    BLOOD IN, BLOOD OUT

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    Unless you call Testament a "thrash band" (which I don't personally), Exodus would rank as my favorite true Thrash band of all time. They have had good times and bad. Occasionally, like on FABULOUS DISASTER, they have misstepped along the way. But overall, they are one of the true powerhouses in the history of thrash metal. Since 2004

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  • Mr. Big - ...THE STORIES WE COULD TELL

    Mr. Big, The Stories We Could Tell, Reviews, Classic Metal, Chris Akin, Pitriff Mr. Big
    ...THE STORIES WE COULD TELL

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    As a fan of Mr. Big, I can't honestly say that many people thought that their reunion was much more than a cash grab opportunity for the guys in the band who, while immensely talented, failed to find solo success to match their collaborative efforts. It was never a question of if they could still play.

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  • Slash - WORLD ON FIRE

    Image: Slash, Myles Kennedy, Conspirators, World On Fire, Pitriff, review, classic metal Slash
    WORLD ON FIRE

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    Hey Gene Simmons. The corpse of rock n' roll just had a baby. That baby is not an average baby at all. That baby was not stillborn, but came out kicking and screaming with an intensity rarely seen. This baby is destined for greatness. This infant is out to prove you wrong. While your days of spitting fire and

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  • Davey Suicide - WORLDWIDE SUICIDE

    Image: Davey Suicide, Worldwide Suicide, Pitriff, Reviews, Modern Metal Davey Suicide
    WORLDWIDE SUICIDE

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    I had the pleasure of working directly with Davey Suicide as he prepped his debut release a few years ago for release. I got to work with him on some promotional stuff, some publicity stuff, his website and a lot more of that kind of stuff. In that work, I quickly found him to be far more than the

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  • Ministry - LAST TANGLE IN PARIS

    Image: Ministry, Last Tangle In Paris, Pitriff, Review, Industrial Metal Ministry
    LAST TANGLE IN PARIS

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    Al Jourgensen of Ministry has been threatening to take his ball and go home for a long time now. Quite frankly, I'm not sure I believe that he'll ever retire. Every time he says he's retiring, he seems to come right back with more music that's stronger, meaner and just better than anything in his past. Being quite

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  • Kix - ROCK YOUR FACE OFF

    Image: Kix, Rock Your Face Off, Classic Metal, Pitriff, Review Kix
    ROCK YOUR FACE OFF

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    Kix might just be the last of the '80's bands to release new material. By now, it seems like everybody else you could name from the glory days of yesteryear has made a stab at making music in the new millennium. Of course, a lot of them, we wish they hadn't, and just left us to our misty-eyed

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  • Evergrey - HYMNS FOR THE BROKEN

    Image: Evergrey, Hymns For The Broken, Review, Progressive Metal Evergrey
    HYMNS FOR THE BROKEN

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    In the world of progressive metal, there are exactly 2 bands which I worship. Those bands are Symphony X and Evergrey. Both bands are immensely talented, feature incredible musicianship, and come full of great lyrical and musical representations that tell amazing stories to the listeners. Following their last release GLORIOUS COLLISION, it really seemed like Evergrey may have

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  • Ace Frehley - SPACE INVADER

    Image: Ace Frehley, Space Invader, Pitriff, Classic Metal, Reviews Ace Frehley
    SPACE INVADER

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    Am I the only one that is tired of not only Ace Frehley, but all members of Kiss past and present? Since they were nominated for the ROCK AND ROLL HALL OF CORPORATE, it has been a steady stream of nonsense, bickering, anger, hurt feelings and now emotional trauma. It's over already. Get over it. It's 2014. Kiss is

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  • Blackberry Smoke - LEAVE A SCAR

    Image: Blackberry Smoke, Leave A Scar, Pitriff, Review, Rock Blackberry Smoke
    LEAVE A SCAR - LIVE IN NORTH CAROLINA

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    Right up front, Blackberry Smoke is not a metal band. They are a southern-rock band, in the classic, original sense. These days, the term "southern rock" has been applied to everybody from Black Stone Cherry to Nashville Pussy to Crowbar, all sounds that would be alien and extreme in the days of Skynyrd and

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  • Skid Row - UNITED WORLD REBELLION, CHAPTER 2

    Image: Skid Row, United World Rebellion Chapter 2, Pitriff, Classic Metal, Review Skid Row
    UNITED WORLD REBELLION, CHAPTER 2

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    Part two of the three part Skid Row series known as UNITED WORLD REBELLION has been unleashed. Dubbed as RISE OF THE DAMNATION ARMY, UWR2 picks up where the first EP left off. There's simple math here. Over the course of these two EPs you have 14 songs. If you put the two together, you've got

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  • Downset - ONE BLOOD

    Image: Downset, One Blood, Pitriff, Review Downset
    ONE BLOOD

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    As a fan of Downset, I wasn't really surprised when the band split up in 2009. They claimed that "the band has run it's course". As a fan, I believe that. They definitely had a huge influence on a lot of the bigger nu-metal bands of the 2000s. Certainly, anyone that heard releases like DO WE SPEAK A DEAD LANGUAGE

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CD Review - Volbeat

Image: Volbeat, Outlaw Gentlemen and Shady LadiesVolbeat
OUTLAW GENTLEMEN AND SHADY LADIES

Many times over the past five years, I've proclaimed Volbeat as the lone exciting new band out there today. Their sound is definitely one that you either love or hate, and there's no middle ground whatsoever with them. That said, their growth in popularity has not been the most healthy for this band creatively. They have seemingly started to play to the masses a little bit. It started showing itself with "Fallen", and now there are plenty of moments on their latest that seem to grow from that. I'm not sure if they are just churning out music a bit too fast to capitalize on their popularity growth or if they have just come up a little bit flat this time around, but OUTLAW GENTLEMEN AND SHADY LADIES simply isn't as good as what Volbeat has been producing since most of us first heard them with "Sad Man's Tongue". While it doesn't suck by any means, OUTLAW GENTLEMEN AND SHADY LADIES is a bit of a letdown.

For me as a listener, it's remarkably easy to figure out what went wrong with OUTLAW GENTLEMEN. What made Volbeat special from the onset was their ability to fuse many styles together within their songs. Songs like "Sad Man's Tongue" or "Still Counting" took various styles that generally don't mix (rockabilly and metal or reggae and metal) and found a way to fuse them seamlessly. On their latest release, virtually every song is singular in style. Maybe it's growth in the band, but it's growth that takes away from the sound if that's the case. This is not to say that what they've come up with is bad. Songs like "My Body" are toe tappers that will force you to hit repeat on them several times on your iPod. Other songs like "Lola Montez" feel perfectly at home when played next to anything in the back catalog of the band. The problem though is that lack of diversity leaves almost the entire album without a single takeaway moment. What's also frustrating is the deliberate attempts to write songs for radio. The first single, "Cape Of Our Hero" is, quite frankly, not very good at all. It's almost like Volbeat trying to sound like Volbeat, and just lacks the dynamic that gave past singles like "Warrior's Call" their bite.

To be clear though, this is not a bad album at all. As stated, "My Body" is a very cool song. Vocalist Michael Poulsen's voice is as strong as ever, which literally carries this band from album to album. Guitarist Rob Caggliano defected from Anthrax to join this band, and yet the overall style and sound of the guitars is right in the pocket of what we've heard in the past. He does bring a heavier element to songs like "Room 24" (which features a menacing vocal duet with the legendary King Diamond), but overall he picks up where they left off previously. Bassist Anders Kjolholm and drummer Jon Larsen are solid laying down the bottom end which Caggliano and Poulsen rock over. The band are solid on tunes like "The Sinner Is You" or the release's best track, "The Hangman's Body Count".

PITRIFF RATING - 80/100 - Definitely the worst release from Volbeat to date, but that said, their worst is far better than most of the good stuff being released today. OUTLAW GENTLEMEN AND SHADY LADIES is decent, but not quite as dynamic as these guys have been in the past. Listenable, but will probably just lead you back to listening to past releases.

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