• Sevendust - KILL THE FLAW

    Image: Sevendust, Kill The Flaw Sevendust


    When I first saw Sevendust’s new release was titled KILL THE FLAW, my initial thought was “what exactly is the flaw?” It leads you to wonder just what it is that caused this band to not break big, while bands with lesser quality catalogs like Disturbed or Korn had such crazy amounts of success at the same time. This

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  • Iron Maiden - THE BOOK OF SOULS

    Image: Iron Maiden, The Book of Souls, Review, Classic Metal, Pitriff, Chris Akin Iron Maiden


    They don’t do it that often anymore, but there’s always excitement when Iron Maiden comes out with new music. Knowing that they are closing in on the end of their career, you really do end up hoping that when they go out for good, it will be with a bang. I think it’s universally agreed upon that

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  • Slayer - REPENTLESS

    Image: Slayer, Repentless, Pitriff, Review, Thrash Metal, Chris Akin Slayer


    Probably more than any release in their history, Slayer came into releasing this album at a crossroads. This WAS the album that, in many ways, dictated if the band could continue on or if it was indeed time to drift off quietly to Hell. The loss of guitarist Jeff Hanneman and the removal of drummer Dave Lombardo had almost every Slayer

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  • Operation: Mindcrime - THE KEY

    Image: Operation Mindcrime, Geoff Tate, Reviews, Music, heavy metal Operation: Mindcrime


    Geoff Tate’s falling out and subsequent two years of lawsuits, multiple versions of the same band and overall craziness in the press definitely tarnished a legacy that once seemed untouchable. Think about it. Even with over a decade of arguably bad releases (Q2K, TRIBE, AMERICAN SOLDIER, DEDICATED TO CHAOS), it wasn’t until the now infamous spitting incident and the

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    Image: WASP, Golgotha, Blackie Lawless, Pitriff, Review, Heavy Metal W.A.S.P.


    W.A.S.P. is one of those bands that has a ridiculously loyal fanbase...and good for them, actually. Doing THE CLASSIC METAL SHOW, we get shit on repeatedly anytime we say anything that is less than glowing about W.A.S.P., Blackie Lawless or any of the band’s former or present members. Oh well...comes with the territory, I guess. After what seems like quite a

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Image: Spineshank, Anger Denial Acceptance, Pitriff, heavy metal, reviewSpineshank

I'm a guy that pretty much accepted, but never really liked, a whole lot of that late 90s/early 2000s brand of metal that was inspired by the success of Slipknot but really took dramatic steps toward being a more sterile version of that exciting band.  That said though, one band that I truly did enjoy immensely was Spineshank.  Their STRICTLY DIESEL release was an impressive collection of polished, angry modern metal that should have stood as the blueprint of how to move the genre along.  It didn't though, as the masses gravitated more to the Killswitch Engage sound than what Spineshank had to offer.  They continued on, but the albums got weaker and weaker as  they came along...eventually leading to the band breaking up.

Years have now passed, and they have returned with ANGER DENIAL ACCEPTANCE.  Sometimes a band should just accept the fact that it's over and move on.  This is one of those times.  While horrible by no means, ANGER DENIAL ACCEPTANCE is something that I never thought I'd think about a Spineshank record.  It's boring.  There are a few spots where the energy is there (like the title track), but overall ANGER DENIAL ACCEPTANCE sounds just like every other band out there in this post-hardcore era that combines screamo with mournful clean vocals to portray their "deep inner pain".  Vocalist Jonny Santos has returned to the fold for ANGER DENIAL ACCEPTANCE, but he left all the parts of his voice that were interesting with his other band, Silent Civilian.  Replacing it is a lot of standard fare in modern metal - a lot of whining about how the world has fucked him over, a lot of screaming that sounds almost the exactly the same when every vocalist of this genre does it, and a solid dose of clean vocal apathy to showcase how deep that inner pain really is.  In short, Santos sounds like the perfect whiny bitch that mirrors the attitude of this entire generation of music fans in their "you owe me, I'm too pathetic to do anything myself" lives.

Musically, they just don't score very high on the interesting meter either.  Again, it's not terrible or anything, but it's pretty lacking of a lot of interesting or memorable moments.  There are moments, like the nice intro called "Ploration Morbus", but it's bleeds right into a wall of poor, almost muffled distortion on "Everything Everyone Everywhere Ends".  Guitarist Mike Sarkisyan has proven on past releases that he has dynamic skills.  On ANGER DENIAL ACCEPTANCE, he proves that he's more than capable at providing simple, standard riffs that fail to establish themselves as anything other than the wall of fairly muddled sound that dominates much of this release.  The rhythm section is fine performance wise as well, although it's highly questionable that drummer Tom Decker came out of these sessions happy with the flat sound captured of his playing.

PITRIFF RATING - 55/100 - If 50% is the middle of the road, then ANGER DENIAL ACCEPTANCE comes in slightly above that.  The muddled sound of the music combined with an overall boring performance from Santos derails this release before it gets off the ground.  That said, receiving this made me pull out STRICTLY DIESEL and the brilliant release THE HEIGHT OF CALLOUSNESS, so I guess that's good enough for me.  If you are new to the band, don't start here.  If you aren't new to them, then skip over this and avoid the disappointment.

Chris Akin

Image: Cause/Effect Metallica, Chris Akin

A look at one of the most polarizing, iconic and best selling albums of all time from author, rock critic and shock jock radio host Chris Akin.


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Image: Little Victories, Book, Chris Akin

The shockingly honest and emotional first book from radio personality and rock critic Chris Akin.

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Available January 13th in Paperback and Digital Formats on Amazon and iTunes.

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