• Sweet & Lynch - ONLY TO RISE

    Image: Sweet & Lynch, Only To Rise, CD Review, Classic Metal, Pitriff Sweet & Lynch
    ONLY TO RISE

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    MP3

    Being completely honest here, I really didn't expect a whole lot out of this. I'm not the biggest Stryper fan in the world by a long shot, and the truth is that I just never could fully get into Michael Sweet's vocals. There's just always been something about him. I'm not sure what it is. I guess

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  • AC/DC - ROCK OR BUST

    Image: Rock Or Bust, AC/DC, Chris Akin, Pitriff, Classic Metal, Review AC/DC
    ROCK OR BUST

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    In a year that has see a foundational piece of AC/DC succumb to a debilitating illness and another to his own personal insanity, AC/DC emerges after seemingly forever away with ROCK OR BUST. To be fair and truthfully honest, expectations on this release were pretty low. I know that AC/DC is a band that's been in business almost 50

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  • Whitesnake - BACK TO THE BONE

    Image: Whitesnake, Back To The Bone, Pitriff, Chris Akin Whitesnake
    LIVE IN '84 - BACK TO THE BONE

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    David Coverdale and company have had a very long and successful history that started even before he formed Whitesnake. There's no denying the legacy here. Coverdale has had a fantastic career with Whitesnake, and his time in Deep Purple was every bit as strong to that band as a Sammy Hagar was to Van Halen

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  • Wretch - WARRIORS

    Image: Wretch, Warriors, Review, Power Metal, Chris Akin, Pitriff Wretch
    WARRIORS

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    There's an unwritten rule that I rarely follow here in Cleveland. That rule is that if a band is from Cleveland, I'm supposed to write all glowing things or else be called a hater by the local community. It's sad that it's like that, but the truth is what it is. For years I've lived with that stigma, to the point

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  • Machine Head - BLOODSTONE & DIAMONDS

    Image: Machine Head, Bloodstone & Diamonds, Pitriff, Review, Thrash Metal Machine Head
    BLOODSTONE & DIAMONDS

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    What happened to Machine Head really is a crime. Unfortunately for them, it's a crime they perpetrated upon themselves. With a mistake so many made in their youth, this band singlehandedly torpedoed themselves from ascending to the heights in metal held by only the select few like Metallica and Megadeth before them. After THE MORE THINGS CHANGE came

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  • Nashville Outlaws - TRIBUTE TO MOTLEY CRUE

    Image: Nashville Outlaws, Motley Crue Tribute Nashville Outlaws
    A TRIBUTE TO MOTLEY CRUE

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    With the music industry pretty much dead anymore, nothing really comes off as shocking. After all, you have very desperate companies trying to hang on and make money from an industry that has about as much relevance today as the typewriter ribbon makers of the world still do. The current trend for the last half decade

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  • Texas Hippie Coalition - RIDE ON

    Image: Texas Hippie Coalition, Ride On, Heavy Metal, Hard Rock, Review, Classic Metal Texas Hippie Coalition
    RIDE ON

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    I tell this story often, but it's one of my favorites of the past year. I had the chance to interview the Texas Hippie Coalition earlier this year at Rock On The Range in Columbus, Ohio. I was in a small tent with a bunch of photographers. The tent was fairly quiet really, as the much bigger adjacent

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  • Sammy Hagar - LITE ROAST

    Image: Sammy Hagar, Lite Roast, NonMetal, Review Sammy Hagar
    LITE ROAST

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    I get it. You are Sammy Hagar. You've seen huge success in virtually every world you've entered. In music, he was the main focus of Montrose. He parlayed that into a very successful solo career. That wasn't enough, so he joined the world's largest band at the time (Van Halen), and took them to commercial heights that even they

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  • Cavalera Conspiracy - PANDEMONIUM

    Image: Cavalera Conspiracy, Pandemonium, Pitriff, Death Metal, Review Cavalera Conspiracy
    PANDEMONIUM

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    There's always good news and bad news whenever Max Cavalera gets busy with new music. The good is that you get a whole lot of new music, seemingly all in a very short time. The bad news is it's generally spotty at best, because he simply writes and releases too much music at the same time. His band Soulfly released

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Review - Spineshank

Image: Spineshank, Anger Denial Acceptance, Pitriff, heavy metal, reviewSpineshank
ANGER DENIAL ACCEPTANCE

I'm a guy that pretty much accepted, but never really liked, a whole lot of that late 90s/early 2000s brand of metal that was inspired by the success of Slipknot but really took dramatic steps toward being a more sterile version of that exciting band.  That said though, one band that I truly did enjoy immensely was Spineshank.  Their STRICTLY DIESEL release was an impressive collection of polished, angry modern metal that should have stood as the blueprint of how to move the genre along.  It didn't though, as the masses gravitated more to the Killswitch Engage sound than what Spineshank had to offer.  They continued on, but the albums got weaker and weaker as  they came along...eventually leading to the band breaking up.

Years have now passed, and they have returned with ANGER DENIAL ACCEPTANCE.  Sometimes a band should just accept the fact that it's over and move on.  This is one of those times.  While horrible by no means, ANGER DENIAL ACCEPTANCE is something that I never thought I'd think about a Spineshank record.  It's boring.  There are a few spots where the energy is there (like the title track), but overall ANGER DENIAL ACCEPTANCE sounds just like every other band out there in this post-hardcore era that combines screamo with mournful clean vocals to portray their "deep inner pain".  Vocalist Jonny Santos has returned to the fold for ANGER DENIAL ACCEPTANCE, but he left all the parts of his voice that were interesting with his other band, Silent Civilian.  Replacing it is a lot of standard fare in modern metal - a lot of whining about how the world has fucked him over, a lot of screaming that sounds almost the exactly the same when every vocalist of this genre does it, and a solid dose of clean vocal apathy to showcase how deep that inner pain really is.  In short, Santos sounds like the perfect whiny bitch that mirrors the attitude of this entire generation of music fans in their "you owe me, I'm too pathetic to do anything myself" lives.

Musically, they just don't score very high on the interesting meter either.  Again, it's not terrible or anything, but it's pretty lacking of a lot of interesting or memorable moments.  There are moments, like the nice intro called "Ploration Morbus", but it's bleeds right into a wall of poor, almost muffled distortion on "Everything Everyone Everywhere Ends".  Guitarist Mike Sarkisyan has proven on past releases that he has dynamic skills.  On ANGER DENIAL ACCEPTANCE, he proves that he's more than capable at providing simple, standard riffs that fail to establish themselves as anything other than the wall of fairly muddled sound that dominates much of this release.  The rhythm section is fine performance wise as well, although it's highly questionable that drummer Tom Decker came out of these sessions happy with the flat sound captured of his playing.

PITRIFF RATING - 55/100 - If 50% is the middle of the road, then ANGER DENIAL ACCEPTANCE comes in slightly above that.  The muddled sound of the music combined with an overall boring performance from Santos derails this release before it gets off the ground.  That said, receiving this made me pull out STRICTLY DIESEL and the brilliant release THE HEIGHT OF CALLOUSNESS, so I guess that's good enough for me.  If you are new to the band, don't start here.  If you aren't new to them, then skip over this and avoid the disappointment.

Chris Akin

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