• Sweet & Lynch - ONLY TO RISE

    Image: Sweet & Lynch, Only To Rise, CD Review, Classic Metal, Pitriff Sweet & Lynch
    ONLY TO RISE

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    Being completely honest here, I really didn't expect a whole lot out of this. I'm not the biggest Stryper fan in the world by a long shot, and the truth is that I just never could fully get into Michael Sweet's vocals. There's just always been something about him. I'm not sure what it is. I guess

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  • AC/DC - ROCK OR BUST

    Image: Rock Or Bust, AC/DC, Chris Akin, Pitriff, Classic Metal, Review AC/DC
    ROCK OR BUST

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    In a year that has see a foundational piece of AC/DC succumb to a debilitating illness and another to his own personal insanity, AC/DC emerges after seemingly forever away with ROCK OR BUST. To be fair and truthfully honest, expectations on this release were pretty low. I know that AC/DC is a band that's been in business almost 50

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  • Whitesnake - BACK TO THE BONE

    Image: Whitesnake, Back To The Bone, Pitriff, Chris Akin Whitesnake
    LIVE IN '84 - BACK TO THE BONE

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    David Coverdale and company have had a very long and successful history that started even before he formed Whitesnake. There's no denying the legacy here. Coverdale has had a fantastic career with Whitesnake, and his time in Deep Purple was every bit as strong to that band as a Sammy Hagar was to Van Halen

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  • Wretch - WARRIORS

    Image: Wretch, Warriors, Review, Power Metal, Chris Akin, Pitriff Wretch
    WARRIORS

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    There's an unwritten rule that I rarely follow here in Cleveland. That rule is that if a band is from Cleveland, I'm supposed to write all glowing things or else be called a hater by the local community. It's sad that it's like that, but the truth is what it is. For years I've lived with that stigma, to the point

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  • Machine Head - BLOODSTONE & DIAMONDS

    Image: Machine Head, Bloodstone & Diamonds, Pitriff, Review, Thrash Metal Machine Head
    BLOODSTONE & DIAMONDS

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    What happened to Machine Head really is a crime. Unfortunately for them, it's a crime they perpetrated upon themselves. With a mistake so many made in their youth, this band singlehandedly torpedoed themselves from ascending to the heights in metal held by only the select few like Metallica and Megadeth before them. After THE MORE THINGS CHANGE came

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  • Nashville Outlaws - TRIBUTE TO MOTLEY CRUE

    Image: Nashville Outlaws, Motley Crue Tribute Nashville Outlaws
    A TRIBUTE TO MOTLEY CRUE

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    With the music industry pretty much dead anymore, nothing really comes off as shocking. After all, you have very desperate companies trying to hang on and make money from an industry that has about as much relevance today as the typewriter ribbon makers of the world still do. The current trend for the last half decade

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  • Texas Hippie Coalition - RIDE ON

    Image: Texas Hippie Coalition, Ride On, Heavy Metal, Hard Rock, Review, Classic Metal Texas Hippie Coalition
    RIDE ON

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    I tell this story often, but it's one of my favorites of the past year. I had the chance to interview the Texas Hippie Coalition earlier this year at Rock On The Range in Columbus, Ohio. I was in a small tent with a bunch of photographers. The tent was fairly quiet really, as the much bigger adjacent

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  • Sammy Hagar - LITE ROAST

    Image: Sammy Hagar, Lite Roast, NonMetal, Review Sammy Hagar
    LITE ROAST

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    I get it. You are Sammy Hagar. You've seen huge success in virtually every world you've entered. In music, he was the main focus of Montrose. He parlayed that into a very successful solo career. That wasn't enough, so he joined the world's largest band at the time (Van Halen), and took them to commercial heights that even they

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  • Cavalera Conspiracy - PANDEMONIUM

    Image: Cavalera Conspiracy, Pandemonium, Pitriff, Death Metal, Review Cavalera Conspiracy
    PANDEMONIUM

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    There's always good news and bad news whenever Max Cavalera gets busy with new music. The good is that you get a whole lot of new music, seemingly all in a very short time. The bad news is it's generally spotty at best, because he simply writes and releases too much music at the same time. His band Soulfly released

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Review - Solipsist EXTINCTION PROTOCOL

Image: Solipsist EXTINCTION PROTOCOL, Pitriff, CD Reviews, News, Interviews, Death MetalSolipsist
EXTINCTION PROTOCOL

I have two like bands sitting on my hard drive right now - the new Job For A Cowboy release, and this release from the unsigned Solipsist. After a dozen listens to each, I am having serious trouble figuring out why exactly the signed act of the two is Job For A Cowboy. Stacked side by side, EXTINCTION PROTOCOL destroys the new Job For A Cowboy record...literally blows it out of my hard drive and into the recycle bin. C'mon Metal Blade - catch up with these guys.

 Solipsist is a death metal outfit that just doesn't fit nicely into the standard definitions of the genre. I say that for a lot of reasons. Listening from song to song, there's clearly a strong death metal element here, but there's also a lot of American extreme metal mixed throughout the sound. Take a song like "Steal The Sun" as an example. It's as brutal as anything you will ever here, and yet it has a breakdown with a clean vocal that sounds closer to something heavy from a Machine Head song than anything I've ever experienced in typical death metal. Noah Buchanan is a fierce vocalist that barks it out with the best of them, and yet can mix in a clean sound as well.

Without question though, the best element of Solipsist is their musicality. Being completely honest, the days of fast drummer and average playing have ended, which causes most death metal to be rehash and fairly similar sounding. Not so here. These songs are fierce, with a level of musicianship seldom seen in this genre. While all death metal drummers are basically awesome, Dave Chojnacki mixes speed with style in a way not heard very often. The only guy I can think of that's on the same plain as what's exhibited here as far as style, intricate changes and power would be Tim Yeung of Hate Eternal and Divine Heresy (among others). The varied frenzy of beats, blasts, and tempo movements on "Extinction Protocol" is truly amazing. To a lesser degree, the guitar work showcased here by Mark Witherspoon and Steve Sinko is great as well. These guys have a huge metal sound, and not the think sound that plagues so many bands of this genre in an effort to just play fast. The thickness and speed of the riffs on songs like "Trenches" is absolutely compelling.

PITRIFF RATING - 96/100 - There's literally one reason this band isn't signed - they haven't tried to be. With so much absolute garbage being put out in this musical genre, it's amazing to me that these guys are still tucked away in Cleveland playing local gigs and hoping for that big break. Being a fan of bands like Job For A Cowboy or Whitechapel, I find it hard to believe these guys aren't standing far atop that collection of bands. EXTINCTION PROTOCOL proves they are a better band.

Chris Akin

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