• Texas Hippie Coalition - RIDE ON

    Image: Texas Hippie Coalition, Ride On, Heavy Metal, Hard Rock, Review, Classic Metal Texas Hippie Coalition
    RIDE ON

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    I tell this story often, but it's one of my favorites of the past year. I had the chance to interview the Texas Hippie Coalition earlier this year at Rock On The Range in Columbus, Ohio. I was in a small tent with a bunch of photographers. The tent was fairly quiet really, as the much bigger adjacent

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  • Sammy Hagar - LITE ROAST

    Image: Sammy Hagar, Lite Roast, NonMetal, Review Sammy Hagar
    LITE ROAST

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    I get it. You are Sammy Hagar. You've seen huge success in virtually every world you've entered. In music, he was the main focus of Montrose. He parlayed that into a very successful solo career. That wasn't enough, so he joined the world's largest band at the time (Van Halen), and took them to commercial heights that even they

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  • Cavalera Conspiracy - PANDEMONIUM

    Image: Cavalera Conspiracy, Pandemonium, Pitriff, Death Metal, Review Cavalera Conspiracy
    PANDEMONIUM

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    There's always good news and bad news whenever Max Cavalera gets busy with new music. The good is that you get a whole lot of new music, seemingly all in a very short time. The bad news is it's generally spotty at best, because he simply writes and releases too much music at the same time. His band Soulfly released

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  • Slipknot - .5 THE GRAY MATTER

    Image: Slipknot, .5 The Gray Matter, Pitriff, CD Review, Modern Metal Slipknot
    .5 THE GRAY MATTER

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    With a ton of speculation and even more wonderment on this band's ability to continue on without founding members Paul Gray and Joey Jordison, Slipknot has returned after far too long of a layoff with .5 THE GRAY MATTER. I've listened to this release multiple times a day for the last week or so that I've had it,

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  • Opeth - PALE COMMUNION

    Image: Opeth, Pale Communion, Pitriff, Review, Progressive Metal Opeth
    PALE COMMUNION

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    Opeth simply fails as a band, at least to me. While I'll admit to never fully understanding the amazement and awe so many have for this band, I've appreciated them from afar. I've listened, and I've at least wrapped my head around what they were trying to do. Their fusing of death metal with progressive elements always made for an

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  • Cannibal Corpse - A SKELETAL DOMAIN

    Cannibal Corpse, A Skeletal Domain, Review, Death Metal Cannibal Corpse
    A SKELETAL DOMAIN

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    So really, what does anyone expect when you get a Cannibal Corpse release handed to you? Ballads, love songs and fun? Not hardly. There's an expectation of severe brutality which the band delivers time and time again. Certainly, it comes with different levels of acceptance to one's ears, but ultimately the only thing that matters if it says

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  • Exodus - BLOOD IN, BLOOD OUT

    Image: Exodus, Blood In Blood Out, Pitriff, Review, Thrash Metal Exodus
    BLOOD IN, BLOOD OUT

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    Unless you call Testament a "thrash band" (which I don't personally), Exodus would rank as my favorite true Thrash band of all time. They have had good times and bad. Occasionally, like on FABULOUS DISASTER, they have misstepped along the way. But overall, they are one of the true powerhouses in the history of thrash metal. Since 2004

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  • Mr. Big - ...THE STORIES WE COULD TELL

    Mr. Big, The Stories We Could Tell, Reviews, Classic Metal, Chris Akin, Pitriff Mr. Big
    ...THE STORIES WE COULD TELL

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    As a fan of Mr. Big, I can't honestly say that many people thought that their reunion was much more than a cash grab opportunity for the guys in the band who, while immensely talented, failed to find solo success to match their collaborative efforts. It was never a question of if they could still play.

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  • Slash - WORLD ON FIRE

    Image: Slash, Myles Kennedy, Conspirators, World On Fire, Pitriff, review, classic metal Slash
    WORLD ON FIRE

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    Hey Gene Simmons. The corpse of rock n' roll just had a baby. That baby is not an average baby at all. That baby was not stillborn, but came out kicking and screaming with an intensity rarely seen. This baby is destined for greatness. This infant is out to prove you wrong. While your days of spitting fire and

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  • Davey Suicide - WORLDWIDE SUICIDE

    Image: Davey Suicide, Worldwide Suicide, Pitriff, Reviews, Modern Metal Davey Suicide
    WORLDWIDE SUICIDE

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    I had the pleasure of working directly with Davey Suicide as he prepped his debut release a few years ago for release. I got to work with him on some promotional stuff, some publicity stuff, his website and a lot more of that kind of stuff. In that work, I quickly found him to be far more than the

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  • Ministry - LAST TANGLE IN PARIS

    Image: Ministry, Last Tangle In Paris, Pitriff, Review, Industrial Metal Ministry
    LAST TANGLE IN PARIS

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    Al Jourgensen of Ministry has been threatening to take his ball and go home for a long time now. Quite frankly, I'm not sure I believe that he'll ever retire. Every time he says he's retiring, he seems to come right back with more music that's stronger, meaner and just better than anything in his past. Being quite

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Review - Meshuggah - KOLOSS

Image: Koloss, Meshuggah, Pitriff, CD ReviewsMeshuggah
KOLOSS

Meshuggah is a band that has a category all their own. I’ll call them Aspirincore. There’s only a few bands out there that play Aspirincore; Meshuggah, Dillinger Escape Plan, Converge, Candiria, probably a few more. With a term like Aspirincore, you might take that as an immediate negative, and you would be wrong. It’s just that these kinds of bands will give you a headache if you listen to them for too long at any point of any day. Their odd timings and even odder timing changes make them simply hard to follow along with.

 With KOLOSS, Meshuggah have created an album which is, by far, their most listenable album ever. First and foremost, KOLOSS just feels far different than their last album, the uber cold OBZEN. Where the band sounded almost mechanical on the last few albums, there’s a real organic vibe to KOLOSS. This sounds like it might have been written song by song instead of part by part, which has to have been the case on past releases. Songs like “Do Not Look Down” are just vicious attacks that don’t let up, and yet this one features the closest thing to melody that Meshuggah has ever done.

Like all other albums, the power behind Meshuggah is the often imitated but instantly recognizable guitar tone of Fredrik Thordendal. It’s funny how many bands over the last two years leave you referencing Thordendal’s signature sound. He’s the power once again here, driving the sludgy trudge of a song called “Behind The Sun”. Thordendal is teamed once again with the incredible bottom end rhythm team of drummer Tomas Haake and bassist Dick Lovgren, and they shine brightly as well. Songs like “Marrow” showcase Meshuggah at their very best – a cohesive unit that just doesn’t stick to the normal conventions of recorded music.

Vocally, what are you expecting? This is Meshuggah, plain and simple. Jens Kidman has no clean vocals throughout, bringing the Yiddish insanity throughout each and every song. He tears it up on the surprisingly fast “The Hurt That Finds You First”. Kidman is a great frontman who is definitely overlooked most of the time with this band because of the incredible musical intricacies they generally feature. With the music being far more “warm” and far less processed than the last few albums, he really stands out more than ever before.

PITRIFF RATING – 95/100 - KOLOSS is, in my opinion, the best album of Meshuggah’s career. The sound is so much more full of life than the previous two or three that felt completely dry and studio generated. Yes, it gave me a headache listening to it over and over, but it was worth it. KOLOSS kills.

Chris Akin

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