• Sweet & Lynch - ONLY TO RISE

    Image: Sweet & Lynch, Only To Rise, CD Review, Classic Metal, Pitriff Sweet & Lynch
    ONLY TO RISE

    CD
    MP3

    Being completely honest here, I really didn't expect a whole lot out of this. I'm not the biggest Stryper fan in the world by a long shot, and the truth is that I just never could fully get into Michael Sweet's vocals. There's just always been something about him. I'm not sure what it is. I guess

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  • AC/DC - ROCK OR BUST

    Image: Rock Or Bust, AC/DC, Chris Akin, Pitriff, Classic Metal, Review AC/DC
    ROCK OR BUST

    CD
    MP3

    In a year that has see a foundational piece of AC/DC succumb to a debilitating illness and another to his own personal insanity, AC/DC emerges after seemingly forever away with ROCK OR BUST. To be fair and truthfully honest, expectations on this release were pretty low. I know that AC/DC is a band that's been in business almost 50

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  • Whitesnake - BACK TO THE BONE

    Image: Whitesnake, Back To The Bone, Pitriff, Chris Akin Whitesnake
    LIVE IN '84 - BACK TO THE BONE

    CD
    MP3

    David Coverdale and company have had a very long and successful history that started even before he formed Whitesnake. There's no denying the legacy here. Coverdale has had a fantastic career with Whitesnake, and his time in Deep Purple was every bit as strong to that band as a Sammy Hagar was to Van Halen

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  • Wretch - WARRIORS

    Image: Wretch, Warriors, Review, Power Metal, Chris Akin, Pitriff Wretch
    WARRIORS

    CD
    MP3

    There's an unwritten rule that I rarely follow here in Cleveland. That rule is that if a band is from Cleveland, I'm supposed to write all glowing things or else be called a hater by the local community. It's sad that it's like that, but the truth is what it is. For years I've lived with that stigma, to the point

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  • Machine Head - BLOODSTONE & DIAMONDS

    Image: Machine Head, Bloodstone & Diamonds, Pitriff, Review, Thrash Metal Machine Head
    BLOODSTONE & DIAMONDS

    CD
    MP3

    What happened to Machine Head really is a crime. Unfortunately for them, it's a crime they perpetrated upon themselves. With a mistake so many made in their youth, this band singlehandedly torpedoed themselves from ascending to the heights in metal held by only the select few like Metallica and Megadeth before them. After THE MORE THINGS CHANGE came

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  • Nashville Outlaws - TRIBUTE TO MOTLEY CRUE

    Image: Nashville Outlaws, Motley Crue Tribute Nashville Outlaws
    A TRIBUTE TO MOTLEY CRUE

    CD
    MP3

    With the music industry pretty much dead anymore, nothing really comes off as shocking. After all, you have very desperate companies trying to hang on and make money from an industry that has about as much relevance today as the typewriter ribbon makers of the world still do. The current trend for the last half decade

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Review - Meshuggah - KOLOSS

Image: Koloss, Meshuggah, Pitriff, CD ReviewsMeshuggah
KOLOSS

Meshuggah is a band that has a category all their own. I’ll call them Aspirincore. There’s only a few bands out there that play Aspirincore; Meshuggah, Dillinger Escape Plan, Converge, Candiria, probably a few more. With a term like Aspirincore, you might take that as an immediate negative, and you would be wrong. It’s just that these kinds of bands will give you a headache if you listen to them for too long at any point of any day. Their odd timings and even odder timing changes make them simply hard to follow along with.

 With KOLOSS, Meshuggah have created an album which is, by far, their most listenable album ever. First and foremost, KOLOSS just feels far different than their last album, the uber cold OBZEN. Where the band sounded almost mechanical on the last few albums, there’s a real organic vibe to KOLOSS. This sounds like it might have been written song by song instead of part by part, which has to have been the case on past releases. Songs like “Do Not Look Down” are just vicious attacks that don’t let up, and yet this one features the closest thing to melody that Meshuggah has ever done.

Like all other albums, the power behind Meshuggah is the often imitated but instantly recognizable guitar tone of Fredrik Thordendal. It’s funny how many bands over the last two years leave you referencing Thordendal’s signature sound. He’s the power once again here, driving the sludgy trudge of a song called “Behind The Sun”. Thordendal is teamed once again with the incredible bottom end rhythm team of drummer Tomas Haake and bassist Dick Lovgren, and they shine brightly as well. Songs like “Marrow” showcase Meshuggah at their very best – a cohesive unit that just doesn’t stick to the normal conventions of recorded music.

Vocally, what are you expecting? This is Meshuggah, plain and simple. Jens Kidman has no clean vocals throughout, bringing the Yiddish insanity throughout each and every song. He tears it up on the surprisingly fast “The Hurt That Finds You First”. Kidman is a great frontman who is definitely overlooked most of the time with this band because of the incredible musical intricacies they generally feature. With the music being far more “warm” and far less processed than the last few albums, he really stands out more than ever before.

PITRIFF RATING – 95/100 - KOLOSS is, in my opinion, the best album of Meshuggah’s career. The sound is so much more full of life than the previous two or three that felt completely dry and studio generated. Yes, it gave me a headache listening to it over and over, but it was worth it. KOLOSS kills.

Chris Akin

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A look at one of the most polarizing, iconic and best selling albums of all time from author, rock critic and shock jock radio host Chris Akin.

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The shockingly honest and emotional first book from radio personality and rock critic Chris Akin.

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Read Reviews and Excerpts from LITTLE VICTORIES: A TALE OF DIVORCE, DEBAUCHERY AND FINDING HAPPINESS HERE!

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