• Slipknot - .5 THE GRAY MATTER

    Image: Slipknot, .5 The Gray Matter, Pitriff, CD Review, Modern Metal Slipknot
    .5 THE GRAY MATTER

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    With a ton of speculation and even more wonderment on this band's ability to continue on without founding members Paul Gray and Joey Jordison, Slipknot has returned after far too long of a layoff with .5 THE GRAY MATTER. I've listened to this release multiple times a day for the last week or so that I've had it,

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  • Opeth - PALE COMMUNION

    Image: Opeth, Pale Communion, Pitriff, Review, Progressive Metal Opeth
    PALE COMMUNION

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    Opeth simply fails as a band, at least to me. While I'll admit to never fully understanding the amazement and awe so many have for this band, I've appreciated them from afar. I've listened, and I've at least wrapped my head around what they were trying to do. Their fusing of death metal with progressive elements always made for an

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  • Cannibal Corpse - A SKELETAL DOMAIN

    Cannibal Corpse, A Skeletal Domain, Review, Death Metal Cannibal Corpse
    A SKELETAL DOMAIN

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    So really, what does anyone expect when you get a Cannibal Corpse release handed to you? Ballads, love songs and fun? Not hardly. There's an expectation of severe brutality which the band delivers time and time again. Certainly, it comes with different levels of acceptance to one's ears, but ultimately the only thing that matters if it says

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  • Exodus - BLOOD IN, BLOOD OUT

    Image: Exodus, Blood In Blood Out, Pitriff, Review, Thrash Metal Exodus
    BLOOD IN, BLOOD OUT

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    Unless you call Testament a "thrash band" (which I don't personally), Exodus would rank as my favorite true Thrash band of all time. They have had good times and bad. Occasionally, like on FABULOUS DISASTER, they have misstepped along the way. But overall, they are one of the true powerhouses in the history of thrash metal. Since 2004

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  • Mr. Big - ...THE STORIES WE COULD TELL

    Mr. Big, The Stories We Could Tell, Reviews, Classic Metal, Chris Akin, Pitriff Mr. Big
    ...THE STORIES WE COULD TELL

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    As a fan of Mr. Big, I can't honestly say that many people thought that their reunion was much more than a cash grab opportunity for the guys in the band who, while immensely talented, failed to find solo success to match their collaborative efforts. It was never a question of if they could still play.

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  • Slash - WORLD ON FIRE

    Image: Slash, Myles Kennedy, Conspirators, World On Fire, Pitriff, review, classic metal Slash
    WORLD ON FIRE

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    Hey Gene Simmons. The corpse of rock n' roll just had a baby. That baby is not an average baby at all. That baby was not stillborn, but came out kicking and screaming with an intensity rarely seen. This baby is destined for greatness. This infant is out to prove you wrong. While your days of spitting fire and

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  • Davey Suicide - WORLDWIDE SUICIDE

    Image: Davey Suicide, Worldwide Suicide, Pitriff, Reviews, Modern Metal Davey Suicide
    WORLDWIDE SUICIDE

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    I had the pleasure of working directly with Davey Suicide as he prepped his debut release a few years ago for release. I got to work with him on some promotional stuff, some publicity stuff, his website and a lot more of that kind of stuff. In that work, I quickly found him to be far more than the

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  • Ministry - LAST TANGLE IN PARIS

    Image: Ministry, Last Tangle In Paris, Pitriff, Review, Industrial Metal Ministry
    LAST TANGLE IN PARIS

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    Al Jourgensen of Ministry has been threatening to take his ball and go home for a long time now. Quite frankly, I'm not sure I believe that he'll ever retire. Every time he says he's retiring, he seems to come right back with more music that's stronger, meaner and just better than anything in his past. Being quite

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  • Kix - ROCK YOUR FACE OFF

    Image: Kix, Rock Your Face Off, Classic Metal, Pitriff, Review Kix
    ROCK YOUR FACE OFF

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    Kix might just be the last of the '80's bands to release new material. By now, it seems like everybody else you could name from the glory days of yesteryear has made a stab at making music in the new millennium. Of course, a lot of them, we wish they hadn't, and just left us to our misty-eyed

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Review - Wretched SON OF PERDITION

Image: Son Of Perdition, Wretched, Pitriff, CD ReviewWretched
SON OF PERDITION

There’s a reason that, for the most part, Death Metal stays seeded in the bowels of the underground and can never make a launch outward. There’s a reason that there’s never been a breakout Death Metal band outside of Cannibal Corpse (and, let’s be honest, of those that know their name, maybe 1 of every 1000 could name a song). The reason is, and always will be, the lacking creativity in the vocals. While hardcores will argue the point, it’s pretty much true that death metal vocals are universally the same. They are so much the same that many times when a death metal vocalist can’t make a gig due to illness, another guy in the band just fills in without any loss in quality or sound.

 Unfortunately for Wretched, they are the definition of a band that could be so much more if they weren’t saddled with these vocals. Musically, SON OF PERDITION is one of the most interesting, intricate Death Metal releases I’ve heard in a really long time. They combine the typical blasts of death metal with a lot of cool elements ranging from stuff you might here on a Chimaira record all the way through more involved arrangements like Meshuggah brings forth from time to time. “At The First Sign Of Rust” is one of the best songs I’ve heard in this genre in years…with the exception of the vocals. Vocalist Adam Cody brings forth two distinct styles of vocals (at least, I think he does both parts). One part is an upper register shriek that reminds of old School Borknagar, while the other is a more tonal, gurgly tone most prominent with bands like Immolation. Intertwining these two vocal styles over heavy thrash meets death metal music on songs like “Repeat? The End Is Near” is just trying on ears. The saddest part of the whole release is that you start to get into the tunes during the musical parts, but are quickly taken out of it by the vocals here.

PITRIFF RATING – 45/100 - My hunch is that if you are one of those hardcore Death Metal fans that can’t listen to bands like Exodus or Testament because they are too weak musically for you, you are the person that these guys target. You will probably give this a score closer to 75-80/100. For me, as much as I listen to this, the vocals take me right out of what is otherwise a solid, solid musical effort. If they did this “Karma To Burn” style with no vocals, I’d give it a 90/100. But they didn’t, and I can’t.

Chris Akin

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