• Black Stone Cherry - KENTUCKY

    Image: Black Stone Cherry, Kentucky Black Stone Cherry
    KENTUCKY

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    This collection of southern boys are not the most original band in the world. They’ll never be accused of being the most musically gifted fellas in the world. Certainly, no one will ever listen to them and think, “wow, that’s really cutting edge music”. To the contrary though, release in and release out, the same thought comes to mind

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  • Zakk Wylde - BOOK OF SHADOWS II

    Image: Zakk Wylde, Book Of Shadows II Zakk Wylde
    BOOK OF SHADOWS II

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    Sequels to albums, at least in my listening experience, are generally poor. The two that immediately jump to mind for me are Rob Zombie’s HELLBELLY DELUXE 2 and Meat Loaf’s BAT OUT OF HELL 2. Both releases were pretty lame, and garnered attention solely because they were named after much more historic releases in their creator’s career.

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  • Dream Theater - THE ASTONISHING

    Image: Dream Theater, The Astonishing, Pitriff, Chris Akin Dream Theater
    THE ASTONISHING

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    So, Dream Theater is back with a release that many are calling their most in-depth, and yet polarizing release. Fair enough. With 34 tracks and clocking in at over two hours in length, it’s certainly the most challenging on a listener to fully grasp and comprehend. Along with THE ASTONISHING, you are expected to read the book of lyrics

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  • Megadeth - DYSTOPIA

    Image: Megadeth, Dystopia, Dave Mustaine, David Ellefson, Kiko Loureiro, Chris Adler Megadeth
    DYSTOPIA

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    More than any other metal band in history, being a hardcore Megadeth fan is truly a rollercoaster ride. This is a band with multiple duds in their catalog, and yet they always seem to rebound. Think about it, they’ve truly had some bad releases in their catalog. RISK was terrible. THE WORLD NEEDS A HERO wasn’t a lot better. And yet,

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  • Anthrax - FOR ALL KINGS

    Image: Anthrax, For All Kings, Pitriff, Chris Akin Anthrax
    FOR ALL KINGS

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    Depending on your perspective, Anthrax is either having a career resurgence or floundering at the end of their career. I’m stunned how many people actually didn’t like their last effort, FOR ALL KINGS. In these ears, that was the best effort of their career. What made it great, to me, was the mixture of crushing heaviness combined with some

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Image: Six Feet Under, Undead, pitriff, heavy metal, reviews, interviews, newsSix Feet Under
UNDEAD

Six Feet Chimaira arrives with their first effort featuring more than half of at least one of the Chimaira touring lineups (drummer Kevin Talley and guitarist Rob Arnold). In all seriousness, this is definitely still Six Feet Under, but with the biggest single upgrade in musicianship any band of this ilk has ever seen. Personally, I couldn't be more happy for Arnold. Having spent time just hanging out and talking death metal with Arnold on several occasions, I know first hand how much he respected Six Feet Under and Chris Barnes, so joining this band to him had to be the equivalent of winning the lottery.

As far as the new album UNDEAD goes, what exactly were you expecting? Something that sounded like Chimaira, but with a much more sinister barking vocal? Nah, not happened in Chris Barnes' band. While the guitar work is infinitely better and the drumming is much more stylish and intricate than any other effort in the band's catalog, UNDEAD is still a Six Feet Under effort that's driven home by the signature grunting of death metal legend Chris Barnes. That's not to say that Arnold's sound doesn't make a big impression though. It does. His riffs and fills on songs like "18 Days" could very well have first emerged on his previous band's INFECTION album without anyone thinking they were out of place. In fact, there are several points on UNDEAD where the music takes a decidedly more modern extreme metal slant from time to time. That said, it's always brought back to the center where Barnes snarls and rants about every unmentionable act his sick mind can come up with. Thankfully, Barnes stays at a level of inaudible where I don't have to translate what he's saying. I'd imagine that I really don't want to know exactly what's being described on songs like "Molest Dead" and "Delayed Combustion Device".

Obviously, I respect Barnes' career even if I'm not a fan of it. That said though, UNDEAD is by far the most musical effort the band has done since WARPATH. Talley is one of the single best drummers in the world, and you have no way to not recognize that here. His speed and ability to completely change pacing in the middle of a movement, like he does on "Blood On My Hands", is simply amazing to hear. He teams beautifully with ex Chimaira guitarist turned bassist Matt Devries throughout, thickening the bottom half on songs like the punishing "Near Death Experience".

PITRIFF RATING - 86/100 - Six Feet Under is a band that, to me, has long been the definition of what I want to hear from a death metal band (with the exception of the vocals). Barnes' voice will never hit home with me, but musically UNDEAD is powerful, musical and yet distinctly death metal. This is a solid effort here.

Chris Akin



Six Feet Under

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A look at one of the most polarizing, iconic and best selling albums of all time from author, rock critic and shock jock radio host Chris Akin.

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The shockingly honest and emotional first book from radio personality and rock critic Chris Akin.

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Read Reviews and Excerpts from LITTLE VICTORIES: A TALE OF DIVORCE, DEBAUCHERY AND FINDING HAPPINESS HERE!

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