I'd be lying if I didn't say that I have a bias toward supporting anything that says "Love/Hate" on the cover of it. Without any question, Love/Hate was my favorite band of the entire 80s "hair metal" era. Not Motley Crue. Not Warrant. Not Winger. Not Cinderella. Not those poseur bitches in Poison. Love/Hate was the band for me, and the reasons were very obvious. Of all the hair farmer bands, Love/Hate was the band that sang about things that were closer to where I was at the time. While the other bands were focused on sex and the party, Love/Hate was a lot more street level and focused a lot more on the boozing and pot early on...which is where I was at. "Fuel To Run", "One More Round", "Wasted In America" - all these songs hit home for me in the early '90s when they came out. Interestingly though, as the project became much more of a Jizzy Pearl thing than the original lineup, the music has matured and has stayed in sync with how I've grown as a person. His solo albums have produced songs like "Hit And Miss' that are relatable to me, as are other songs like "Do You Believe In Miracles" from LET'S RUMBLE as the career has progressed. Back with an EP called CRUCIFIED, Pearl and the formerly named Love/Hate has stayed in step with my musical taste.
Michael Schenker's Temple Of Rock
BRIDGE THE GAP
Michael Schenker is one of those guys where you either are 1000% in,or you really don't care at all about what he's doing. To me personally, I've just never understood the incredible amount of hype surrounding him. I get that he made a huge mark on the rock world with UFO and a somewhat less statement with Scorpions, but in the end, I can listen to either of those bands or anything since and really not hear anything earth shattering on guitar. Eddie Van Halen he's not. Still, there are tons of people that worship him, so good for him for finding such a strong allegiance.
Some bands just don't get the love they deserve from metal fans around the world. One of those bands is Benedictum. In a large way, I put them in the same bucket as an artist like Jorn Lande. Musically, they are continually stronger than most of the trendy dreck that's out there, but they are constantly overlooked for reasons that are just not fair to them. With Lande, he's got the stigma of sounding like Dio (which, to be fair to the metal fans out there he helped to perpetuate) which has led people to not take him as seriously as an individual artist as his music demands. With Benedictum, I'm quick to believe that the imagery of the beautiful and voluptuous Veronica Freeman does more harm than good, as the dumb metal stereotype of "chicks don't rock" will cause some to not give Benedictum a fair shake. For those metalheads, I can only say, "your loss, dumbass". As a band that simply gets better with each and every effort, Benedictum has created their best release yet with OBEY. Full of speed, heaviness and frenetic energy that is far above their previous releases, OBEY has high jumped the bar the band previously set with DOMINION, and cleared it by a mile.
HEAVY METAL MUSIC
This review is being written at the request of a longtime Pitriff reader, who hit me up this week and reminded me that I had not yet reviewed this release from former Metallica bassist Jason Newsted. Being honest, I'm not sure how that happened exactly. Since he came out with his 4 song EP METAL, and right through to today, the new solo music from the project called Newsted has not been away from my iPod for more than a day or two. It doesn't feature anything overly special or anything. Jason Newsted is not the best vocalist in the world. The music isn't the best or more cutting edge heavy metal ever created. In essence, it's a fairly average offering with one mighty exception - attitude. That undying, undeniable metal attitude literally forces HEAVY METAL MUSIC to be loved in the ears of most metalheads. A release full of piss and vinegar without a shred of apology for any of it, HEAVY METAL MUSIC is one of the most enjoyable metal albums of 2013.
FROM BEER TO ETERNITY
Ministry has been retired before, but this time might really be it. With the death of guitarist and collaborator Mike Scaccia just three days after the initial sessions for FROM BEER TO ETERNITY were completed, this might just be the final statement that Al Jourgensen wants to make to the world under the moniker of "Ministry". If so, he goes out in very strong fashion. While certainly not the best Ministry album, FROM BEER TO ETERNITY is an angry effort that is every bit as reminiscent as anything Jourgensen and company have done.