UNITED WORLD REBELLION: CHAPTER 1
Let's just be honest here. Skid Row has done themselves no favors since Johnny Solinger took over as the lead vocalist. They have put out two really subpar albums; subpar at least to those of us that were fans of their great past. I'm more giving than most, and even with that, I found both REVOLUTIONS PER MINUTE and THICKSKIN to be pretty much unlistenable (even though both did have a couple of tolerable moments). It's a shame too, because the band clearly can do some good things with Solinger, who doesn't sound like their old singer Sebastian Bach, but has enough of a "real rock" sound to fit well with their music (both the past stuff, and what they can do moving forward). If nothing else, listening to UNITED WORLD REBELLION: CHAPTER 1 seems to tell a story that the band finally understands what they need to be doing. By far, this is the best thing Skid Row has done since SUBHUMAN RACE.
30 YEARS: LIVE FROM THE SUNSET STRIP
There's a very awkward moment on 30 YEARS: LIVE FROM THE SUNSET STRIP wherein current vocalist Terry Ilous claims the night as a special night as the band has been together for 30 years. Sorry guys, I know the band has been around for all this time, but it REALLY is hard to accept Great White without Jack Russell at the helm. I really want to. Mark Kendall has been a friend for years, as has new vocalist Terry Ilous. But, being honest, their studio album without vocalist Jack Russell was very much outside the feeling one expects from a Great White album. That's not to say it was terrible, but there was a flair missing that just can't be replaced in the framework of what I consider to be Great White. Being honest, coming into this live release, I kind of had my doubts. Thankfully, the band captured a good performance. While it still doesn't have the bluesy flair that Jack Russell brought to the band, 30 YEARS: LIVE FROM THE SUNSET STRIP is a solid representation of what the band is today.
I'm not sure how a band with as much talent and as many reasons to like them has turned out to be so incredibly uninteresting, but that's exactly what Adrenaline Mob has become to me. I am one of the biggest fans there is of vocalist Russell Allen. Love his work in Symphony X. Love what he's done with Jorn Lande. Hell, I was probably the biggest fan going of his ATOMIC SOUL solo album. While I'm not a fan of drummer Mike Portnoy's previous band Dream Theater, I have nothing but respect of this guy's undeniable talent as one of the most elite drummers on the planet. Yet, try as I might, I cannot get into Adrenaline Mob at all. Their debut release was pretty average and unmemorable. They quickly followed that up with a covers album - bleh. Covers releases are as useless as tits on a chick I can't have or see because she's dating a close friend.
I've been dreading writing this review for a really long time, but I can't dodge it any longer. As much as Iron Maiden is one of the CORE bands of my entire existence, saying that BRITISH LION is anything but mediocre to subpar drivel is impossible. Certainly, the guys from Iron Maiden have done projects outside the band before. Bruce Dickinson's solo career is astoundingly good. Adrian Smith's Psycho Motel albums weren't bad either. But this...ugh. It hurts to write, because more than anything else, Steve Harris basically IS Iron Maiden. He's the maestro of their sound, the creative force behind the band. He's the producer. He's just about everything for Maiden. That said, you have to wonder just why he brought NONE of that skillset to this project that has his name on top of it. BRITISH LION is a dull, drab collection of songs with fairly subpar production value (for which Kevin Shirley should be ashamed for taking a check considering the mix of this turd). Listening to this and even remotely comparing this sound to ANYTHING Iron Maiden has released since, say, 1985 leaves you wondering why Harris didn't just scrap this or put more money into it to make it sound better.
There's been several incarnations of Krokus, at least as I hear it. There's been multiple versions of the band, so much so that I think that there hasn't been a single member that's been along for the entire ride of the band. They have had a metal period, a hard rock period, a hair metal period, and a blues rock (spelled AC/DC) period. While they have had some really bad albums from time to time though, they have never fully lost their edge or their ability to be, ultimately, a solid band. On the heals of their highly successful album HOODOO, Krokus has taken the more blues rock sound from that album and furthered it with their latest, DIRTY DYNAMITE. While certainly not the best thing they've ever done, DIRTY DYNAMITE is a fun, bluesy album chock full of solid songs. While it's almost certainly not going to attract any new audience, it's definitely not going to push anyone that's been following along away.