I've really given this album a lot of time and listens to sink in before writing anything about it. I did so because I wanted to be fair about it, and not judge it with the anger I, as a fan, have at the band for passing this off as a "reunion" without Bill Ward playing drums. I've read all the arguments online for this. I've had a hundred friends all tell me that they played this album UNTIL they liked it, and had it "grow on them." I've tried that myself, to be honest. A lot of people are all claiming that "as long as it has Iommi's riffs, then they will like it." That is obviously a lie, unless you are like me and love albums like HEADLESS CROSS, FORBIDDEN and TYR. In the end, 13 is a release that needs to be judged like all releases do - on it's own merits and what you hear when listening to it. To me, it's a fairly average offering.
Is this sad saga of one band splitting into two not just the saddest thing in recent memory when it comes to classic metal? Let's face it, if you followed Queensryche at all in the 80s or even through a lot of the bad times of the last two years, they were almost always a dignified bunch that seemed above the fray of the rest of the riff raff. Now, we have two bands. We have the Geoff Tate version of the band - an act powered largely by some sort of insanity that has overtaken the once dignified Tate and turned him into a babbling maniac who's more than willing to tell you about his black man's stereotypical penis than about his music. He's REALLY challenged people to even care about anything called Queensryche in recent months, and it's just sad to see happen. Then you have "the other guys". They've stayed largely silent about the split after the first few weeks, and aside from a lot of positive posts on their various social media sites, really haven't had much to say regarding the split and the new version of the band featuring vocalist Todd LaTorre. I guess they've decided to let the music do the talking.
RUBBER CITY MELTDOWN
There's something that's just plain cool about a throwback band like the LA Knights. I'm not sure what it is. I'm sure for a lot of people, they will just scoff at them as dated dudes stuck in the 80s that haven't "grown with the times". That's always a convenient cop out excuse to me, especially when you look at how the rock world has grown. If you ask most people to name 5 great bands from the 80s, within seconds you'll get five names thrown back at you (top of my head, Motley Crue, Skid Row, Guns N' Roses, Metallica, Dokken). It will literally take them a second. As the same question for five great bands from 2000-2010. The names don't come back quite so quickly, now do they? The reason is simple. The music was just better, or at a minimum more memorable universally. I'm the first guy that will admit that a LOT of the bands from the 80s were pretty embarrassing, but more times than not, they just weren't. At least musically, they were almost all solid. To do a throwback band now, you not only have to be excellent musically, but you also have to be thick skinned enough to not take the criticism to heart. Meet Akron, Ohio's LA Knights!
It's starting to look like 2013 is the season of bands that do things that sound pretty much the same from release to release putting out new music that's the same as the old. Buckcherry is a solid band generally, although their last two releases have been pretty God-awful. Their latest release, CONFESSIONS, is far better than BLACK BUTTERFLY or ALL NIGHT LONG, but that's still not saying that they have regained the greatness they once showed with releases such as their 15 or their self-titled debut. While CONFESSIONS doesn't rival either of those releases, it does have some of the qualities that made both of those very listenable albums. In short, CONFESSIONS is a comeback of sorts for this working man's band.
There's just something about Sebastian Bach that's compelling. Sure, he comes off like a knob a lot of the time in the media, but at his core, he's really just a guy that loves making music and isn't ashamed to talk about it. Yes, he comes off like a fanboy at times; particularly when talking about his love for bands like Kiss and Guns N' Roses. But regardless of all that, the guy fronted one of the better bands from the '80s in Skid Row. For those of us that had the chance to see Skid Row back in the proverbial day, we all remember just how good Bach (and the rest of the band for that matter) was on stage during that time. Performing live has always been Bach's bread and butter. Now as a solo artist, it's still where he earns his stripes. While there's been some controversy about him going back and "fixing" the newly released ABACHALYPSE NOW, Bach does make a good point about this. He states that he doesn't want to put out a bad product when he can create something that people will replay for years to come. Fair enough. It's certainly worked for his idols Kiss. So why not?