• Wretch - WARRIORS

    Image: Wretch, Warriors, Review, Power Metal, Chris Akin, Pitriff Wretch


    There's an unwritten rule that I rarely follow here in Cleveland. That rule is that if a band is from Cleveland, I'm supposed to write all glowing things or else be called a hater by the local community. It's sad that it's like that, but the truth is what it is. For years I've lived with that stigma, to the point

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  • Machine Head - BLOODSTONE & DIAMONDS

    Image: Machine Head, Bloodstone & Diamonds, Pitriff, Review, Thrash Metal Machine Head


    What happened to Machine Head really is a crime. Unfortunately for them, it's a crime they perpetrated upon themselves. With a mistake so many made in their youth, this band singlehandedly torpedoed themselves from ascending to the heights in metal held by only the select few like Metallica and Megadeth before them. After THE MORE THINGS CHANGE came

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  • Nashville Outlaws - TRIBUTE TO MOTLEY CRUE

    Image: Nashville Outlaws, Motley Crue Tribute Nashville Outlaws


    With the music industry pretty much dead anymore, nothing really comes off as shocking. After all, you have very desperate companies trying to hang on and make money from an industry that has about as much relevance today as the typewriter ribbon makers of the world still do. The current trend for the last half decade

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  • Texas Hippie Coalition - RIDE ON

    Image: Texas Hippie Coalition, Ride On, Heavy Metal, Hard Rock, Review, Classic Metal Texas Hippie Coalition


    I tell this story often, but it's one of my favorites of the past year. I had the chance to interview the Texas Hippie Coalition earlier this year at Rock On The Range in Columbus, Ohio. I was in a small tent with a bunch of photographers. The tent was fairly quiet really, as the much bigger adjacent

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  • Sammy Hagar - LITE ROAST

    Image: Sammy Hagar, Lite Roast, NonMetal, Review Sammy Hagar


    I get it. You are Sammy Hagar. You've seen huge success in virtually every world you've entered. In music, he was the main focus of Montrose. He parlayed that into a very successful solo career. That wasn't enough, so he joined the world's largest band at the time (Van Halen), and took them to commercial heights that even they

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  • Cavalera Conspiracy - PANDEMONIUM

    Image: Cavalera Conspiracy, Pandemonium, Pitriff, Death Metal, Review Cavalera Conspiracy


    There's always good news and bad news whenever Max Cavalera gets busy with new music. The good is that you get a whole lot of new music, seemingly all in a very short time. The bad news is it's generally spotty at best, because he simply writes and releases too much music at the same time. His band Soulfly released

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  • Slipknot - .5 THE GRAY MATTER

    Image: Slipknot, .5 The Gray Matter, Pitriff, CD Review, Modern Metal Slipknot


    With a ton of speculation and even more wonderment on this band's ability to continue on without founding members Paul Gray and Joey Jordison, Slipknot has returned after far too long of a layoff with .5 THE GRAY MATTER. I've listened to this release multiple times a day for the last week or so that I've had it,

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Review - Mollo Martin

Image: Mollo Martin, Pitriff, CD ReviewsMollo Martin

I get the math. When a major band changes singers, the next guy never gets the respect of the first. If they change again, that guy always gets disrespected greatly. Look no further than the once again popular Van Halen for proof. Anyone want to argue that Gary Cherone was ever given respect in that band? I thought not. In my eyes though, the single most disrespected singer in rock history has to be vocalist Tony Martin. Martin had the distinction of being the guy who replaced Dio in Black Sabbath. You remember - Dio replaced Ozzy, and then Martin replaced Dio. As third guy on the totem pole of Black Sabbath, I would argue that his catalog from start to finish was stronger than the Ozzy era (the whole Ozzy era, not just the first 4 albums). I personally will always reach for an album like HEADLESS CROSS long before something like TECHNICAL ECSTACY. Maybe it's just me, but I have long respected and sung the praises of the Martin era of Sabbath.

For THE THIRD CAGE, Tony Martin continues his decade long relationship with Italian guitarist Dario Mollo to create some cool, albeit friendlier, hard rock that is enjoyable to listen to. Martin sounds as good as ever vocally, even if the music isn't the intense type that many remember him doing with Black Sabbath or even on his solo work like SCREAM. The music is much more Journey / Foreigner / Night Ranger like than you might expect. Still, Martin's powerful pipes power the material here. Songs like "One Of The Few" prove just how strong a singer Martin truly is. This song, which sounds like a cross between the late era pop-rock Scorpions and something Jeff Scott Soto might record, if full of Martin's flowing vocals and some virtuoso like solo fills and riffs provided by Mollo. For his part, Mollo is a tremendous guitarist. There are times when he heavies things up a bit, like on the thick rocker "Still In Love With You". Simply, Mollo can play, and showcases a lot of different styles on THE THIRD CAGE.

The lone drawback to this project is that it doesn't feel hugely organic at all. While I have no idea if this is a project or a band, it definitely feels like a project. It would not surprise me at all if this project was put together via MP3 trading. Again, I have no way to know that as true, but there's just something lacking here. It just doesn't feel like they were in the same room, where the energy would have flowed between Mollo and Martin.

PITRIFF RATING - 73/100 - A solid effort from one of the most underrated singers in the business. My hunch is this would sound a lot better performed live as there would be a new vibe to it, but it's still not too bad.

Chris Akin

Image: Cause/Effect Metallica, Chris Akin

A look at one of the most polarizing, iconic and best selling albums of all time from author, rock critic and shock jock radio host Chris Akin.


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The shockingly honest and emotional first book from radio personality and rock critic Chris Akin.

CLICK HERE to learn more about LITTLE VICTORIES.

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Available January 13th in Paperback and Digital Formats on Amazon and iTunes.

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