• Halestorm - INTO THE WILD LIFE

    Image: Halestorm, Into The Wild Life, Pitriff, heavy metal, reviews, interviews Halestorm
    INTO THE WILD LIFE

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    With the release of THE STRANGE CASE OF…, I fell in love with Lzzy Hale. So much so, in fact, that I jokingly got down on one knee and asked her to marry me at Rock On The Range two years ago (a proposal that she didn’t flat out turn down, so maybe there’s still hope!!). Let’s be

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  • Marilyn Manson - THE PALE EMPEROR

    Image: Marilyn Manson, The Pale Emperor, Pitriff, Modern Metal, Reviews Marilyn Manson
    THE PALE EMPEROR

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    Let’s just call it the way it is. It’s been a very, very long time since Marilyn Manson recorded a really good, memorable release that any of us still listen to on a regular basis. To many, the would probably says that it’s been since MECHANICAL ANIMALS back in 1998. For me personally, I’ll be a bit more

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  • Black Star Riders - THE KILLER INSTINCT

    Image: Black Star Riders, The Killer Instinct, Review, Classic Rock, Pitriff Black Star Riders
    THE KILLER INSTINCT

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    When Black Star Riders made their decision to record under a new name instead of as Thin Lizzy, it was met with a lot of opinions. For most, I would assume they were happy that they decided to move away from the name they had been touring under. For many, I'm sure there was a lot of

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  • Lynch Mob - SUN RED SUN

    Image: Lynch Mob, Sun Red Sun, George Lynch, Classic Rock, Reviews Lynch Mob
    SUN RED SUN

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    On THE CLASSIC METAL SHOW, George Lynch is regularly a topic of conversation. Maybe that has to do with the fact that Neeley is a personal friend of Don Dokken and I work for Don on his website, but I like to believe that he becomes a topic because, first and foremost, we are big fans of the

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  • Karma To Burn - ARCH STANTON

    Image: Arch Stanton, Karma To Burn, Pitriff, Stoner Metal, Reviews Karma To Burn
    ARCH STANTON

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    There are those of us who know. We will forever be known as the "fortunate ones". There are those of you that have no idea. You will be known as the "unfortunate ones". What is it we know that you don't? We know the sheer greatness of Karma To Burn. For those that are unfortunate ones, let me

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  • U.D.O. - DECADENT

    Image: U.D.O. - DECADENT, Classic Metal, Reviews, Pitriff U.D.O.
    DECADENT

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    I'm sure I'm not in the minority here, but I'm glad that we now have a killer version of Accept with Mark Tornillo as well as the continuation of U.D.O. with Udo Dirkschneider. In short, it's led to both bands stepping up their game and creating great music. While neither side will admit competition with the other band, the fans certainly

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  • Sweet & Lynch - ONLY TO RISE

    Image: Sweet & Lynch, Only To Rise, CD Review, Classic Metal, Pitriff Sweet & Lynch
    ONLY TO RISE

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    Being completely honest here, I really didn't expect a whole lot out of this. I'm not the biggest Stryper fan in the world by a long shot, and the truth is that I just never could fully get into Michael Sweet's vocals. There's just always been something about him. I'm not sure what it is. I guess

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  • AC/DC - ROCK OR BUST

    Image: Rock Or Bust, AC/DC, Chris Akin, Pitriff, Classic Metal, Review AC/DC
    ROCK OR BUST

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    In a year that has see a foundational piece of AC/DC succumb to a debilitating illness and another to his own personal insanity, AC/DC emerges after seemingly forever away with ROCK OR BUST. To be fair and truthfully honest, expectations on this release were pretty low. I know that AC/DC is a band that's been in business almost 50

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  • Whitesnake - BACK TO THE BONE

    Image: Whitesnake, Back To The Bone, Pitriff, Chris Akin Whitesnake
    LIVE IN '84 - BACK TO THE BONE

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    David Coverdale and company have had a very long and successful history that started even before he formed Whitesnake. There's no denying the legacy here. Coverdale has had a fantastic career with Whitesnake, and his time in Deep Purple was every bit as strong to that band as a Sammy Hagar was to Van Halen

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  • Wretch - WARRIORS

    Image: Wretch, Warriors, Review, Power Metal, Chris Akin, Pitriff Wretch
    WARRIORS

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    There's an unwritten rule that I rarely follow here in Cleveland. That rule is that if a band is from Cleveland, I'm supposed to write all glowing things or else be called a hater by the local community. It's sad that it's like that, but the truth is what it is. For years I've lived with that stigma, to the point

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  • Machine Head - BLOODSTONE & DIAMONDS

    Image: Machine Head, Bloodstone & Diamonds, Pitriff, Review, Thrash Metal Machine Head
    BLOODSTONE & DIAMONDS

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    What happened to Machine Head really is a crime. Unfortunately for them, it's a crime they perpetrated upon themselves. With a mistake so many made in their youth, this band singlehandedly torpedoed themselves from ascending to the heights in metal held by only the select few like Metallica and Megadeth before them. After THE MORE THINGS CHANGE came

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  • Nashville Outlaws - TRIBUTE TO MOTLEY CRUE

    Image: Nashville Outlaws, Motley Crue Tribute Nashville Outlaws
    A TRIBUTE TO MOTLEY CRUE

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    With the music industry pretty much dead anymore, nothing really comes off as shocking. After all, you have very desperate companies trying to hang on and make money from an industry that has about as much relevance today as the typewriter ribbon makers of the world still do. The current trend for the last half decade

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Image: unbreakable, knockout, review, classic metal, pitriffUnbreakable
KNOCKOUT

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Retro has become in these days, and there are more and more bands creeping up that have harkened their sound back to a time that left well over 30 years ago. The last 2 years have seen an influx of bands reaching back to the '70s. Bands like Blues Pills, Vista Chino, Scorpion Child and Rival Sons have all emerged with killer throwback vibes that are impressive. There's been a few bands that have come forward a little bit to the '80s, and have had varying success with that. So along comes Unbreakable; a band produced by Scorpions' legend Herman Rarebell that seemingly listened to a lot of '80s metal along the way. While I will say they are interesting, there's just something not fully clicking with this band. It's hard to put my finger on it, but there's just something not quite there.

This is not to say that these guys aren't proficient. Vocalist Al Crespo has a good, clean voice that is somewhat of a mix of Little Angels' Toby Jepsen and Stryper's Michael Sweet. This guy can sing, but he's a bit sterile in his presentation. He's best served on songs like "In Your Heart"; a ballad where you really can hear his throwback style that would please any Dokken fan as his phrasing works the way songs like "Alone Again" did for Don Dokken another lifetime ago. Crespo is balanced out by capable players. Guitarists Martin Ries and Pascal Alles are competent, old school sounding players. They are solid, but they need to be turned up in the mix and given a more dominant role in the mix. They are a bit subdued, which really never lets songs like "Good Times" act as the anthems they should be. Drummer Alex Ries and bassist Luke Mittler lay down a simple and steady foundation on each song, although they are anything but noticeable throughout. The drumming is mixed well, but it's so basic here that both Lars Ulrich and I could play it without any real issues.

The weakness to this band is definitely in the songwriting, and specifically in the lyrics. This style has been dead for far too long, and really wasn't good when it was happening the first time. Unbreakable write lyrics that are very sing-song like and rhyme driven from line to line. Listening to songs like "Back To The Roots", you get overwhelmed by the repetitive nature of the chorus, and spend most of the time trying to figure out what word the next line will rhyme with instead of just enjoying the song. Then there's songs like "Crazy Cat Lady". Is a description of why that's just not a good idea really necessary? "Welcome to the game of life / I want to touch your inner light / I'm gonna make you feel alright" - this comes from the chorus of "Game Of Life". I know this because it's repeated several times throughout the song, and it's just cheesy bad writing.

PITRIFF RATING - 55/100 - The weird thing is that for all the criticisms, I think this could be an enjoyable band with some tweaks and an outside songwriter. That said though, KNOCKOUT is just lacking in a lot of places. After a few listens, there's not anything on this that sucks, but there's really not much memorable either.

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A look at one of the most polarizing, iconic and best selling albums of all time from author, rock critic and shock jock radio host Chris Akin.

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The shockingly honest and emotional first book from radio personality and rock critic Chris Akin.

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Read Reviews and Excerpts from LITTLE VICTORIES: A TALE OF DIVORCE, DEBAUCHERY AND FINDING HAPPINESS HERE!

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