• Slipknot - .5 THE GRAY MATTER

    Image: Slipknot, .5 The Gray Matter, Pitriff, CD Review, Modern Metal Slipknot
    .5 THE GRAY MATTER

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    With a ton of speculation and even more wonderment on this band's ability to continue on without founding members Paul Gray and Joey Jordison, Slipknot has returned after far too long of a layoff with .5 THE GRAY MATTER. I've listened to this release multiple times a day for the last week or so that I've had it,

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  • Opeth - PALE COMMUNION

    Image: Opeth, Pale Communion, Pitriff, Review, Progressive Metal Opeth
    PALE COMMUNION

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    Opeth simply fails as a band, at least to me. While I'll admit to never fully understanding the amazement and awe so many have for this band, I've appreciated them from afar. I've listened, and I've at least wrapped my head around what they were trying to do. Their fusing of death metal with progressive elements always made for an

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  • Cannibal Corpse - A SKELETAL DOMAIN

    Cannibal Corpse, A Skeletal Domain, Review, Death Metal Cannibal Corpse
    A SKELETAL DOMAIN

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    So really, what does anyone expect when you get a Cannibal Corpse release handed to you? Ballads, love songs and fun? Not hardly. There's an expectation of severe brutality which the band delivers time and time again. Certainly, it comes with different levels of acceptance to one's ears, but ultimately the only thing that matters if it says

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  • Exodus - BLOOD IN, BLOOD OUT

    Image: Exodus, Blood In Blood Out, Pitriff, Review, Thrash Metal Exodus
    BLOOD IN, BLOOD OUT

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    Unless you call Testament a "thrash band" (which I don't personally), Exodus would rank as my favorite true Thrash band of all time. They have had good times and bad. Occasionally, like on FABULOUS DISASTER, they have misstepped along the way. But overall, they are one of the true powerhouses in the history of thrash metal. Since 2004

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  • Mr. Big - ...THE STORIES WE COULD TELL

    Mr. Big, The Stories We Could Tell, Reviews, Classic Metal, Chris Akin, Pitriff Mr. Big
    ...THE STORIES WE COULD TELL

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    As a fan of Mr. Big, I can't honestly say that many people thought that their reunion was much more than a cash grab opportunity for the guys in the band who, while immensely talented, failed to find solo success to match their collaborative efforts. It was never a question of if they could still play.

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  • Slash - WORLD ON FIRE

    Image: Slash, Myles Kennedy, Conspirators, World On Fire, Pitriff, review, classic metal Slash
    WORLD ON FIRE

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    Hey Gene Simmons. The corpse of rock n' roll just had a baby. That baby is not an average baby at all. That baby was not stillborn, but came out kicking and screaming with an intensity rarely seen. This baby is destined for greatness. This infant is out to prove you wrong. While your days of spitting fire and

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  • Davey Suicide - WORLDWIDE SUICIDE

    Image: Davey Suicide, Worldwide Suicide, Pitriff, Reviews, Modern Metal Davey Suicide
    WORLDWIDE SUICIDE

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    I had the pleasure of working directly with Davey Suicide as he prepped his debut release a few years ago for release. I got to work with him on some promotional stuff, some publicity stuff, his website and a lot more of that kind of stuff. In that work, I quickly found him to be far more than the

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  • Ministry - LAST TANGLE IN PARIS

    Image: Ministry, Last Tangle In Paris, Pitriff, Review, Industrial Metal Ministry
    LAST TANGLE IN PARIS

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    Al Jourgensen of Ministry has been threatening to take his ball and go home for a long time now. Quite frankly, I'm not sure I believe that he'll ever retire. Every time he says he's retiring, he seems to come right back with more music that's stronger, meaner and just better than anything in his past. Being quite

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  • Kix - ROCK YOUR FACE OFF

    Image: Kix, Rock Your Face Off, Classic Metal, Pitriff, Review Kix
    ROCK YOUR FACE OFF

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    Kix might just be the last of the '80's bands to release new material. By now, it seems like everybody else you could name from the glory days of yesteryear has made a stab at making music in the new millennium. Of course, a lot of them, we wish they hadn't, and just left us to our misty-eyed

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Ron Keel - METAL COWBOY

Image: Ron Keel, Metal Cowboy, Classic Metal, PitriffRon Keel
METAL COWBOY

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There's something very unique about Ron Keel that I think has escaped most of his peers that were spawn from the 80s hair metal scene. For most, they have been content to stick to the formula that made them famous, only take an experimental shot once the mainstream popularity had run it's course, and then returned to their classic form to ride out their career. With Ron Keel, it's been a very different experiment which he has crafted into a career. As an artist, Keel is one of neverending experimentation. He's had hair metal albums, acoustic releases, country metal releases, and now more of a southern rock/metal record. METAL COWBOY seems to have a lot of people remembering Keel's project Iron Horse, but I'd say that is highly inaccurate. The "Metal Cowboy" is proving once again that he's more of a Metal Chameleon. Hard at times, bluesy in other parts and full of twists and turns, METAL COWBOY could very well be the best release Keel's had his name on since THE RIGHT TO ROCK.

Listening to METAL COWBOY, you really get the feeling that this solo release was probably more in the direction that his past project Iron Horse would have gone in had Keel not had bandmates to help formulate the music. There are definitely songs on METAL COWBOY that you could see appearing on Keel or Iron Horse albums, but then there are song that are completely new to the Keel arsenal for a lot of reasons. "My Bad" is a primary example. This is a hard, angry song that showcases Keel in a brand new light as a rant n' roller. He's never really brought anger to the music (at least to the vocals of any project), and yet it's on display as he rages against the governmental corruption that has gripped this nation. There are other songs, like "What Would Skynyrd Do", that are cut straight from the Skynyrd/ZZ Top blues rock cloth. Throughout METAL COWBOY, you get the widest assortment of song structure that Keel has ever put together on any release.

In addition to the songs themselves, his band is diverse which leads to a lot more interesting music. Tesla's Frank Hannon brings his giant sound to much of this release, including "The Cowboy Road", which stands as one of the better tunes on the entire release. Still, at other times, such as the disc's best track "Just Like Tennessee", it's Ditch Kurtz's old country slide guitar that adds the perfect spice to this recipe of great music. For his part, Ron Keel sounds really strong vocally throughout. He's definitely not the screamer that he used to be anymore, but he can still bring it. On tracks like "The Last Ride", the grittier, more earth toned vocals of the modern day Keel certainly drive this rocker forward.

PITRIFF RATING - 91/100 - Ron Keel may have been spawned from the 80s when Steeler and Keel were atop the hard rock world, but this performer has never stopped being aggressive or creative. He's never stopped reinventing himself either. METAL COWBOY has a ton of flavor that both old Keel fans as well as classic rockers can all sink their teeth into. A very good listen from one of the most unheralded voices from the 80s glory years.

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A look at one of the most polarizing, iconic and best selling albums of all time from author, rock critic and shock jock radio host Chris Akin.

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The shockingly honest and emotional first book from radio personality and rock critic Chris Akin.

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