• Wretch - WARRIORS

    Image: Wretch, Warriors, Review, Power Metal, Chris Akin, Pitriff Wretch
    WARRIORS

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    There's an unwritten rule that I rarely follow here in Cleveland. That rule is that if a band is from Cleveland, I'm supposed to write all glowing things or else be called a hater by the local community. It's sad that it's like that, but the truth is what it is. For years I've lived with that stigma, to the point

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  • Machine Head - BLOODSTONE & DIAMONDS

    Image: Machine Head, Bloodstone & Diamonds, Pitriff, Review, Thrash Metal Machine Head
    BLOODSTONE & DIAMONDS

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    What happened to Machine Head really is a crime. Unfortunately for them, it's a crime they perpetrated upon themselves. With a mistake so many made in their youth, this band singlehandedly torpedoed themselves from ascending to the heights in metal held by only the select few like Metallica and Megadeth before them. After THE MORE THINGS CHANGE came

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  • Nashville Outlaws - TRIBUTE TO MOTLEY CRUE

    Image: Nashville Outlaws, Motley Crue Tribute Nashville Outlaws
    A TRIBUTE TO MOTLEY CRUE

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    With the music industry pretty much dead anymore, nothing really comes off as shocking. After all, you have very desperate companies trying to hang on and make money from an industry that has about as much relevance today as the typewriter ribbon makers of the world still do. The current trend for the last half decade

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  • Texas Hippie Coalition - RIDE ON

    Image: Texas Hippie Coalition, Ride On, Heavy Metal, Hard Rock, Review, Classic Metal Texas Hippie Coalition
    RIDE ON

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    I tell this story often, but it's one of my favorites of the past year. I had the chance to interview the Texas Hippie Coalition earlier this year at Rock On The Range in Columbus, Ohio. I was in a small tent with a bunch of photographers. The tent was fairly quiet really, as the much bigger adjacent

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  • Sammy Hagar - LITE ROAST

    Image: Sammy Hagar, Lite Roast, NonMetal, Review Sammy Hagar
    LITE ROAST

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    I get it. You are Sammy Hagar. You've seen huge success in virtually every world you've entered. In music, he was the main focus of Montrose. He parlayed that into a very successful solo career. That wasn't enough, so he joined the world's largest band at the time (Van Halen), and took them to commercial heights that even they

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  • Cavalera Conspiracy - PANDEMONIUM

    Image: Cavalera Conspiracy, Pandemonium, Pitriff, Death Metal, Review Cavalera Conspiracy
    PANDEMONIUM

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    There's always good news and bad news whenever Max Cavalera gets busy with new music. The good is that you get a whole lot of new music, seemingly all in a very short time. The bad news is it's generally spotty at best, because he simply writes and releases too much music at the same time. His band Soulfly released

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  • Slipknot - .5 THE GRAY MATTER

    Image: Slipknot, .5 The Gray Matter, Pitriff, CD Review, Modern Metal Slipknot
    .5 THE GRAY MATTER

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    With a ton of speculation and even more wonderment on this band's ability to continue on without founding members Paul Gray and Joey Jordison, Slipknot has returned after far too long of a layoff with .5 THE GRAY MATTER. I've listened to this release multiple times a day for the last week or so that I've had it,

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Red Dragon Cartel - RED DRAGON CARTEL

Image: Red Dragon Cartel, Jake E. Lee, PitriffRed Dragon Cartel
RED DRAGON CARTEL

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Jake E. Lee - where have you been for the past two decades? Calling it the way it is, Jake E. Lee was one of the most recognizable sounds in hard rock/heavy metal for about five or six years. His work with Ozzy Osbourne on BARK AT THE MOON and THE ULTIMATE SIN were signatures to the Prince Of Darkness' biggest commercial success. He then moved onto Badlands, which is one of those bands that never got huge even though most now agree that it was one of the very best and most timeless bands of the late 80s and early 90s. In both cases, it was Jake's HUGE sound that propelled these projects. After that though, he was gone. Sure, there was the occasional sighting, like his solo A FINE PINK MIST release and then a somewhat surprise appearance on Enuff Z'nuff's DISSONANCE release, but ultimately the question of "where is Jake E. Lee" became one of folklore in the hard rock and heavy metal community.

After forever away though, Jake E. Lee is back, and his playing is as good as ever. His new project is called Red Dragon Cartel, and it features some killer guitar from Lee. At first listen, RED DRAGON CARTEL will probably surprise a lot of people with it's more modernized direction. Had Jake been releasing music all this time, it probably wouldn't be so surprising as we would have followed his progression...but when you go from 1992 to 2014 without hearing anything, all changes are amplified. Still, his playing is big and full, as always. Songs like "Deceived" remind you right away just how good, crisp and fast Lee always was as a guitar player. It's good to hear and worth noting that Jake has not tuned down any either, so his sound is still pure and not marred by the false heaviness of a drop d tuning. Hearing him rage to open "Slave", you are made very aware that Lee is still great.

As great as Lee is though, the album comes off as a bit of a mish mosh experience. There's a singer named Darren Smith who's solid, although fairly standard in his sound. He doesn't ruin anything when he sings on songs like "Slave" or "Shout It Out", but he's much more normal than what Jake has performed with in the past; most notably the unbelievable voice of Ray Gillen in Badlands. The problem though is the abundance of other singers that come in and take away from both the flow of the album and the building of this band as a unit. Robin Zander of Cheap Trick is the best of the bunch. His performance on the first single "Feeder" is arguably the best he's put down for any band (including his own) in a decade. There's other things though that just don't work. In This Moment's Maria Brink is abysmal on "Big Mouth" (which also suffers from a Kevin Churko mix that sounds almost identical to Ozzy's last two solo releases). Paul Di'Anno sings on "Wasted", and that's just more of his typical barking that has made anything past 1983 pretty much intolerable from him. Sass Jordan checks in on "Redeem Me", but she's not really adding a whole lot either. In short, this album would have been better if the band would have just let Smith sing all the songs. At least then RED DRAGON CARTEL would have done a better job establishing this band on their own merits. At this point, it's still a little fuzzy as to just what Red Dragon Cartel is going to be as a cohesive band.

PITRIFF RATING - 70/100 - I like it, and I love having Jake E. Lee back and wailing on guitar. I would have liked to see less guests and more of them becoming whatever they will become however. That said though, Jake E. Lee is back. There ultimately is nothing wrong with that.

Image: Cause/Effect Metallica, Chris Akin

A look at one of the most polarizing, iconic and best selling albums of all time from author, rock critic and shock jock radio host Chris Akin.

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The shockingly honest and emotional first book from radio personality and rock critic Chris Akin.

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Read Reviews and Excerpts from LITTLE VICTORIES: A TALE OF DIVORCE, DEBAUCHERY AND FINDING HAPPINESS HERE!

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