• Wretch - WARRIORS

    Image: Wretch, Warriors, Review, Power Metal, Chris Akin, Pitriff Wretch
    WARRIORS

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    There's an unwritten rule that I rarely follow here in Cleveland. That rule is that if a band is from Cleveland, I'm supposed to write all glowing things or else be called a hater by the local community. It's sad that it's like that, but the truth is what it is. For years I've lived with that stigma, to the point

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  • Machine Head - BLOODSTONE & DIAMONDS

    Image: Machine Head, Bloodstone & Diamonds, Pitriff, Review, Thrash Metal Machine Head
    BLOODSTONE & DIAMONDS

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    What happened to Machine Head really is a crime. Unfortunately for them, it's a crime they perpetrated upon themselves. With a mistake so many made in their youth, this band singlehandedly torpedoed themselves from ascending to the heights in metal held by only the select few like Metallica and Megadeth before them. After THE MORE THINGS CHANGE came

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  • Nashville Outlaws - TRIBUTE TO MOTLEY CRUE

    Image: Nashville Outlaws, Motley Crue Tribute Nashville Outlaws
    A TRIBUTE TO MOTLEY CRUE

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    With the music industry pretty much dead anymore, nothing really comes off as shocking. After all, you have very desperate companies trying to hang on and make money from an industry that has about as much relevance today as the typewriter ribbon makers of the world still do. The current trend for the last half decade

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  • Texas Hippie Coalition - RIDE ON

    Image: Texas Hippie Coalition, Ride On, Heavy Metal, Hard Rock, Review, Classic Metal Texas Hippie Coalition
    RIDE ON

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    I tell this story often, but it's one of my favorites of the past year. I had the chance to interview the Texas Hippie Coalition earlier this year at Rock On The Range in Columbus, Ohio. I was in a small tent with a bunch of photographers. The tent was fairly quiet really, as the much bigger adjacent

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  • Sammy Hagar - LITE ROAST

    Image: Sammy Hagar, Lite Roast, NonMetal, Review Sammy Hagar
    LITE ROAST

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    I get it. You are Sammy Hagar. You've seen huge success in virtually every world you've entered. In music, he was the main focus of Montrose. He parlayed that into a very successful solo career. That wasn't enough, so he joined the world's largest band at the time (Van Halen), and took them to commercial heights that even they

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  • Cavalera Conspiracy - PANDEMONIUM

    Image: Cavalera Conspiracy, Pandemonium, Pitriff, Death Metal, Review Cavalera Conspiracy
    PANDEMONIUM

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    There's always good news and bad news whenever Max Cavalera gets busy with new music. The good is that you get a whole lot of new music, seemingly all in a very short time. The bad news is it's generally spotty at best, because he simply writes and releases too much music at the same time. His band Soulfly released

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  • Slipknot - .5 THE GRAY MATTER

    Image: Slipknot, .5 The Gray Matter, Pitriff, CD Review, Modern Metal Slipknot
    .5 THE GRAY MATTER

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    With a ton of speculation and even more wonderment on this band's ability to continue on without founding members Paul Gray and Joey Jordison, Slipknot has returned after far too long of a layoff with .5 THE GRAY MATTER. I've listened to this release multiple times a day for the last week or so that I've had it,

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Black Label Society - UNBLACKENED

Image: Black Label Society, Unblackened, Pitriff, heavy metal, reviewBlack Label Society
UNBLACKENED

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It's no secret that I'm a very big fan of Zakk Wylde. I've gotten to know him over the years, and more to the point, I've truly apprecated the music the guy creates. For many, they just love hearing him play guitar. I can see that. For me though, my go to moments are not the heavier albums like STONGER THAN DEATH or ORDER OF THE BLACK, but the stuff that strays from the heavy where Zakk just lets loose as a classic rocker. My favorite thing Wylde has done is his solo release BOOK OF SHADOWS, followed closely by BLS efforts HANGOVER MUSIC VOL. VI and THE SONG REMAINS NOT THE SAME. "Darkest Days" from THE SONG REMAINS NOT THE SAME is, by far, my favorite song he's ever done, based solely on the raw emotion he puts forth singing it acoustically. Wylde has returned with a very interesting live show called UNBLACKENED; a sort of acoustic show where he and Black Label Society rework a lot of songs from his entire career for a one night only performance. It's pretty good stuff.

Notice, I said "sort of acoustic". While this is definitely not the full on, in your face Black Label Society concert, it does feature a ton of electric guitar provided by Wylde. In fact, on songs like "Sold My Soul", the solo is even more fierce than it was when originally recorded. While Wylde is definitely good at being the metal world's bad ass biker dude, his career is littered with great music that proves he could be more than successful in more of a Gregg Allman world if he chose to. Listening to the live performance of songs like "Spoke In The Wheel" on UNBLACKENED, it's more than clear that he has true passion for this style of music. Other songs, like the reworked version of "The Blessed Hellride" just sparkle. The bigger sound on "House Of Doom" is definitely welcomed as well, giving the song even more power than it had when recorded for HANGOVER MUSIC.

That's not to say that it's all good. It's not. "Stillborn" reworked as a slow, plodding ballad is a giant mistake that should never be mentioned again. Additionally, the recording of the Bill Withers tune "Ain't No Sunshine When She's Gone" is fairly unnecessary and useless; made even worse by the dumb tongue in cheek video that is now out there. "Queen Of Sorrow" also needed to be left alone, as the original version of it is far better than this heavier live version that is featured here and showcases one of Zakk's lazier vocal performances on the whole release.

PITRIFF RATING - 80/100 - This is definitely a solid effort that's brilliant at times. There are other times that aren't so brilliant, but overall this is a solid listen if you are a BLS or Zakk Wylde fan. This will fill the void nicely until a new BLS album is prepared.

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