• Black Label Society - CATACOMBS OF THE BLACK VATICAN

    Image: Black Label Society, Catacombs Of The Black Vatican, Pitriff, Review, Classic Metal Black Label Society
    CATACOMBS OF THE BLACK VATICAN

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    When Zakk Wylde decides to release new music, the metal world definitely stops for a moment and listens. They may not like it all, but they do listen. It's a testament to how unbelievable the man is on guitar; a true legend who stands shoulder to shoulder with the Eddie Van Halen's and Dimebag Darrell's

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  • Lacuna Coil - BROKEN CROWN HALO

    Image: Lacuna Coil, Broken Crown Halo, Review, Modern Metal, Pitriff Lacuna Coil
    BROKEN CROWN HALO

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    It's not really much of a secret that two of my favorite bands out there today are fronted by ladies. Those two bands are Halestorm and Lacuna Coil. While it took me awhile to latch onto Halestorm, Lacuna Coil was a band that I latched on the very first time I heard them. I remember getting a sampler

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  • Sevendust - TIME TRAVELERS & BONFIRES

    Image: Sevendust, Time Travelers & Bonfires, Review, Modern Metal, Pitriff Sevendust
    TIME TRAVELERS & BONFIRES

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    Sevendust are really a band for the fans, and the fans are definitely always there for the band. Case in point - their latest release TIME TRAVELERS & BONFIRES. This release is one paid for by the latest trend hitting the music business, pre-funding by the fans to pay for a project. The band asked for a lot for

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  • Various Artists: Ronnie James Dio - THIS IS YOUR LIFE

    Image: Dio, This Is Your Life, Pitriff, Review, Classic metal Various Artists
    RONNIE JAMES DIO: THIS IS YOUR LIFE

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    As much as I want to take this at face value, it's hard to not at least wonder just how many times Wendy Dio is going to visit the Dio well and mine more material culled from his past work. There's already been multiple live releases, deluxe reissues, an officially sanctioned band playing the

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  • Red Reign - CHASING SHADOWS

    Image: Red Reign, Chasing Shadows, Pitriff, Review, Classic Metal Red Reign
    CHASING SHADOWS

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    It's not very often that a band that has zero backing behind it sweeps in and just monopolizes my listening time. Generally, bands like Red Reign get 30 seconds as I quickly scan through their music and I'm on to something else that I'm getting pressured to review by a publicist. For Red Reign, I was asked to review

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  • Steel Panther - ALL YOU CAN EAT

    Image: Steel Panther, All You Can Eat, The Classic Metal Show Steel Panther
    ALL YOU CAN EAT

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    They certainly are the joke that just keeps on being retold and being funny, now aren't they? I'm sure there's a lot less people that remember them as Metal Shop, Metal Skool or even way back to the Danger Kitty days, but a whole lot more people have discovered this band since they adopted the name Steel

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  • Sebastian Bach - GIVE 'EM HELL

    Sebastian Bach, Give 'Em Hell, Pitriff, CD Review Sebastian Bach
    GIVE 'EM HELL

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    It seems like every time Sebastian Bach releases new music, the first thought that comes to my mind is "this dude comes off like a douchebag ALOT in interviews, but he just kicks ass musically." Amazing how that comes back around. Baz is back, and he's been saying some interesting things in recent interviews. Yet, just ignoring that

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  • Gamma Ray - EMPIRE OF THE UNDEAD

    Image: Gamma Ray, Empire Of The Undead, Pitriff, CD Review, Power Metal Gamma Ray
    EMPIRE OF THE UNDEAD

    MP3
    CD

    My affinity for Gamma Ray really predates the band itself, as it's much more of an appreciation for the vocal work of singer Kai Hansen. Be it with Gamma Ray or his legendary work with his previous band Helloween, Hansen has always been not only one of the most elite vocalists in power metal in my eyes,

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  • Vandenberg's MoonKings - VANDENBERG'S MOONKINGS

    Image: Vandenberg's Moonkings, Pitriff, Classic Rock, Classic Metal Vandenberg's MoonKings
    VANDENBERG'S MOONKINGS

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    Adrian Vandenberg and Jake E. Lee have seemingly the same career path. Both were great in super huge bands (Vandenberg in Whitesnake, Lee in Ozzy), recorded even better material when they broke away (Lee with Badlands, Vandenberg with Manic Eden), and then both walked away and just left music behind for awhile. Now, both are back. Lee's Red Dragon

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  • Pilgrim - II: VOID WORSHIP

    Image: Pilgrim, Void Worship, Pitriff, doom metal, review Pilgrim
    II: VOID WORSHIP

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    In the epic world of doom metal, there are a lot of pretenders. There are only a few that are truly authentic though. Pilgrim is one of the most authentic I think I've ever heard. Their grinding, slow moving sludge is such from which legends put on this Earth to slay anyone or anything in it's path. Made up

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  • Hatecore Inc. - NO HOPE, NO ESCAPE VOL. 1

    Image: Hatecore Inc, No Hope, No Escape Vol 1, Pitriff, Review Hatecore, Inc.
    NO HOPE, NO ESCAPE VOL. 1: WELCOME TO MY WAR

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    Being from the Cleveland area, I've seen a lot of bands get ignored for whatever reason. On the national side of things, most people look at bands north of Columbus as being from "Cleveland". Unfortunately though, that's not how it works. For as long as I've been in this scene, there

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  • KXM - KXM

    Image: KXM, George Lynch, Dug Pinnick, Ray Luzier, Pitriff KXM
    KXM

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    Some points of clarity before I write a single world about the new project KXM, in order that this review is understood and evaluated fairly by anyone reading it. This project features three guys - Dug Pinnick of King's X, George Lynch of Dokken and Lynch Mob fame, and Ray Luzier who is currently the drummer for Korn. Out of fairness, I'll

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Black Sabbath - 13

Black Sabbath, 13, Pitriff, CD Reviews, Interviews, ReviewsBlack Sabbath
13

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I've really given this album a lot of time and listens to sink in before writing anything about it. I did so because I wanted to be fair about it, and not judge it with the anger I, as a fan, have at the band for passing this off as a "reunion" without Bill Ward playing drums. I've read all the arguments online for this. I've had a hundred friends all tell me that they played this album UNTIL they liked it, and had it "grow on them." I've tried that myself, to be honest. A lot of people are all claiming that "as long as it has Iommi's riffs, then they will like it." That is obviously a lie, unless you are like me and love albums like HEADLESS CROSS, FORBIDDEN and TYR. In the end, 13 is a release that needs to be judged like all releases do - on it's own merits and what you hear when listening to it. To me, it's a fairly average offering.

The thing that really stands out about 13 to me is how lacking of freshness this actually feels. For all the love that people (including me) have for guitarist Tony Iommi and his brilliant playing over the years, most of the riffs on 13 just sound like rehashed or slightly reworked versions of things he's done in the past. Be it the stolen "Planet Caravan" vibe of "Zeitgeist" or the direct knockoff riff on "Loner", it's clear that there were less new ideas and more of a concerned effort to simply sound like the old days by Iommi. That's fine, I guess. Keeping in mind that they are trying to reinvent the old vibe, I guess it makes sense. That said though, it's a major letdown when you consider the fresher vibe Iommi brought to THE DEVIL YOU KNOW by the Dio-led HEAVEN & HELL.

The real weakness on 13 to me though is vocalist Ozzy Osbourne. There's a reason his career as a solo artist has been done with triple tracking his voice to fill it out. It's because when it's raw, it's not very good. He's not cracking or going out of key or anything, but he's just very flat throughout the disc. In the old days, the lack of vocal excellence from Ozzy was masked by the crazy, frenetic energy that he brought. On 13, he's going through the motions to sound like the original singer from Black Sabbath. It's particularly noticeable and bad on "Age Of Reason", where he literally provides a performance that makes you sleepy...even though the song itself is probably the best the band have created for this release.

As far as the rhythm section, it's not surprisingly solid, even with some flaws in it. Geezer Butler's bass is it's usual thunderous. He does a great job of pushing the songs forward with his big, deep, stoner groove throughout. As for drummer Brad Wilk, he's a little sterile and doesn't quite bring the swing that Ward may have to the sound, but he's competent enough. The problem here is that as a unit, they just don't gel. Wilk's drums seem like they might have been recorded on a 1970s rig of some kind, as they are very sterile and lack a lot of oomph. Many times throughout songs like "God Is Dead", Butler's bass all but drowns them out.

PITRIFF RATING - 61/100 - I don't hate it. It's listenable. Honestly though, I can pretty much guarantee I'll hardly ever revisit this one. They sound like a really good cover band doing the first 4 albums of Black Sabbath. They don't feel like Black Sabbath though. Maybe it's age, or maybe it's too much intention without enough motivation, but whatever the case, 13 falls pretty flat on me.

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