• Wretch - WARRIORS

    Image: Wretch, Warriors, Review, Power Metal, Chris Akin, Pitriff Wretch
    WARRIORS

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    There's an unwritten rule that I rarely follow here in Cleveland. That rule is that if a band is from Cleveland, I'm supposed to write all glowing things or else be called a hater by the local community. It's sad that it's like that, but the truth is what it is. For years I've lived with that stigma, to the point

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  • Machine Head - BLOODSTONE & DIAMONDS

    Image: Machine Head, Bloodstone & Diamonds, Pitriff, Review, Thrash Metal Machine Head
    BLOODSTONE & DIAMONDS

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    What happened to Machine Head really is a crime. Unfortunately for them, it's a crime they perpetrated upon themselves. With a mistake so many made in their youth, this band singlehandedly torpedoed themselves from ascending to the heights in metal held by only the select few like Metallica and Megadeth before them. After THE MORE THINGS CHANGE came

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  • Nashville Outlaws - TRIBUTE TO MOTLEY CRUE

    Image: Nashville Outlaws, Motley Crue Tribute Nashville Outlaws
    A TRIBUTE TO MOTLEY CRUE

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    With the music industry pretty much dead anymore, nothing really comes off as shocking. After all, you have very desperate companies trying to hang on and make money from an industry that has about as much relevance today as the typewriter ribbon makers of the world still do. The current trend for the last half decade

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  • Texas Hippie Coalition - RIDE ON

    Image: Texas Hippie Coalition, Ride On, Heavy Metal, Hard Rock, Review, Classic Metal Texas Hippie Coalition
    RIDE ON

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    I tell this story often, but it's one of my favorites of the past year. I had the chance to interview the Texas Hippie Coalition earlier this year at Rock On The Range in Columbus, Ohio. I was in a small tent with a bunch of photographers. The tent was fairly quiet really, as the much bigger adjacent

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  • Sammy Hagar - LITE ROAST

    Image: Sammy Hagar, Lite Roast, NonMetal, Review Sammy Hagar
    LITE ROAST

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    I get it. You are Sammy Hagar. You've seen huge success in virtually every world you've entered. In music, he was the main focus of Montrose. He parlayed that into a very successful solo career. That wasn't enough, so he joined the world's largest band at the time (Van Halen), and took them to commercial heights that even they

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  • Cavalera Conspiracy - PANDEMONIUM

    Image: Cavalera Conspiracy, Pandemonium, Pitriff, Death Metal, Review Cavalera Conspiracy
    PANDEMONIUM

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    There's always good news and bad news whenever Max Cavalera gets busy with new music. The good is that you get a whole lot of new music, seemingly all in a very short time. The bad news is it's generally spotty at best, because he simply writes and releases too much music at the same time. His band Soulfly released

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  • Slipknot - .5 THE GRAY MATTER

    Image: Slipknot, .5 The Gray Matter, Pitriff, CD Review, Modern Metal Slipknot
    .5 THE GRAY MATTER

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    With a ton of speculation and even more wonderment on this band's ability to continue on without founding members Paul Gray and Joey Jordison, Slipknot has returned after far too long of a layoff with .5 THE GRAY MATTER. I've listened to this release multiple times a day for the last week or so that I've had it,

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  • Opeth - PALE COMMUNION

    Image: Opeth, Pale Communion, Pitriff, Review, Progressive Metal Opeth
    PALE COMMUNION

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    Opeth simply fails as a band, at least to me. While I'll admit to never fully understanding the amazement and awe so many have for this band, I've appreciated them from afar. I've listened, and I've at least wrapped my head around what they were trying to do. Their fusing of death metal with progressive elements always made for an

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  • Cannibal Corpse - A SKELETAL DOMAIN

    Cannibal Corpse, A Skeletal Domain, Review, Death Metal Cannibal Corpse
    A SKELETAL DOMAIN

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    So really, what does anyone expect when you get a Cannibal Corpse release handed to you? Ballads, love songs and fun? Not hardly. There's an expectation of severe brutality which the band delivers time and time again. Certainly, it comes with different levels of acceptance to one's ears, but ultimately the only thing that matters if it says

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  • Exodus - BLOOD IN, BLOOD OUT

    Image: Exodus, Blood In Blood Out, Pitriff, Review, Thrash Metal Exodus
    BLOOD IN, BLOOD OUT

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    Unless you call Testament a "thrash band" (which I don't personally), Exodus would rank as my favorite true Thrash band of all time. They have had good times and bad. Occasionally, like on FABULOUS DISASTER, they have misstepped along the way. But overall, they are one of the true powerhouses in the history of thrash metal. Since 2004

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LA Knights - RUBBER CITY MELTDOWN

Image: LA Knights, Rubber City Meltdown, Pitriff, CD ReviewLA Knights
RUBBER CITY MELTDOWN

There's something that's just plain cool about a throwback band like the LA Knights. I'm not sure what it is. I'm sure for a lot of people, they will just scoff at them as dated dudes stuck in the 80s that haven't "grown with the times". That's always a convenient cop out excuse to me, especially when you look at how the rock world has grown. If you ask most people to name 5 great bands from the 80s, within seconds you'll get five names thrown back at you (top of my head, Motley Crue, Skid Row, Guns N' Roses, Metallica, Dokken). It will literally take them a second. As the same question for five great bands from 2000-2010. The names don't come back quite so quickly, now do they? The reason is simple. The music was just better, or at a minimum more memorable universally. I'm the first guy that will admit that a LOT of the bands from the 80s were pretty embarrassing, but more times than not, they just weren't. At least musically, they were almost all solid. To do a throwback band now, you not only have to be excellent musically, but you also have to be thick skinned enough to not take the criticism to heart. Meet Akron, Ohio's LA Knights!

On their Facebook page, the band compare themselves to Motley Crue, Queen, Van Halen and Guns n' Roses. I have to say that other than the basic style, I hear none of that. Instead, this band reminds me of a band that didn't make it really far in the 80s, but were absolutely killer. That band was Junkyard. To be even more specific, RUBBER CITY MELTDOWN reminds me a whole lot of Junkyard 2nd, almost dirty rock/blues album SIXES, SEVENS AND NINES. This has a lot to do with two parts - vocalist Dave Fanz and guitarist Jozey. With Fanz, his upper ranged vocal is almost a dead ringer for that of Junkyard's David Roach. Songs like "Don't Cha" just bristle with a vibe that makes you want to do a double shot of Jack Daniels and do some circle spinning of your head to make your long gone long hair flail away. He's not only complimented by Jozey on guitar, but he's enhanced by him. At least on this release, Jozey brings a dirty guitar sound to the fold that is reminiscent of a day that has long since, and unfortunately, left. Hearing songs like "Light It Up", you really get vibe that just rocks from this band. Like almost every band of the past, they have a killer power ballad to enhance the disc for the chicks. "Forever" is very much an 80s sounding ballad, and it's gritty sound combined with the powerful building rhythm section of bassist Troy Poder and drummer Dennis Jaeger leading into the chorus as well as the guitar solo in the center of the song reminds me a lot of the song "Simple Man" from the once again referenced band Junkyard.

PITRIFF RATING - 88/100 - As throwback albums go, this is one of the more solid ones I've heard. Very well written songs crafted together and performed by guys that clearly grew up influenced by both the major and minor players in the 80s metal scene, RUBBER CITY MELTDOWN showcases a band that all of us that are too fat for our packed away Spandex pants will still appreciate. Diggin' it!

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A look at one of the most polarizing, iconic and best selling albums of all time from author, rock critic and shock jock radio host Chris Akin.

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