• Sweet & Lynch - ONLY TO RISE

    Image: Sweet & Lynch, Only To Rise, CD Review, Classic Metal, Pitriff Sweet & Lynch
    ONLY TO RISE

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    Being completely honest here, I really didn't expect a whole lot out of this. I'm not the biggest Stryper fan in the world by a long shot, and the truth is that I just never could fully get into Michael Sweet's vocals. There's just always been something about him. I'm not sure what it is. I guess

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  • AC/DC - ROCK OR BUST

    Image: Rock Or Bust, AC/DC, Chris Akin, Pitriff, Classic Metal, Review AC/DC
    ROCK OR BUST

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    In a year that has see a foundational piece of AC/DC succumb to a debilitating illness and another to his own personal insanity, AC/DC emerges after seemingly forever away with ROCK OR BUST. To be fair and truthfully honest, expectations on this release were pretty low. I know that AC/DC is a band that's been in business almost 50

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  • Whitesnake - BACK TO THE BONE

    Image: Whitesnake, Back To The Bone, Pitriff, Chris Akin Whitesnake
    LIVE IN '84 - BACK TO THE BONE

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    David Coverdale and company have had a very long and successful history that started even before he formed Whitesnake. There's no denying the legacy here. Coverdale has had a fantastic career with Whitesnake, and his time in Deep Purple was every bit as strong to that band as a Sammy Hagar was to Van Halen

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  • Wretch - WARRIORS

    Image: Wretch, Warriors, Review, Power Metal, Chris Akin, Pitriff Wretch
    WARRIORS

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    There's an unwritten rule that I rarely follow here in Cleveland. That rule is that if a band is from Cleveland, I'm supposed to write all glowing things or else be called a hater by the local community. It's sad that it's like that, but the truth is what it is. For years I've lived with that stigma, to the point

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  • Machine Head - BLOODSTONE & DIAMONDS

    Image: Machine Head, Bloodstone & Diamonds, Pitriff, Review, Thrash Metal Machine Head
    BLOODSTONE & DIAMONDS

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    What happened to Machine Head really is a crime. Unfortunately for them, it's a crime they perpetrated upon themselves. With a mistake so many made in their youth, this band singlehandedly torpedoed themselves from ascending to the heights in metal held by only the select few like Metallica and Megadeth before them. After THE MORE THINGS CHANGE came

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  • Nashville Outlaws - TRIBUTE TO MOTLEY CRUE

    Image: Nashville Outlaws, Motley Crue Tribute Nashville Outlaws
    A TRIBUTE TO MOTLEY CRUE

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    With the music industry pretty much dead anymore, nothing really comes off as shocking. After all, you have very desperate companies trying to hang on and make money from an industry that has about as much relevance today as the typewriter ribbon makers of the world still do. The current trend for the last half decade

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  • Texas Hippie Coalition - RIDE ON

    Image: Texas Hippie Coalition, Ride On, Heavy Metal, Hard Rock, Review, Classic Metal Texas Hippie Coalition
    RIDE ON

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    I tell this story often, but it's one of my favorites of the past year. I had the chance to interview the Texas Hippie Coalition earlier this year at Rock On The Range in Columbus, Ohio. I was in a small tent with a bunch of photographers. The tent was fairly quiet really, as the much bigger adjacent

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  • Sammy Hagar - LITE ROAST

    Image: Sammy Hagar, Lite Roast, NonMetal, Review Sammy Hagar
    LITE ROAST

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    I get it. You are Sammy Hagar. You've seen huge success in virtually every world you've entered. In music, he was the main focus of Montrose. He parlayed that into a very successful solo career. That wasn't enough, so he joined the world's largest band at the time (Van Halen), and took them to commercial heights that even they

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  • Cavalera Conspiracy - PANDEMONIUM

    Image: Cavalera Conspiracy, Pandemonium, Pitriff, Death Metal, Review Cavalera Conspiracy
    PANDEMONIUM

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    There's always good news and bad news whenever Max Cavalera gets busy with new music. The good is that you get a whole lot of new music, seemingly all in a very short time. The bad news is it's generally spotty at best, because he simply writes and releases too much music at the same time. His band Soulfly released

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Review - Lita Ford

Image: Lita Ford, Living Like A Runaway, Pitriff, news, reviews, interviewsLita Ford
LIVING LIKE A RUNAWAY

There's several thoughts that I have about Lita Ford, but two really jumped out at me making me think that LIVING LIKE A RUNAWAY would be a turd.  First and foremost, her last album WICKED WONDERLAND is, arguably, one of the single worst albums I've ever heard from an artist that's had success in the past.  Seriously, in her genre, WICKED WONDERLAND sits on the same mantle as such great albums as Dokken's SHADOWLIFE, Lynch Mob's SMOKE THIS, Scorpions' EYE II EYE and Gene Simmons' ASSHOLE...the mantle of shame, that is.  Secondly, Lita's never exactly been known for recording great albums in the first place.  She's OK and she's had her share of hits over the years.  To my ear though, Lita was never even in the same ballpark as Doro and was only slightly better than Vixen back in the day.  Needless to say, none of that bodes well for expectations for LIVING LIKE A RUNAWAY.

Of course, expectations really don't mean a whole lot.  To say the least, Lita Ford has proven my expectations dead wrong with her latest release.  LIVING LIKE A RUNAWAY is fueled with the hatred and pain she's gone through over the last two years as she worked through a bitter divorce.  Her pain equals our listening pleasure here.  LIVING LIKE A RUNAWAY is, without question, the best album of Ms. Ford's long career.

Getting the easy stuff out of the way, Lita sounds great.  Her voice is as strong as it's ever been, and her guitar playing is solid like it always was.  That really doesn't matter a whole lot though.  The strength of LIVING LIKE A RUNAWAY is the passion in her pain.  To put it bluntly, ex-husband Jim Gillette fucked Lita's head up big time in their divorce, and she's exorcising those demons throughout LIVING LIKE A RUNAWAY.  The not so subtle references are everywhere here.  Songs like "Branded" are a not so discrete description of an overbearing, controlling husband that she just needed to get away from before her entire life was slaughtered like a piece of cattle by a bolt gun.  By contrast, songs like "Mother" are literally painful cries that paint a picture that she might have not gotten the custody she wanted in her divorce settlement.  This song is especially moving, and might just be the most real vocal performance of Ford's career.

It's not all doom and gloom over her failed marriage though.  The title track, "Living Like A Runaway", seems to be more of a look back at the circumstances that lead her to becoming a rock star as well as taking time to thank the fans for keeping her going.  It's another solid track.  "Hate" is definitely a vicious song, but doesn't deal with her divorce either.  This song outlines the growth and eventual actions of a lifelong friend turned serial killer.  It's clear that Ford had a lot to get off her chest with this album, and she's done so in masterful fashion.

PITRIFF RATING - 88/100 - LIVING LIKE A RUNAWAY is probably the most surprising release of the year to this point.  With zero expectations for it, this is a seriously great release.  She loses points for reverting back to the industrial crap on the Nikki Sixx penned "A Song To Slit Your Wrists By" and a few more for pretty lame cover art, but other than that, Lita Ford has created a truly wicked album full of more piss and vinegar than she's ever shown before.  Good stuff.

Chris Akin

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A look at one of the most polarizing, iconic and best selling albums of all time from author, rock critic and shock jock radio host Chris Akin.

CLICK HERE to learn more about CAUSE/EFFECT: METALLICA.

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The shockingly honest and emotional first book from radio personality and rock critic Chris Akin.

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Read Reviews and Excerpts from LITTLE VICTORIES: A TALE OF DIVORCE, DEBAUCHERY AND FINDING HAPPINESS HERE!

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