• Sammy Hagar - LITE ROAST

    Image: Sammy Hagar, Lite Roast, NonMetal, Review Sammy Hagar
    LITE ROAST

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    I get it. You are Sammy Hagar. You've seen huge success in virtually every world you've entered. In music, he was the main focus of Montrose. He parlayed that into a very successful solo career. That wasn't enough, so he joined the world's largest band at the time (Van Halen), and took them to commercial heights that even they

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  • Cavalera Conspiracy - PANDEMONIUM

    Image: Cavalera Conspiracy, Pandemonium, Pitriff, Death Metal, Review Cavalera Conspiracy
    PANDEMONIUM

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    There's always good news and bad news whenever Max Cavalera gets busy with new music. The good is that you get a whole lot of new music, seemingly all in a very short time. The bad news is it's generally spotty at best, because he simply writes and releases too much music at the same time. His band Soulfly released

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  • Slipknot - .5 THE GRAY MATTER

    Image: Slipknot, .5 The Gray Matter, Pitriff, CD Review, Modern Metal Slipknot
    .5 THE GRAY MATTER

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    With a ton of speculation and even more wonderment on this band's ability to continue on without founding members Paul Gray and Joey Jordison, Slipknot has returned after far too long of a layoff with .5 THE GRAY MATTER. I've listened to this release multiple times a day for the last week or so that I've had it,

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  • Opeth - PALE COMMUNION

    Image: Opeth, Pale Communion, Pitriff, Review, Progressive Metal Opeth
    PALE COMMUNION

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    Opeth simply fails as a band, at least to me. While I'll admit to never fully understanding the amazement and awe so many have for this band, I've appreciated them from afar. I've listened, and I've at least wrapped my head around what they were trying to do. Their fusing of death metal with progressive elements always made for an

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  • Cannibal Corpse - A SKELETAL DOMAIN

    Cannibal Corpse, A Skeletal Domain, Review, Death Metal Cannibal Corpse
    A SKELETAL DOMAIN

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    So really, what does anyone expect when you get a Cannibal Corpse release handed to you? Ballads, love songs and fun? Not hardly. There's an expectation of severe brutality which the band delivers time and time again. Certainly, it comes with different levels of acceptance to one's ears, but ultimately the only thing that matters if it says

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  • Exodus - BLOOD IN, BLOOD OUT

    Image: Exodus, Blood In Blood Out, Pitriff, Review, Thrash Metal Exodus
    BLOOD IN, BLOOD OUT

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    Unless you call Testament a "thrash band" (which I don't personally), Exodus would rank as my favorite true Thrash band of all time. They have had good times and bad. Occasionally, like on FABULOUS DISASTER, they have misstepped along the way. But overall, they are one of the true powerhouses in the history of thrash metal. Since 2004

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  • Mr. Big - ...THE STORIES WE COULD TELL

    Mr. Big, The Stories We Could Tell, Reviews, Classic Metal, Chris Akin, Pitriff Mr. Big
    ...THE STORIES WE COULD TELL

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    CD

    As a fan of Mr. Big, I can't honestly say that many people thought that their reunion was much more than a cash grab opportunity for the guys in the band who, while immensely talented, failed to find solo success to match their collaborative efforts. It was never a question of if they could still play.

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  • Slash - WORLD ON FIRE

    Image: Slash, Myles Kennedy, Conspirators, World On Fire, Pitriff, review, classic metal Slash
    WORLD ON FIRE

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    Hey Gene Simmons. The corpse of rock n' roll just had a baby. That baby is not an average baby at all. That baby was not stillborn, but came out kicking and screaming with an intensity rarely seen. This baby is destined for greatness. This infant is out to prove you wrong. While your days of spitting fire and

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  • Davey Suicide - WORLDWIDE SUICIDE

    Image: Davey Suicide, Worldwide Suicide, Pitriff, Reviews, Modern Metal Davey Suicide
    WORLDWIDE SUICIDE

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    I had the pleasure of working directly with Davey Suicide as he prepped his debut release a few years ago for release. I got to work with him on some promotional stuff, some publicity stuff, his website and a lot more of that kind of stuff. In that work, I quickly found him to be far more than the

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  • Ministry - LAST TANGLE IN PARIS

    Image: Ministry, Last Tangle In Paris, Pitriff, Review, Industrial Metal Ministry
    LAST TANGLE IN PARIS

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    Al Jourgensen of Ministry has been threatening to take his ball and go home for a long time now. Quite frankly, I'm not sure I believe that he'll ever retire. Every time he says he's retiring, he seems to come right back with more music that's stronger, meaner and just better than anything in his past. Being quite

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  • Kix - ROCK YOUR FACE OFF

    Image: Kix, Rock Your Face Off, Classic Metal, Pitriff, Review Kix
    ROCK YOUR FACE OFF

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    Kix might just be the last of the '80's bands to release new material. By now, it seems like everybody else you could name from the glory days of yesteryear has made a stab at making music in the new millennium. Of course, a lot of them, we wish they hadn't, and just left us to our misty-eyed

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Jizzy Pearl - CRUCIFIED

Jizzy Pearl, Crucified, CD Review, Pitriff

Jizzy Pearl
CRUCIFIED

MP3
CD

I'd be lying if I didn't say that I have a bias toward supporting anything that says "Love/Hate" on the cover of it.  Without any question, Love/Hate was my favorite band of the entire 80s "hair metal" era.  Not Motley Crue.  Not Warrant.  Not Winger.  Not Cinderella.  Not those poseur bitches in Poison.  Love/Hate was the band for me, and the reasons were very obvious.  Of all the hair farmer bands, Love/Hate was the band that sang about things that were closer to where I was at the time.  While the other bands were focused on sex and the party, Love/Hate was a lot more street level and focused a lot more on the boozing and pot early on...which is where I was at.  "Fuel To Run", "One More Round", "Wasted In America" - all these songs hit home for me in the early '90s when they came out. Interestingly though, as the project became much more of a Jizzy Pearl thing than the original lineup, the music has matured and has stayed in sync with how I've grown as a person.  His solo albums have produced songs like "Hit And Miss' that are relatable to me, as are other songs like "Do You Believe In Miracles" from LET'S RUMBLE as the career has progressed.  Back with an EP called CRUCIFIED, Pearl and the formerly named Love/Hate has stayed in step with my musical taste.

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Michael Schenker's Temple Of Rock - BRIDGE THE GAP

Image: Michael Schenker, Temple Of Rock, Bridge The GapMichael Schenker's Temple Of Rock
BRIDGE THE GAP

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CD

Michael Schenker is one of those guys where you either are 1000% in,or you really don't care at all about what he's doing. To me personally, I've just never understood the incredible amount of hype surrounding him. I get that he made a huge mark on the rock world with UFO and a somewhat less statement with Scorpions, but in the end, I can listen to either of those bands or anything since and really not hear anything earth shattering on guitar. Eddie Van Halen he's not. Still, there are tons of people that worship him, so good for him for finding such a strong allegiance.

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Fates Warning - DARKNESS IN A DIFFERENT LIGHT

Image: Fates Warning, Darkness In A Different Light, Pitriff, Reviews, progressive metalFates Warning
DARKNESS IN A DIFFERENT LIGHT

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Fates Warning are a band that has a ton of talent, but it's never been realized by the masses for one reason - they were always a bit too crafty for their own good.  In many ways, they remind me of a better musical version of bands like Rush or Dream Theater.  While the band is clearly filled with musicians that are as talented as any that are working today, they almost always over-extended their chops both musically and in writing material to a point that the masses just couldn't easily consume and "get" what they were about.  The result is that they never got big while other bands raced to the top of the niche they fall into.  The results have been releases like AWAKEN THE GUARDIAN, DISCONNECTED and A PLEASANT SHADE OF GRAY; albums that their core audience love, but just didn't have any real "hit" potential to break them past their niche audience.  DARKNESS IN A DIFFERENT LIGHT is their most straightforward effort since they debuted in the 80s, but it's a little too late at this point.  That said, this is a seriously solid Fates Warning album.

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Deicide - IN THE MINDS OF EVIL

Image: Deicide, In The Minds Of Evil, Death Metal, Review, PitriffDeicide
IN THE MINDS OF EVIL

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Am I the only one that remembers when Florida was THE place for brilliant death metal?  That is definitely a ghost from the past, as the major players from that era have seemingly all faded away (or, at a minimum are putting out subpar material).  One of those bands that was considered a leader of that pack was Deicide, and much like your Morbid Angels and Obituarys of the Florida world, their music has become little more than tired, regurgitated crud that will draw people to the clubs based solely on their past instead of anything they are doing now.  IN THE MINDS OF EVIL feels like a glass of drinking water that you know was recycled from your neighbor's toilet.  It may have the feeling that it's refreshing, but you just sense that it's not truly fresh.

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Boston - LIFE, LOVE & HOPE

Image: Boston, Life Love and Hope, Pitriff, heavy metal, reviewsBoston
LIFE, LOVE & HOPE

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Boston is one of those bands that, as a fan, has just been one of the most frustrating to follow.  Their career has been so sporadic musically and so infrequent release-wise that they literally tanked their career for the sake of the creative musings of their leader, guitarist Tom Scholz. To be pretty honest, they haven't done anything that's been that great since the THIRD STAGE release, which came back in 1986.  Following the death of vocalist Brad Delp, they seemed like they may just be over, but were resurrected in the live setting by Stryper vocalist Michael Sweet.  Sweet has since left, but new vocalist Tommy DiCarlo seems to be a pretty good clone of Delp sonically.  So, onward does the Boston spaceship sail.

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Pro-Pain - THE FINAL REVOLUTION

Image: Pro-Pain, The Final Revolution, Pitriff, Review, Heavy MetalPro-Pain
THE FINAL REVOLUTION

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MP3

In almost every subgenre of heavy metal, there's a band where you just know what you are going to get before you ever listen to a note of new music from the band.  In hard rock, it's AC/DC.  In modern rock/metal, it would be Disturbed.  In death metal, you could point to Six Feet Under, Cannibal Corpse or just about anyone else.  In hardcore, it's definitely Pro-Pain.  Before ever playing a single note of THE FINAL REVOLUTION, I had the strongest idea of what was coming.  Needless to say, my hunch was correct.  THE FINAL REVOLUTION is exactly as advertised.  It's violent.  It's a clear spit into the face of authority.  In short, it's Pro-Pain.

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Kataklysm - WAITING FOR THE END TO COME

Image: Kataklysm, Waiting For The End To Come, Heavy Metal, Review, Death Metal, PitriffKataklysm
WAITING FOR THE END TO COME

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MP3

For a lot of people, the second they hear that a band is "death metal", they will exit the conversation.  Their loss, I guess.  Kataklysm are definitely a death metal-like band I guess, but in many ways the continue to remind me of their slightly less heavy former enemies Devildriver.  To be certain, there's nothing here at all resembling anything but the most heavy of music that has ever been created, but there's always that slight bit of melody in the music that has long separated Kataklysm from the myriads of Cookie Monster sounding gurglers that clog the "death metal" world today with what is, basically, average music that plays more to it's genre's stereotype than it does to anything creative.  While not the best release Kataklysm has ever done, WAITING FOR THE END TO COME continues the tradition the band has established and ran with for two decades.

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Benedictum - OBEY

Images: Obey, Benedictum, Heavy Metal, Hard Rock, PitriffBenedictum
OBEY

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CD

Some bands just don't get the love they deserve from metal fans around the world.  One of those bands is Benedictum.  In a large way, I put them in the same bucket as an artist like Jorn Lande.  Musically, they are continually stronger than most of the trendy dreck that's out there, but they are constantly overlooked for reasons that are just not fair to them.  With Lande, he's got the stigma of sounding like Dio (which, to be fair to the metal fans out there he helped to perpetuate) which has led people to not take him as seriously as an individual artist as his music demands.  With Benedictum, I'm quick to believe that the imagery of the beautiful and voluptuous Veronica Freeman does more harm than good, as the dumb metal stereotype of "chicks don't rock" will cause some to not give Benedictum a fair shake.  For those metalheads, I can only say, "your loss, dumbass".  As a band that simply gets better with each and every effort, Benedictum has created their best release yet with OBEY.  Full of speed, heaviness and frenetic energy that is far above their previous releases, OBEY has high jumped the bar the band previously set with DOMINION, and cleared it by a mile.

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