Let’s just call it the way it is. It’s been a very, very long time since Marilyn Manson recorded a really good, memorable release that any of us still listen to on a regular basis. To many, the would probably says that it’s been since MECHANICAL ANIMALS back in 1998. For me personally, I’ll be a bit more
When Black Star Riders made their decision to record under a new name instead of as Thin Lizzy, it was met with a lot of opinions. For most, I would assume they were happy that they decided to move away from the name they had been touring under. For many, I'm sure there was a lot of
On THE CLASSIC METAL SHOW, George Lynch is regularly a topic of conversation. Maybe that has to do with the fact that Neeley is a personal friend of Don Dokken and I work for Don on his website, but I like to believe that he becomes a topic because, first and foremost, we are big fans of the
There are those of us who know. We will forever be known as the "fortunate ones". There are those of you that have no idea. You will be known as the "unfortunate ones". What is it we know that you don't? We know the sheer greatness of Karma To Burn. For those that are unfortunate ones, let me
I'm sure I'm not in the minority here, but I'm glad that we now have a killer version of Accept with Mark Tornillo as well as the continuation of U.D.O. with Udo Dirkschneider. In short, it's led to both bands stepping up their game and creating great music. While neither side will admit competition with the other band, the fans certainly
Being completely honest here, I really didn't expect a whole lot out of this. I'm not the biggest Stryper fan in the world by a long shot, and the truth is that I just never could fully get into Michael Sweet's vocals. There's just always been something about him. I'm not sure what it is. I guess
In a year that has see a foundational piece of AC/DC succumb to a debilitating illness and another to his own personal insanity, AC/DC emerges after seemingly forever away with ROCK OR BUST. To be fair and truthfully honest, expectations on this release were pretty low. I know that AC/DC is a band that's been in business almost 50
David Coverdale and company have had a very long and successful history that started even before he formed Whitesnake. There's no denying the legacy here. Coverdale has had a fantastic career with Whitesnake, and his time in Deep Purple was every bit as strong to that band as a Sammy Hagar was to Van Halen
There's an unwritten rule that I rarely follow here in Cleveland. That rule is that if a band is from Cleveland, I'm supposed to write all glowing things or else be called a hater by the local community. It's sad that it's like that, but the truth is what it is. For years I've lived with that stigma, to the point
What happened to Machine Head really is a crime. Unfortunately for them, it's a crime they perpetrated upon themselves. With a mistake so many made in their youth, this band singlehandedly torpedoed themselves from ascending to the heights in metal held by only the select few like Metallica and Megadeth before them. After THE MORE THINGS CHANGE came
With the music industry pretty much dead anymore, nothing really comes off as shocking. After all, you have very desperate companies trying to hang on and make money from an industry that has about as much relevance today as the typewriter ribbon makers of the world still do. The current trend for the last half decade
I tell this story often, but it's one of my favorites of the past year. I had the chance to interview the Texas Hippie Coalition earlier this year at Rock On The Range in Columbus, Ohio. I was in a small tent with a bunch of photographers. The tent was fairly quiet really, as the much bigger adjacent
I get it. You are Sammy Hagar. You've seen huge success in virtually every world you've entered. In music, he was the main focus of Montrose. He parlayed that into a very successful solo career. That wasn't enough, so he joined the world's largest band at the time (Van Halen), and took them to commercial heights that even they
There's always good news and bad news whenever Max Cavalera gets busy with new music. The good is that you get a whole lot of new music, seemingly all in a very short time. The bad news is it's generally spotty at best, because he simply writes and releases too much music at the same time. His band Soulfly released
With a ton of speculation and even more wonderment on this band's ability to continue on without founding members Paul Gray and Joey Jordison, Slipknot has returned after far too long of a layoff with .5 THE GRAY MATTER. I've listened to this release multiple times a day for the last week or so that I've had it,
Opeth simply fails as a band, at least to me. While I'll admit to never fully understanding the amazement and awe so many have for this band, I've appreciated them from afar. I've listened, and I've at least wrapped my head around what they were trying to do. Their fusing of death metal with progressive elements always made for an
So really, what does anyone expect when you get a Cannibal Corpse release handed to you? Ballads, love songs and fun? Not hardly. There's an expectation of severe brutality which the band delivers time and time again. Certainly, it comes with different levels of acceptance to one's ears, but ultimately the only thing that matters if it says
Unless you call Testament a "thrash band" (which I don't personally), Exodus would rank as my favorite true Thrash band of all time. They have had good times and bad. Occasionally, like on FABULOUS DISASTER, they have misstepped along the way. But overall, they are one of the true powerhouses in the history of thrash metal. Since 2004
As a fan of Mr. Big, I can't honestly say that many people thought that their reunion was much more than a cash grab opportunity for the guys in the band who, while immensely talented, failed to find solo success to match their collaborative efforts. It was never a question of if they could still play.
Hey Gene Simmons. The corpse of rock n' roll just had a baby. That baby is not an average baby at all. That baby was not stillborn, but came out kicking and screaming with an intensity rarely seen. This baby is destined for greatness. This infant is out to prove you wrong. While your days of spitting fire and
I had the pleasure of working directly with Davey Suicide as he prepped his debut release a few years ago for release. I got to work with him on some promotional stuff, some publicity stuff, his website and a lot more of that kind of stuff. In that work, I quickly found him to be far more than the
Al Jourgensen of Ministry has been threatening to take his ball and go home for a long time now. Quite frankly, I'm not sure I believe that he'll ever retire. Every time he says he's retiring, he seems to come right back with more music that's stronger, meaner and just better than anything in his past. Being quite
Kix might just be the last of the '80's bands to release new material. By now, it seems like everybody else you could name from the glory days of yesteryear has made a stab at making music in the new millennium. Of course, a lot of them, we wish they hadn't, and just left us to our misty-eyed
In the world of progressive metal, there are exactly 2 bands which I worship. Those bands are Symphony X and Evergrey. Both bands are immensely talented, feature incredible musicianship, and come full of great lyrical and musical representations that tell amazing stories to the listeners. Following their last release GLORIOUS COLLISION, it really seemed like Evergrey may have
Am I the only one that is tired of not only Ace Frehley, but all members of Kiss past and present? Since they were nominated for the ROCK AND ROLL HALL OF CORPORATE, it has been a steady stream of nonsense, bickering, anger, hurt feelings and now emotional trauma. It's over already. Get over it. It's 2014. Kiss is
Right up front, Blackberry Smoke is not a metal band. They are a southern-rock band, in the classic, original sense. These days, the term "southern rock" has been applied to everybody from Black Stone Cherry to Nashville Pussy to Crowbar, all sounds that would be alien and extreme in the days of Skynyrd and
Part two of the three part Skid Row series known as UNITED WORLD REBELLION has been unleashed. Dubbed as RISE OF THE DAMNATION ARMY, UWR2 picks up where the first EP left off. There's simple math here. Over the course of these two EPs you have 14 songs. If you put the two together, you've got
There's an unwritten rule that I rarely follow here in Cleveland. That rule is that if a band is from Cleveland, I'm supposed to write all glowing things or else be called a hater by the local community. It's sad that it's like that, but the truth is what it is. For years I've lived with that stigma, to the point that I've almost completely removed myself from the local metal scene in order to be less "involved" with the bands when writing reviews. With this in mind, the new release from Wretch, called WARRIORS, has come across my desk. Being completely honest and forthcoming here, I REALLY liked their REBORN release a lot. It was a meaty, strong metal release that deserved good praise on the national and international level. They have returned with WARRIORS. While it's not terrible by any stretch, it's just not an overly strong release either.
What happened to Machine Head really is a crime. Unfortunately for them, it's a crime they perpetrated upon themselves. With a mistake so many made in their youth, this band singlehandedly torpedoed themselves from ascending to the heights in metal held by only the select few like Metallica and Megadeth before them. After THE MORE THINGS CHANGE came out, they were on the cusp to be the predecessors to Pantera atop the heavy metal landscape. Low and behold though, they killed that dream by trying to incorporate a bit of trendiness to THE BURNING RED, and it killed that momentum completely. The followup SUPERCHARGER was a bit better, but still wasn't good enough to prove THE BURNING RED as an anomaly. That was the point that a lot of people jumped off. Sucks to be them really, because the last three releases, THROUGH THE ASHES OF EMPIRES, THE BLACKENING and UNTO THE LOCUST have all been as good as any metal album released in the last decade or so. Too little, too late I suppose.
With the music industry pretty much dead anymore, nothing really comes off as shocking. After all, you have very desperate companies trying to hang on and make money from an industry that has about as much relevance today as the typewriter ribbon makers of the world still do. The current trend for the last half decade or so has been for bands to do cover albums to milk fans. Those are bad enough. Then though, there's this. If two things were ever made to NOT collide, it's country music and the works of Motley Crue. Simply, this is not music that translates universally. Kid Rock makes the kind of music that works in both medium today. Maybe Bob Seger and the Silver Bullet Band. Motley Crue? Just no. As you would suspect, the ridiculously titled "Nashville Outlaws" have delivered an almost comical release that is embarrassing to the artists involved as well as the namesake guys that actually seem to have endorsed this. This isn't fun. It's just terrible.
I tell this story often, but it's one of my favorites of the past year. I had the chance to interview the Texas Hippie Coalition earlier this year at Rock On The Range in Columbus, Ohio. I was in a small tent with a bunch of photographers. The tent was fairly quiet really, as the much bigger adjacent tent was where most of the radio guys were set up. It took all of 3 seconds for Texas Hippie Coalition vocalist Big Daddy Ritch to change the entire attitude of my quiet little tent. "I hope you motherfuckers don't plan on me keeping it down," he bellowed. "Big Daddy and the boys are here and you're gonna know it!" And with that, he grabbed me and belly bumped (as two fat guys are not going to chest bump) me damn near through the back of the tent. From there, it was just a fun, no bullshit interview with Big Daddy and the boys that EXACTLY complimented any preconceived notion you might have about these guys from hearing their music.
I get it. You are Sammy Hagar. You've seen huge success in virtually every world you've entered. In music, he was the main focus of Montrose. He parlayed that into a very successful solo career. That wasn't enough, so he joined the world's largest band at the time (Van Halen), and took them to commercial heights that even they hadn't seen to that point. When that ended, he went back to solo material and was successful there once again. He then needed something fun to do, so he formed Chickenfoot and found success there. He loves to drink, so he made his own tequila which then went on to make him a zillion more dollars. He needed a place to party, so he built the Cabo Cantina which has now become THE party spot in Cabo, St. Lucas, Mexico. Hell, I'd love to have Sammy Hagar take a second of interest in one of my businesses, just to see how "Midas" the guy really is. Lately though, it seems like he might be ready to just relax and have fun. Two of his most recent solo efforts, SAMMY HAGAR AND FRIENDS and LIVIN' IT UP, found the former Red Rocker mellowing out a lot and just having fun. More of the same here with LITE ROAST. Comprised of material he's performed over the years in a new, laid back "on the beach" method, LITE ROAST will likely only appeal to hardcore Hagar enthusiasts. At this point, I'm not all that sure Hagar cares.
There's always good news and bad news whenever Max Cavalera gets busy with new music. The good is that you get a whole lot of new music, seemingly all in a very short time. The bad news is it's generally spotty at best, because he simply writes and releases too much music at the same time. His band Soulfly released SAVAGES in late 2013, which was followed with another band, Killer Be Killed, being released in May. Six months later, we now have a new release from Cavalera Conspiracy called PANDEMONIUM. Like any fan of Cavalera's, a single 12 month period where I get 36 new creations from him is a good year. That said though, it sometimes comes with a bit of boredom, as it's just not likely that he's going to vary his writing greatly from project to project. And he hasn't. PANDEMONIUM features a bit of a deeper voiced, more death metal-like vocal from Cavalera, but the music is fairly similar to most of the other stuff he's done in the last year.
For many musicians, the end of a rigorous and draining touring schedule, menas getting back home and attempting to blend back in to normal life again. Although for some it, the need to stay active is of paramount importance. Once such musician is Anthrax's, Ian Scott.
Born in 1963, Ian is best known for his work with the thrash metal legends, which has spanned nearly 40 years, when they formed back in 1977. Ian, both adept as a guitarist and vocalist is the only surviving member from the original band. He has also featured in the line-up of metal band The Damned Things over the years.
However, what makes Ian interesting among a plethora of metal musicians is that during his downtime, he loves nothing more than to kick back and enjoy a game of competitive poker. He made his bow at poker's biggest stage in 2009 at the World Series of Poker where he finished in 637th place among over 5,000 participants. At the event, Ian took home just over $21,000, which meant he doubled his buy-in – not bad for a relative newcomer to the elite level.
Listen to Scott's interview with talking about his appearance at the WSOP below:
In the interview and a published piece on Bluff Magazine website, Ian went on to mention how he honed his skills online with fellow musicians Slash, Kirk Hamnett from Metallica, Vinnie Paul and Jerry Cantrell. He built up a forum of online players through his rock friends where they regularly enjoy poker games. Online participation has spawned many people's fascination with the game, with the first wagering site launched in 1996 through the evergreen InterCasino. Since then poker fans like Ian have used it as a platform to become better at the card game.
And although, Ian seems to have cooled his participation in major events of late, it seems Hamnett has aspirations to compete at a similar level to Ian soon. Read his interview with Rolling Stone to find read more on his love of poker here.
Do you know any other rock and metal musicians that have played competitive poker? Let us hear below.
With a ton of speculation and even more wonderment on this band's ability to continue on without founding members Paul Gray and Joey Jordison, Slipknot has returned after far too long of a layoff with .5 THE GRAY MATTER. I've listened to this release multiple times a day for the last week or so that I've had it, not so much because I wanted to figure out if it was good or not, but to get my head past the considerations of "would this sound different with the other guys". While there are some things that probably would have been a bit different, overall .5 THE GRAY MATTER is EXACTLY what you would expect to hear from Slipknot. Not only do the songs measure well against their past work, but they comes with a lot of aggression and anger that has come from the turmoil of the last few years in the band.