• Wretch - WARRIORS

    Image: Wretch, Warriors, Review, Power Metal, Chris Akin, Pitriff Wretch
    WARRIORS

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    There's an unwritten rule that I rarely follow here in Cleveland. That rule is that if a band is from Cleveland, I'm supposed to write all glowing things or else be called a hater by the local community. It's sad that it's like that, but the truth is what it is. For years I've lived with that stigma, to the point

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  • Machine Head - BLOODSTONE & DIAMONDS

    Image: Machine Head, Bloodstone & Diamonds, Pitriff, Review, Thrash Metal Machine Head
    BLOODSTONE & DIAMONDS

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    What happened to Machine Head really is a crime. Unfortunately for them, it's a crime they perpetrated upon themselves. With a mistake so many made in their youth, this band singlehandedly torpedoed themselves from ascending to the heights in metal held by only the select few like Metallica and Megadeth before them. After THE MORE THINGS CHANGE came

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  • Nashville Outlaws - TRIBUTE TO MOTLEY CRUE

    Image: Nashville Outlaws, Motley Crue Tribute Nashville Outlaws
    A TRIBUTE TO MOTLEY CRUE

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    With the music industry pretty much dead anymore, nothing really comes off as shocking. After all, you have very desperate companies trying to hang on and make money from an industry that has about as much relevance today as the typewriter ribbon makers of the world still do. The current trend for the last half decade

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  • Texas Hippie Coalition - RIDE ON

    Image: Texas Hippie Coalition, Ride On, Heavy Metal, Hard Rock, Review, Classic Metal Texas Hippie Coalition
    RIDE ON

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    I tell this story often, but it's one of my favorites of the past year. I had the chance to interview the Texas Hippie Coalition earlier this year at Rock On The Range in Columbus, Ohio. I was in a small tent with a bunch of photographers. The tent was fairly quiet really, as the much bigger adjacent

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  • Sammy Hagar - LITE ROAST

    Image: Sammy Hagar, Lite Roast, NonMetal, Review Sammy Hagar
    LITE ROAST

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    I get it. You are Sammy Hagar. You've seen huge success in virtually every world you've entered. In music, he was the main focus of Montrose. He parlayed that into a very successful solo career. That wasn't enough, so he joined the world's largest band at the time (Van Halen), and took them to commercial heights that even they

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  • Cavalera Conspiracy - PANDEMONIUM

    Image: Cavalera Conspiracy, Pandemonium, Pitriff, Death Metal, Review Cavalera Conspiracy
    PANDEMONIUM

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    There's always good news and bad news whenever Max Cavalera gets busy with new music. The good is that you get a whole lot of new music, seemingly all in a very short time. The bad news is it's generally spotty at best, because he simply writes and releases too much music at the same time. His band Soulfly released

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  • Slipknot - .5 THE GRAY MATTER

    Image: Slipknot, .5 The Gray Matter, Pitriff, CD Review, Modern Metal Slipknot
    .5 THE GRAY MATTER

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    With a ton of speculation and even more wonderment on this band's ability to continue on without founding members Paul Gray and Joey Jordison, Slipknot has returned after far too long of a layoff with .5 THE GRAY MATTER. I've listened to this release multiple times a day for the last week or so that I've had it,

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  • Opeth - PALE COMMUNION

    Image: Opeth, Pale Communion, Pitriff, Review, Progressive Metal Opeth
    PALE COMMUNION

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    Opeth simply fails as a band, at least to me. While I'll admit to never fully understanding the amazement and awe so many have for this band, I've appreciated them from afar. I've listened, and I've at least wrapped my head around what they were trying to do. Their fusing of death metal with progressive elements always made for an

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  • Cannibal Corpse - A SKELETAL DOMAIN

    Cannibal Corpse, A Skeletal Domain, Review, Death Metal Cannibal Corpse
    A SKELETAL DOMAIN

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    So really, what does anyone expect when you get a Cannibal Corpse release handed to you? Ballads, love songs and fun? Not hardly. There's an expectation of severe brutality which the band delivers time and time again. Certainly, it comes with different levels of acceptance to one's ears, but ultimately the only thing that matters if it says

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  • Exodus - BLOOD IN, BLOOD OUT

    Image: Exodus, Blood In Blood Out, Pitriff, Review, Thrash Metal Exodus
    BLOOD IN, BLOOD OUT

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    Unless you call Testament a "thrash band" (which I don't personally), Exodus would rank as my favorite true Thrash band of all time. They have had good times and bad. Occasionally, like on FABULOUS DISASTER, they have misstepped along the way. But overall, they are one of the true powerhouses in the history of thrash metal. Since 2004

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KXM - KXM

Image: KXM, George Lynch, Dug Pinnick, Ray Luzier, PitriffKXM
KXM

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Some points of clarity before I write a single world about the new project KXM, in order that this review is understood and evaluated fairly by anyone reading it. This project features three guys - Dug Pinnick of King's X, George Lynch of Dokken and Lynch Mob fame, and Ray Luzier who is currently the drummer for Korn. Out of fairness, I'll allow the following for this review. First, I'm not a fan of Dug Pinnick's music at all. I've interviewed him several times (I think five times, actually), and he's a super cool guy, but musically I've just never, ever gotten King's X as much as I've wanted to understand why so many just worship them. In many ways, King's X falls into that category that Dream Theater does for me - that I just don't understand the appeal of. As for Lynch, again putting it out there, I work for Dokken as their webmaster and also for current Dokken guitarist Jon Levin as his as well. That said, I think Lynch has the distinction of not only recording some of the best music of the "hair era and beyond (because LYNCH/PILSON was by far his best recorded work), but he's also recorded two of the worst albums of all time in my ears in Dokken's SHADOWLIFE and Lynch Mob's SMOKE THIS. I haven't liked much of Lynch's work in a long time, as Microdot, Souls of We and other stuff I'm sure I'm missing have just not been very good. As for Luzier, I think I met him once at a David Lee Roth show in the late 90s, enjoyed the DLR Band album he played on, like Korn, and also remember that he had some sort of association with Darren Householder from one of my favorite bands that never made it big, Love/Hate. So there, it's on the table.

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Destrage - ARE YOU KIDDING ME? NO.

Image: Destrage, Are You Kidding Me? No., Pitriff, Review, Chris AkinDestrage
ARE YOU KIDDING ME? NO.

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I am 100% a fan of music, and specifically metal, that goes into some very weird and crazy places. Mike Patton rates at the top of my musical food chain with all the weirdness that he consistently has brought to his various projects. While I love a lot of mainstream stuff, there's always a soft spot in my musical taste that's long been filled with bands like Mr. Bungle, Dog Fashion Disco and the like. Enter Destrage - a band that I had never heard of until the day a publicist hit me up and informed me that i should give this one a try as it's "kind of bizarre". Well, he definitely nailed that. A combination of everything from Protest The Hero, Lamb Of God and Primus, Destrage's ARE YOU KIDDING ME? NO. is a very interesting and fun listen.

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Hatriot - DAWN OF THE NEW CENTURION

Image: Hatriot, Dawn Of The New Creation, Pitriff, Thrash MetalHatriot
DAWN OF THE NEW CENTURION

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Steve "Zetro" Souza is clearly a godfather of all that is thrash metal. While he wasn't the original vocalist of Exodus, he was by far the most recognized. He's definitely a "love him or hate him" type of guy, both with the sound of his voice and with some of his actions in the later days that left Exodus in turmoil on more than one occasion. That said, there is no arguing his importance on Thrash Metal as a genre. His latest project Hatriot, a band that he does with his sons Nick and Cody, is one of many strong things that Zetro has done since leaving Exodus a second time. While it's not the strongest or heaviest project he's done post-Exodus (that award would go to the single released Tenet back in 2009), Hatriot looks to recapture what Souza did best for decades.

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Shrapnel - THE VIRUS CONSPIRES

Image: Shrapnel, The Virus Conspires, Pitriff, Thrash, ReviewShrapnel
THE VIRUS CONSPIRES

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For the last five to ten years, I have been championing the return of thrash metal by a series of new bands. Some have made it and built pretty solid careers (Havok, Municipal Waste), and others have come and gone (what happened to Lazarus AD). That said though, there's be no shortage of bands in the last decade that have returned to the roots of thrash to make authentic and new thrash that have been more than welcome to those of us that live in hope that Exodus and Death Angel can continue their winning ways since coming back. In short, it's been very good to have a gluttony of new bands making this kind of music. Formed in 2009, Shrapnel jumps right into the middle of this fold with THE VIRUS CONSPIRES. This release is 100% a facemelter, seemingly cut out of 1988 and intent to simply destroy everything in it's path. It's technically excellent, sonically crushing and as good a thrasher as anything that's come along in awhile.

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Adrenaline Mob - MEN OF HONOR

Image: Adrenaline Mob, Men Of Honor, Modern Metal, Review, PitriffAdrenaline Mob
MEN OF HONOR

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Being completely honest, the debut Adrenaline Mob release OMERTA didn't do a lot for me. This is surprising actually, as vocalist Russell Allen is one of those guys that I always look forward to hearing from, regardless of the project he's doing at the time. Still, OMERTA was one of those supergroup releases that just didn't have a lot of "get up" to it. It was there, a pretty bland collection of hard rock, sometimes modern metal songs that just kind of went nowhere. The band is back, sans Mike Portnoy who has once again band hopped to a new project. MEN OF HONOR is, most certainly, better than OMERTA is just about every way imaginable. It's still pretty standard faire, but it is a more compelling listen than their previous effort.

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Ron Keel - METAL COWBOY

Image: Ron Keel, Metal Cowboy, Classic Metal, PitriffRon Keel
METAL COWBOY

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There's something very unique about Ron Keel that I think has escaped most of his peers that were spawn from the 80s hair metal scene. For most, they have been content to stick to the formula that made them famous, only take an experimental shot once the mainstream popularity had run it's course, and then returned to their classic form to ride out their career. With Ron Keel, it's been a very different experiment which he has crafted into a career. As an artist, Keel is one of neverending experimentation. He's had hair metal albums, acoustic releases, country metal releases, and now more of a southern rock/metal record. METAL COWBOY seems to have a lot of people remembering Keel's project Iron Horse, but I'd say that is highly inaccurate. The "Metal Cowboy" is proving once again that he's more of a Metal Chameleon. Hard at times, bluesy in other parts and full of twists and turns, METAL COWBOY could very well be the best release Keel's had his name on since THE RIGHT TO ROCK.

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Ektomorf - RETRIBUTION

Ektomorf, Retribution, Pitriff, CD ReviewEktomorf
RETRIBUTION

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Since I first discovered Ektomorf back in 2004 on their DESTROY release, they have been one that, while I never sat around waiting for a release, I've always loved when they had something new out there. As heavy music goes, they are the perfect combination of what I like. They are kind of like the lovechild of Sepultura, Soulfly and Machine Head; all wrapped up into one menacing, brutal package. A couple years ago, they surprised a lot of people with THE ACOUSTIC (which is an acoustic release) and BLACK FLAG. It was surprising because both were pretty weak releases from Ektomorf. Happily, they are back and more pissed off than ever. RETRIBUTION is a very defiant callback to this band's better days.

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House Of Lords - PRECIOUS METAL

Image: House Of Lords, Precious Metal, Pitriff, CD ReviewHouse Of Lords
PRECIOUS METAL

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As melodic hard rock goes, James Christian has not only kept the band House Of Lords alive, but he's kept it relevant and smart throughout their career. While he was not the original voice of the band, he's been "the guy" on every release and has proven always seems to have some good ideas to keep the band driving creatively forward. Ultimately, over the course of their 9 studio releases, there's only been one that was a total dude (THE POWER AND THE MYTH). In fairness, that one could even be attributed to ring rust after 12 years away from the project. While unflashy, the last four releases have been very solid from start to finish. Returning with PRECIOUS METAL, Christian and his House Of Lords once again hit the consistency mark. They also rock just a little bit harder than you might expect for this release.

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