• Megadeth - DYSTOPIA

    Image: Megadeth, Dystopia, Dave Mustaine, David Ellefson, Kiko Loureiro, Chris Adler Megadeth
    DYSTOPIA

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    More than any other metal band in history, being a hardcore Megadeth fan is truly a rollercoaster ride. This is a band with multiple duds in their catalog, and yet they always seem to rebound. Think about it, they’ve truly had some bad releases in their catalog. RISK was terrible. THE WORLD NEEDS A HERO wasn’t a lot better. And yet,

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  • Anthrax - FOR ALL KINGS

    Image: Anthrax, For All Kings, Pitriff, Chris Akin Anthrax
    FOR ALL KINGS

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    Depending on your perspective, Anthrax is either having a career resurgence or floundering at the end of their career. I’m stunned how many people actually didn’t like their last effort, FOR ALL KINGS. In these ears, that was the best effort of their career. What made it great, to me, was the mixture of crushing heaviness combined with some

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  • Sevendust - KILL THE FLAW

    Image: Sevendust, Kill The Flaw Sevendust
    KILL THE FLAW

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    When I first saw Sevendust’s new release was titled KILL THE FLAW, my initial thought was “what exactly is the flaw?” It leads you to wonder just what it is that caused this band to not break big, while bands with lesser quality catalogs like Disturbed or Korn had such crazy amounts of success at the same time. This

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  • Iron Maiden - THE BOOK OF SOULS

    Image: Iron Maiden, The Book of Souls, Review, Classic Metal, Pitriff, Chris Akin Iron Maiden
    THE BOOK OF SOULS

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    They don’t do it that often anymore, but there’s always excitement when Iron Maiden comes out with new music. Knowing that they are closing in on the end of their career, you really do end up hoping that when they go out for good, it will be with a bang. I think it’s universally agreed upon that

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  • Slayer - REPENTLESS

    Image: Slayer, Repentless, Pitriff, Review, Thrash Metal, Chris Akin Slayer
    REPENTLESS

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    Probably more than any release in their history, Slayer came into releasing this album at a crossroads. This WAS the album that, in many ways, dictated if the band could continue on or if it was indeed time to drift off quietly to Hell. The loss of guitarist Jeff Hanneman and the removal of drummer Dave Lombardo had almost every Slayer

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  • Operation: Mindcrime - THE KEY

    Image: Operation Mindcrime, Geoff Tate, Reviews, Music, heavy metal Operation: Mindcrime
    THE KEY

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    Geoff Tate’s falling out and subsequent two years of lawsuits, multiple versions of the same band and overall craziness in the press definitely tarnished a legacy that once seemed untouchable. Think about it. Even with over a decade of arguably bad releases (Q2K, TRIBE, AMERICAN SOLDIER, DEDICATED TO CHAOS), it wasn’t until the now infamous spitting incident and the

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  • W.A.S.P. - GOLGOTHA

    Image: WASP, Golgotha, Blackie Lawless, Pitriff, Review, Heavy Metal W.A.S.P.
    GOLGOTHA

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    W.A.S.P. is one of those bands that has a ridiculously loyal fanbase...and good for them, actually. Doing THE CLASSIC METAL SHOW, we get shit on repeatedly anytime we say anything that is less than glowing about W.A.S.P., Blackie Lawless or any of the band’s former or present members. Oh well...comes with the territory, I guess. After what seems like quite a

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On July 23rd, Sevendust kicked off the electric portion of their 2014 touring cycle.  Pitriff's Dave Hudec and Chris Akin caught up with vocalist Lajon Witherspoon recently to talk about the new tour, Kickstarter, and stealing their debut release back in the early days.  

Image: Goatwhore, pitriff, review, death metalGoatwhore
CONSTRICTING RAGE OF THE MERCILESS

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Here's one for the stout of heart and strong of neck: New Orleans's Goatwhore have just barfed up their sixth album, and if you liked the last few releases, Constricting Rage of the Merciless is sure to appease your charred heart. If you haven't been following along, Goatwhore is sort of a supergroup, if having members of Soilent Green and Acid Bath in the ranks qualifies for that designation—and maybe it doesn't, given the incestuous nature of that city's metal scene. They started out playing pure black metal in the Norwegian style, complete with cumbersome, English-as-a-second-language song titles, but over the ensuing fifteen years, their sound has evolved to include healthy doses of thrash and death metal, and even an almost rock 'n' roll swagger here and there. As a result, when you see news items about them on websites like Blabbermouth, they tend to have laughably long descriptors. Stuff like, "New Orleans hardcore blackened-thrash death 'n' roll sludgemeisters."

Image: Blues Pills, Blues Pills, Stoner Rock, PitriffBlues Pills
BLUES PILLS

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It's not a secret that this whole retro movement in the worlds of Hard Rock and Heavy Metal has been an absolutely God sent for my musical palette. For so many years now, probably 20 or more, the ONLY band I've had to hold onto when I wanted new music from a band who's influences were steeped into the days of the late '60s/early '70s "war anthem" hard rock sound has been The Black Crowes. Every disc from them has been welcomed because it always accurately captured that spirit from a time that's long gone in music. Lately though, there's been a great many bands that have emerged and just have made my own personal listening experience better than it's been in years. SpiralArms and Scorpion Child were, without question, my favorites last year. Here at the halfway point of 2014, the runaway winner is Blues Pills. This soulful rock record is the very best thing to come across this desk this year, as it's as close to flawless as a disc can be.

Image: unbreakable, knockout, review, classic metal, pitriffUnbreakable
KNOCKOUT

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Retro has become in these days, and there are more and more bands creeping up that have harkened their sound back to a time that left well over 30 years ago. The last 2 years have seen an influx of bands reaching back to the '70s. Bands like Blues Pills, Vista Chino, Scorpion Child and Rival Sons have all emerged with killer throwback vibes that are impressive. There's been a few bands that have come forward a little bit to the '80s, and have had varying success with that. So along comes Unbreakable; a band produced by Scorpions' legend Herman Rarebell that seemingly listened to a lot of '80s metal along the way. While I will say they are interesting, there's just something not fully clicking with this band. It's hard to put my finger on it, but there's just something not quite there.

Image: The Treatment, Running With The Dogs, Pitriff, Classic Metal, ReviewThe Treatment
RUNNING WITH THE DOGS

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Admit it: you've just about given up on England when it comes to producing quality rock 'n' roll. The land that brought us the Beatles, the Stones, Zeppelin, and of course the revered NWOBHM--in the past twenty-five years, what have they given us? The Wildhearts? Come on. The Darkness? Come the fuck on!

The Treatment are a five-piece band that hail from that benighted former bastion of rock supremacy. Their 2011 independent debut, This Might Hurt, caused enough of a buzz to earn them a support slot for Van Halen's European tour (while we Yankee pigs were stuck with Kool and the Gang). Now comes the band's second album, Running With The Dogs.

Image: Arch Enemy, War Eternal, review, death metal, kip massey, pitriffArch Enemy
WAR ETERNAL

The big story surrounding Arch Enemy's ninth studio album is that the band has done the impossible. They replaced their lead singer calmly, quietly, and without anybody knowing about it until it was already done—and somehow didn't miss a beat in the process. It's hard enough to replace a singer just once, but Arch Enemy has done it twice, and while there are still some people bellyaching over the loss of original vocalist Johan Liiva, it's safe to say Angela Gossow left a much bigger footprint on the band, and on metal in the new millennium. With her at the mic, Arch Enemy were one of the bands responsible for popularizing so-called "melodic death metal," if not in the mainstream, at least outside of the dank sub-basements of the underground. Plus, she reminded a new generation of female headbangers that you didn't need to be an opera singer, a goth chick, or a bassist to find a place in extreme metal.

Image: California Breed, Pitriff, Non Metal, ReviewCalifornia Breed
CALIFORNIA BREED

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It definitely sucks when you watch a band that you are REALLY a fan of implode. For me, that's just what I had to do with Black Country Communion. As the band that I think a lot of people compared head to head with Sammy Hagar's supergroup Chickenfoot, BCC stormed out quickly and recorded three tremendous releases. Still, as quickly as they came up, they imploded. Guitarist Joe Bonamassa's ego seemed to clash with vocalist Glenn Hughes', and before long you had half the band (Bonamassa and keyboardist Derek Sherinian) on one side, and the other half (Hughes and drummer Jason Bonham) on the other. The side most people will care about, Hughes and Jason Bonham, have returned with a new band name, a new guitarist and a slightly different sound from what they were doing. The sound may be a bit different, but it's clearly lost none of it's punch.

Image: Karmagaddon, Muckraker, Pitriff, Stoner Metal, ReviewMuckRaker
KARMAGEDDON

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One of the hardest things I'm tasked to do when reviewing bands is to look past the individual history of the members when a new project pops up. Many times, you really can't help but to think about a guy's past work in another band. That's especially true when the guy is the singer. MuckRaker is one of those bands for me. Vocalist Will Price's previous band, Boiler, was not only one of those underground bands that I caught and love to this day, but comes with a sentimental amount of favoritism from me as well as they were the first national band I ever booked to play a show. So I do have a connection, which I will say is one of the main reasons I would have ever even listened to MuckRaker. But, if I'm going to keep my integrity as a writer, I have to look past that and judge this project on it's own merits and not against Price's past.

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A look at one of the most polarizing, iconic and best selling albums of all time from author, rock critic and shock jock radio host Chris Akin.

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The shockingly honest and emotional first book from radio personality and rock critic Chris Akin.

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