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Pitriff | Heavy Metal, Hard Rock, News, Interviews, CD Reviews
  • Sevendust - KILL THE FLAW

    Image: Sevendust, Kill The Flaw Sevendust


    When I first saw Sevendust’s new release was titled KILL THE FLAW, my initial thought was “what exactly is the flaw?” It leads you to wonder just what it is that caused this band to not break big, while bands with lesser quality catalogs like Disturbed or Korn had such crazy amounts of success at the same time. This

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  • Iron Maiden - THE BOOK OF SOULS

    Image: Iron Maiden, The Book of Souls, Review, Classic Metal, Pitriff, Chris Akin Iron Maiden


    They don’t do it that often anymore, but there’s always excitement when Iron Maiden comes out with new music. Knowing that they are closing in on the end of their career, you really do end up hoping that when they go out for good, it will be with a bang. I think it’s universally agreed upon that

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  • Slayer - REPENTLESS

    Image: Slayer, Repentless, Pitriff, Review, Thrash Metal, Chris Akin Slayer


    Probably more than any release in their history, Slayer came into releasing this album at a crossroads. This WAS the album that, in many ways, dictated if the band could continue on or if it was indeed time to drift off quietly to Hell. The loss of guitarist Jeff Hanneman and the removal of drummer Dave Lombardo had almost every Slayer

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  • Operation: Mindcrime - THE KEY

    Image: Operation Mindcrime, Geoff Tate, Reviews, Music, heavy metal Operation: Mindcrime


    Geoff Tate’s falling out and subsequent two years of lawsuits, multiple versions of the same band and overall craziness in the press definitely tarnished a legacy that once seemed untouchable. Think about it. Even with over a decade of arguably bad releases (Q2K, TRIBE, AMERICAN SOLDIER, DEDICATED TO CHAOS), it wasn’t until the now infamous spitting incident and the

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    Image: WASP, Golgotha, Blackie Lawless, Pitriff, Review, Heavy Metal W.A.S.P.


    W.A.S.P. is one of those bands that has a ridiculously loyal fanbase...and good for them, actually. Doing THE CLASSIC METAL SHOW, we get shit on repeatedly anytime we say anything that is less than glowing about W.A.S.P., Blackie Lawless or any of the band’s former or present members. Oh well...comes with the territory, I guess. After what seems like quite a

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Image: Iron Maiden, En Vivo, Pitriff, CD ReviewIron Maiden

Up the irons! Iron Maiden are back once again with what, according to Wikipedia, would be their 10th live album EN VIVO. That’s right, they are so good live that they require a live album EVERY time they tour these days. I’m sure they will claim that’s how they can reach those that couldn’t attend the tour. I’ll claim it as milking the diehards. it doesn’t matter though. It’s Iron Maiden, and even though someone like me knows it’s an unnecessary release, I’ll be one of those diehards who’s teet is being squeezed once again by England’s finest.

Image: Overkill, Pitriff, CD ReviewOverkill

If you are a fan of most of the big name metal bands and have been for 20+ years as so many of us have been, then you have really lived through ebbs and flows in their careers. For most of them, they are simply not as good as they once were. Sure, we still like what they do and support it, but let’s be honest about it. We do so out of respect for the past brilliance, and not because today’s stuff is of the same caliber. Pick a band – Metallica, Slayer, Megadeth, Anthrax, Exodus, Testament – some have put out strong releases, but can you say that their career in the last 15 years has been as strong as the first 10-15? Probably not. In my eyes, only one band of that ilk can say they are as strong, and I would argue they are stronger. That band is Overkill. While every album hasn’t been a home run (IMMORTALIS was kind of lacking), it’s pretty hard to argue that albums like FROM THE UNDERGROUND AND BELOW, IRONBOUND and NECROSHINE aren’t as strong or stronger than the classics like TAKING OVER or UNDER THE INFLUENCE.

Image: Modern Day Escape, Under The Gun, CD Review, PitriffModern Day Escape

With so much focus on the current demise of hard rock and heavy metal today (and yes, this focus is justified for the most part), it seems that people are missing a lot of bands that are creating quality music these days. How could you not? It's easy to become very disenfranchised with an entire genre of music when it's flagship band is an uncreative band like Nickelback. Still, there are bands that are creating highly interesting, powerful hard rock that should be getting a lot more attention. One such band is Modern Day Escape.  While the band seemed to find their audience with well conceived videos and decent songs with their last effort, HOUSE OF RATS, they have clearly defined their sound while stepping up their song and lyric writing with their latest, UNDER THE GUN. In all avenues, UNDER THE GUN features a tighter, more cohesive Modern Day Escape than we saw previously.

Image: Ektomorf, The Acoustic, Pitriff, CD ReviewEktomorf

Some albums are just meant to be kept for personal use. I can always appreciate when a band wants to branch out and try something different. Sometimes, it’s a cool little gem for fans. As an example, I very much like Aerosmith’s HONKIN’ ON BOBO release where they stretched themselves by doing an album of Blues sub-standards. The obvious marker for a successful stretch outward would be Tesla’s FIVE MAN ACOUSTICAL JAM. The difference between those bands and a band like Ektomorf is pretty clear though. Those bands had an established audience. Maybe they do somewhere else, but Ektomorf doesn’t mean a whole lot to metal audiences here in the States. I like them a lot, personally, but I’m one person. In fact, the sad truth is that if you played a single song frrom Ektomorf’s back catalog for most fans, they would think it’s Soulfly.

Image: Quiet Riot, Live At The US Festival, Pitriff, CD ReviewQuiet Riot

The death of Kevin Dubrow a few years ago really put an explanation point on the hair band era. There’s really no doubt at all that Quiet Riot’s METAL HEALTH was the starting point to a decade of glitz rock and metal like none that’s been seen before or since. Dubrow’s death kind of put the final dagger in that genre once and for all, given that he was the face of this style’s initial rise to prominence. To many, the US Festival was the official launching point for this style of music, with both Motley Crue and Quiet Riot becoming huge largely due to their performances here.

Image: Omerta, Adrenaline Mob, Pitriff, CD ReviewAdrenaline Mob

Mike Portnoy sure did torch his career in short order, didn’t he? In the span of a year, he went from one of the most loved and respected musicians in the world to a punching bag amongst metal fans. The whole drama with quitting Dream Theater, joining Avenged Sevenfold, being thrown out of Avenged Sevenfold, then being blocked from rejoining Dream Theater was somewhat amusing to watch in a sad sort of way. In the wake of all this, Portnoy was left without a band and had to create a new one. Adrenaline Mob is that band.

Image: Municipal Waste, The Fatal Feast, Pitriff, CD ReviewMunicipal Waste

There are some bands that put out releases and you really, really know exactly what you can expect before ever playing a single note of one of their songs. Municipal Waste are one of those bands. Like all of their previous work, their Slayer meets early Anthrax approach to thrash hits you in the face with short blasts of aggression that leave you worn out after a full listen. Their lyrical outpouring pretty much stays the course as well; a litany of songs about horror, gore, and…well, sickness. These guys clearly don’t take themselves overly seriously, as is evidenced by songs like “Covered In Sick – The Barfer”.

Image: Soulfly, Enslaved, Pitriff, CD ReviewSoulfly

It’s kind of odd really how time has worked with Max Cavalera. Back when Soulfly came out, the best quality of the band was that it took Max’s music fully into directions he wanted to explore bout really couldn’t with Sepultura. For many people, they will say quite a different thing, but hear me out. Far too many people criticized Soulfly for NOT sounding like Sepultura’s ARISE or CHAOS A.D., even though that really was never the intention. Somewhat predictably though, the years that have gone by has seen Cavalera progress (or regress depending on your stance) more and more toward the classic Sepultura sound. The last two albums, OMEN and DARK AGES, could easily have been mistaken for Sepultura reunion albums. The same can be said about Cavalera’s project with his brother, Cavalera Conspiracy. The same can now be said about ENSLAVED.

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Image: Cause/Effect Metallica, Chris Akin

A look at one of the most polarizing, iconic and best selling albums of all time from author, rock critic and shock jock radio host Chris Akin.


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Image: Little Victories, Book, Chris Akin

The shockingly honest and emotional first book from radio personality and rock critic Chris Akin.

CLICK HERE to learn more about LITTLE VICTORIES.

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Available January 13th in Paperback and Digital Formats on Amazon and iTunes.

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