Vocalist SEBASTIAN BACH, who is gearing up for the release of his new album Give 'Em Hell, has announced three shows for Germany preceding his July 11th show at the Bang Your Head festival in Balingen.
His schedule is as follows, with more shows in Europe due to be announced soon:
It's being reported by Style Weekly that David Brockie, better known as GWAR frontman Oderus Urungus, has died. He was 50 years old.
Brockie was reportedly found dead at his home on March 23rd by roommates.
"I wish it was a joke," says former band member Chris Bopst, a music writer for Style. "Everyone is in shock."
Adrian Vandenberg and Jake E. Lee have seemingly the same career path. Both were great in super huge bands (Vandenberg in Whitesnake, Lee in Ozzy), recorded even better material when they broke away (Lee with Badlands, Vandenberg with Manic Eden), and then both walked away and just left music behind for awhile. Now, both are back. Lee's Red Dragon Cartel is pretty solid, but it doesn't hold a candle to the new release from Vandenberg's MoonKings. Sort of a hybrid between 80s metal and 70s blues rock (think Zeppelin or even some Rolling Stones), this release comes as quite a surprise to people that are thinking they would find another big Whitesnake sounding album has been brewing with Vandenberg as he sat in seclusion for almost 20 years. In short, this release is probably not for the younger generation at all, but that takes nothing away from it. For those of us with a more classic rock slant to our musical taste, this is about as good as it gets.
II: VOID WORSHIP
In the epic world of doom metal, there are a lot of pretenders. There are only a few that are truly authentic though. Pilgrim is one of the most authentic I think I've ever heard. Their grinding, slow moving sludge is such from which legends put on this Earth to slay anyone or anything in it's path. Made up of The Wizard on vocals, guitars and bass and Krolg (Slayer Of Men) on drums, PILGRIM have created an behemoth of a release that's almost too heavy to listen to in a single sitting. From start to finish, the tempo of VOID WORSHIP rarely changes. It's slow, methodical and constant. If you took a regular song, hooked an anchor to each band member, and had them drag it around as they played it, this is what it would sound like near the end. Take that as a good thing, because the material fits this tempo. Tracks like "Void Worship" and "The Paladin" are intense listening experiences which simply grind out awesomeness from start to finish.
NO HOPE, NO ESCAPE VOL. 1: WELCOME TO MY WAR
Being from the Cleveland area, I've seen a lot of bands get ignored for whatever reason. On the national side of things, most people look at bands north of Columbus as being from "Cleveland". Unfortunately though, that's not how it works. For as long as I've been in this scene, there were Akron bands and there were Cleveland bands. Even though it's only about a 30 mile drive, they have long been separated. That may not seem like a big deal, but when you factor in the difficulty to get the more quality gigs and exposure from Cleveland vs. Akron, you ended up seeing a lot of bands from Akron that just didn't get the appropriate amount of love on the national level. Looking back a decade or so when both scenes were both thriving, bands like Spawn, Funny, Funnel and NDE all failed to find record deals when they were superior to a good amount of those that did find success at that level. Hatecore Inc. is another that falls into that category.