• Slipknot - .5 THE GRAY MATTER

    Image: Slipknot, .5 The Gray Matter, Pitriff, CD Review, Modern Metal Slipknot
    .5 THE GRAY MATTER

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    With a ton of speculation and even more wonderment on this band's ability to continue on without founding members Paul Gray and Joey Jordison, Slipknot has returned after far too long of a layoff with .5 THE GRAY MATTER. I've listened to this release multiple times a day for the last week or so that I've had it,

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  • Opeth - PALE COMMUNION

    Image: Opeth, Pale Communion, Pitriff, Review, Progressive Metal Opeth
    PALE COMMUNION

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    Opeth simply fails as a band, at least to me. While I'll admit to never fully understanding the amazement and awe so many have for this band, I've appreciated them from afar. I've listened, and I've at least wrapped my head around what they were trying to do. Their fusing of death metal with progressive elements always made for an

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  • Cannibal Corpse - A SKELETAL DOMAIN

    Cannibal Corpse, A Skeletal Domain, Review, Death Metal Cannibal Corpse
    A SKELETAL DOMAIN

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    So really, what does anyone expect when you get a Cannibal Corpse release handed to you? Ballads, love songs and fun? Not hardly. There's an expectation of severe brutality which the band delivers time and time again. Certainly, it comes with different levels of acceptance to one's ears, but ultimately the only thing that matters if it says

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  • Exodus - BLOOD IN, BLOOD OUT

    Image: Exodus, Blood In Blood Out, Pitriff, Review, Thrash Metal Exodus
    BLOOD IN, BLOOD OUT

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    Unless you call Testament a "thrash band" (which I don't personally), Exodus would rank as my favorite true Thrash band of all time. They have had good times and bad. Occasionally, like on FABULOUS DISASTER, they have misstepped along the way. But overall, they are one of the true powerhouses in the history of thrash metal. Since 2004

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  • Mr. Big - ...THE STORIES WE COULD TELL

    Mr. Big, The Stories We Could Tell, Reviews, Classic Metal, Chris Akin, Pitriff Mr. Big
    ...THE STORIES WE COULD TELL

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    CD

    As a fan of Mr. Big, I can't honestly say that many people thought that their reunion was much more than a cash grab opportunity for the guys in the band who, while immensely talented, failed to find solo success to match their collaborative efforts. It was never a question of if they could still play.

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  • Slash - WORLD ON FIRE

    Image: Slash, Myles Kennedy, Conspirators, World On Fire, Pitriff, review, classic metal Slash
    WORLD ON FIRE

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    Hey Gene Simmons. The corpse of rock n' roll just had a baby. That baby is not an average baby at all. That baby was not stillborn, but came out kicking and screaming with an intensity rarely seen. This baby is destined for greatness. This infant is out to prove you wrong. While your days of spitting fire and

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  • Davey Suicide - WORLDWIDE SUICIDE

    Image: Davey Suicide, Worldwide Suicide, Pitriff, Reviews, Modern Metal Davey Suicide
    WORLDWIDE SUICIDE

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    I had the pleasure of working directly with Davey Suicide as he prepped his debut release a few years ago for release. I got to work with him on some promotional stuff, some publicity stuff, his website and a lot more of that kind of stuff. In that work, I quickly found him to be far more than the

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  • Ministry - LAST TANGLE IN PARIS

    Image: Ministry, Last Tangle In Paris, Pitriff, Review, Industrial Metal Ministry
    LAST TANGLE IN PARIS

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    Al Jourgensen of Ministry has been threatening to take his ball and go home for a long time now. Quite frankly, I'm not sure I believe that he'll ever retire. Every time he says he's retiring, he seems to come right back with more music that's stronger, meaner and just better than anything in his past. Being quite

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  • Kix - ROCK YOUR FACE OFF

    Image: Kix, Rock Your Face Off, Classic Metal, Pitriff, Review Kix
    ROCK YOUR FACE OFF

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    Kix might just be the last of the '80's bands to release new material. By now, it seems like everybody else you could name from the glory days of yesteryear has made a stab at making music in the new millennium. Of course, a lot of them, we wish they hadn't, and just left us to our misty-eyed

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Review - God Forbid - EQUILIBRIUM

Image: God Forbid, Equilibrium, Pitriff, CD ReviewsGod Forbid
EQUILIBRIUM

While the last 10+ years have seen a gluttony of garbage when it comes to newer, modern metal bands, there have been a few that have continually stood above the fray musically. God Forbid is definitely one of them. Their intensity combined with their brutality in the live setting has made them one of the most universally recognized great bands out there…even if they don’t sell a lot of records. Albums like EARTHSBLOOD and IV: CONSTITUTION OF TREASON were some of the best this genre has offered up. It wasn’t enough though for former founding member Dallas Coyle, who left the band in 2009 and left a lot of people wondering what the future would hold for them.

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Review - Ministry RELAPSE

Image: Ministry, Relapse, Pitriff, CD ReviewMinistry
RELAPSE

When Al Jourgensen shelved Ministry back in 2008, it seemed like a good idea to be honest. While I’m a huge fan of his politically fueled albums, the rhetoric was wearing out on most people. That said though, there’s nary a Ministry album that’s not good, so after several years away, it only seemed right that Jourgensen would end his retirement with the bug to make more industrialized speed metal biting him hard on the neck. RELAPSE finds Ministry back and firing fast and furious. While this is lyrically the weakest album ever done by Ministry, the sneering sarcasm of Jourgensen comes spewing forth throughout. The subject matter may have changed, but this is still your same Ministry.

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Review - Blaze Bayley THE KING OF METAL

Image: Blaze Bayley, The King Of Metal, Pitriff, CD ReviewBlaze Bayley
THE KING OF METAL

It’s amazing how many people out there only know Blaze Bayley from the two Iron Maiden albums where Steve Harris went through writer’s block. Because of how lame THE X FACTOR and VIRTUAL XI were, Bayley always got blamed. Since most people weren’t familiar with the rest of his catalog, they seemingly went along with it. That’s a shame though, because those of us that know albums like BLOOD AND BELIEF and SILICON MESSIAH know there is some KILLER metal out there that Bayley has put his name on over the years.

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Review - Iron Maiden EN VIVO

Image: Iron Maiden, En Vivo, Pitriff, CD ReviewIron Maiden
EN VIVO

Up the irons! Iron Maiden are back once again with what, according to Wikipedia, would be their 10th live album EN VIVO. That’s right, they are so good live that they require a live album EVERY time they tour these days. I’m sure they will claim that’s how they can reach those that couldn’t attend the tour. I’ll claim it as milking the diehards. it doesn’t matter though. It’s Iron Maiden, and even though someone like me knows it’s an unnecessary release, I’ll be one of those diehards who’s teet is being squeezed once again by England’s finest.

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Review - Overkill THE ELECTRIC AGE

Image: Overkill, Pitriff, CD ReviewOverkill
THE ELECTRIC AGE

If you are a fan of most of the big name metal bands and have been for 20+ years as so many of us have been, then you have really lived through ebbs and flows in their careers. For most of them, they are simply not as good as they once were. Sure, we still like what they do and support it, but let’s be honest about it. We do so out of respect for the past brilliance, and not because today’s stuff is of the same caliber. Pick a band – Metallica, Slayer, Megadeth, Anthrax, Exodus, Testament – some have put out strong releases, but can you say that their career in the last 15 years has been as strong as the first 10-15? Probably not. In my eyes, only one band of that ilk can say they are as strong, and I would argue they are stronger. That band is Overkill. While every album hasn’t been a home run (IMMORTALIS was kind of lacking), it’s pretty hard to argue that albums like FROM THE UNDERGROUND AND BELOW, IRONBOUND and NECROSHINE aren’t as strong or stronger than the classics like TAKING OVER or UNDER THE INFLUENCE.

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Review - Modern Day Escape

Image: Modern Day Escape, Under The Gun, CD Review, PitriffModern Day Escape
UNDER THE GUN

With so much focus on the current demise of hard rock and heavy metal today (and yes, this focus is justified for the most part), it seems that people are missing a lot of bands that are creating quality music these days. How could you not? It's easy to become very disenfranchised with an entire genre of music when it's flagship band is an uncreative band like Nickelback. Still, there are bands that are creating highly interesting, powerful hard rock that should be getting a lot more attention. One such band is Modern Day Escape.  While the band seemed to find their audience with well conceived videos and decent songs with their last effort, HOUSE OF RATS, they have clearly defined their sound while stepping up their song and lyric writing with their latest, UNDER THE GUN. In all avenues, UNDER THE GUN features a tighter, more cohesive Modern Day Escape than we saw previously.

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Review - Ektomorf THE ACOUSTIC

Image: Ektomorf, The Acoustic, Pitriff, CD ReviewEktomorf
THE ACOUSTIC

Some albums are just meant to be kept for personal use. I can always appreciate when a band wants to branch out and try something different. Sometimes, it’s a cool little gem for fans. As an example, I very much like Aerosmith’s HONKIN’ ON BOBO release where they stretched themselves by doing an album of Blues sub-standards. The obvious marker for a successful stretch outward would be Tesla’s FIVE MAN ACOUSTICAL JAM. The difference between those bands and a band like Ektomorf is pretty clear though. Those bands had an established audience. Maybe they do somewhere else, but Ektomorf doesn’t mean a whole lot to metal audiences here in the States. I like them a lot, personally, but I’m one person. In fact, the sad truth is that if you played a single song frrom Ektomorf’s back catalog for most fans, they would think it’s Soulfly.

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Review - Quiet Riot LIVE AT THE US FESTIVAL

Image: Quiet Riot, Live At The US Festival, Pitriff, CD ReviewQuiet Riot
LIVE AT THE US FESTIVAL 1983

The death of Kevin Dubrow a few years ago really put an explanation point on the hair band era. There’s really no doubt at all that Quiet Riot’s METAL HEALTH was the starting point to a decade of glitz rock and metal like none that’s been seen before or since. Dubrow’s death kind of put the final dagger in that genre once and for all, given that he was the face of this style’s initial rise to prominence. To many, the US Festival was the official launching point for this style of music, with both Motley Crue and Quiet Riot becoming huge largely due to their performances here.

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