This collection of southern boys are not the most original band in the world. They’ll never be accused of being the most musically gifted fellas in the world. Certainly, no one will ever listen to them and think, “wow, that’s really cutting edge music”. To the contrary though, release in and release out, the same thought comes to mind
Sequels to albums, at least in my listening experience, are generally poor. The two that immediately jump to mind for me are Rob Zombie’s HELLBELLY DELUXE 2 and Meat Loaf’s BAT OUT OF HELL 2. Both releases were pretty lame, and garnered attention solely because they were named after much more historic releases in their creator’s career.
So, Dream Theater is back with a release that many are calling their most in-depth, and yet polarizing release. Fair enough. With 34 tracks and clocking in at over two hours in length, it’s certainly the most challenging on a listener to fully grasp and comprehend. Along with THE ASTONISHING, you are expected to read the book of lyrics
More than any other metal band in history, being a hardcore Megadeth fan is truly a rollercoaster ride. This is a band with multiple duds in their catalog, and yet they always seem to rebound. Think about it, they’ve truly had some bad releases in their catalog. RISK was terrible. THE WORLD NEEDS A HERO wasn’t a lot better. And yet,
Depending on your perspective, Anthrax is either having a career resurgence or floundering at the end of their career. I’m stunned how many people actually didn’t like their last effort, FOR ALL KINGS. In these ears, that was the best effort of their career. What made it great, to me, was the mixture of crushing heaviness combined with some
David Coverdale and company have had a very long and successful history that started even before he formed Whitesnake. There's no denying the legacy here. Coverdale has had a fantastic career with Whitesnake, and his time in Deep Purple was every bit as strong to that band as a Sammy Hagar was to Van Halen or Dio was to Rainbow. Whitesnake has been his baby though, and it's been very good to him. There are several live releases out there from all different points of his career. With that, most people probably want to hear the 1987-1988 tour with Def Leppard the most, as it was the height of their career. For others, they may lean old school to the LOVEHUNTER touring time when the band was more of a Deep Purple clone than the pop metal icons they would later become. For me personally, this is what I'd like to hear; that point in their career where they were having mainstream success for the first time, but were still finding their changing identity.
There's an unwritten rule that I rarely follow here in Cleveland. That rule is that if a band is from Cleveland, I'm supposed to write all glowing things or else be called a hater by the local community. It's sad that it's like that, but the truth is what it is. For years I've lived with that stigma, to the point that I've almost completely removed myself from the local metal scene in order to be less "involved" with the bands when writing reviews. With this in mind, the new release from Wretch, called WARRIORS, has come across my desk. Being completely honest and forthcoming here, I REALLY liked their REBORN release a lot. It was a meaty, strong metal release that deserved good praise on the national and international level. They have returned with WARRIORS. While it's not terrible by any stretch, it's just not an overly strong release either.
What happened to Machine Head really is a crime. Unfortunately for them, it's a crime they perpetrated upon themselves. With a mistake so many made in their youth, this band singlehandedly torpedoed themselves from ascending to the heights in metal held by only the select few like Metallica and Megadeth before them. After THE MORE THINGS CHANGE came out, they were on the cusp to be the predecessors to Pantera atop the heavy metal landscape. Low and behold though, they killed that dream by trying to incorporate a bit of trendiness to THE BURNING RED, and it killed that momentum completely. The followup SUPERCHARGER was a bit better, but still wasn't good enough to prove THE BURNING RED as an anomaly. That was the point that a lot of people jumped off. Sucks to be them really, because the last three releases, THROUGH THE ASHES OF EMPIRES, THE BLACKENING and UNTO THE LOCUST have all been as good as any metal album released in the last decade or so. Too little, too late I suppose.
With the music industry pretty much dead anymore, nothing really comes off as shocking. After all, you have very desperate companies trying to hang on and make money from an industry that has about as much relevance today as the typewriter ribbon makers of the world still do. The current trend for the last half decade or so has been for bands to do cover albums to milk fans. Those are bad enough. Then though, there's this. If two things were ever made to NOT collide, it's country music and the works of Motley Crue. Simply, this is not music that translates universally. Kid Rock makes the kind of music that works in both medium today. Maybe Bob Seger and the Silver Bullet Band. Motley Crue? Just no. As you would suspect, the ridiculously titled "Nashville Outlaws" have delivered an almost comical release that is embarrassing to the artists involved as well as the namesake guys that actually seem to have endorsed this. This isn't fun. It's just terrible.
I tell this story often, but it's one of my favorites of the past year. I had the chance to interview the Texas Hippie Coalition earlier this year at Rock On The Range in Columbus, Ohio. I was in a small tent with a bunch of photographers. The tent was fairly quiet really, as the much bigger adjacent tent was where most of the radio guys were set up. It took all of 3 seconds for Texas Hippie Coalition vocalist Big Daddy Ritch to change the entire attitude of my quiet little tent. "I hope you motherfuckers don't plan on me keeping it down," he bellowed. "Big Daddy and the boys are here and you're gonna know it!" And with that, he grabbed me and belly bumped (as two fat guys are not going to chest bump) me damn near through the back of the tent. From there, it was just a fun, no bullshit interview with Big Daddy and the boys that EXACTLY complimented any preconceived notion you might have about these guys from hearing their music.
I get it. You are Sammy Hagar. You've seen huge success in virtually every world you've entered. In music, he was the main focus of Montrose. He parlayed that into a very successful solo career. That wasn't enough, so he joined the world's largest band at the time (Van Halen), and took them to commercial heights that even they hadn't seen to that point. When that ended, he went back to solo material and was successful there once again. He then needed something fun to do, so he formed Chickenfoot and found success there. He loves to drink, so he made his own tequila which then went on to make him a zillion more dollars. He needed a place to party, so he built the Cabo Cantina which has now become THE party spot in Cabo, St. Lucas, Mexico. Hell, I'd love to have Sammy Hagar take a second of interest in one of my businesses, just to see how "Midas" the guy really is. Lately though, it seems like he might be ready to just relax and have fun. Two of his most recent solo efforts, SAMMY HAGAR AND FRIENDS and LIVIN' IT UP, found the former Red Rocker mellowing out a lot and just having fun. More of the same here with LITE ROAST. Comprised of material he's performed over the years in a new, laid back "on the beach" method, LITE ROAST will likely only appeal to hardcore Hagar enthusiasts. At this point, I'm not all that sure Hagar cares.
There's always good news and bad news whenever Max Cavalera gets busy with new music. The good is that you get a whole lot of new music, seemingly all in a very short time. The bad news is it's generally spotty at best, because he simply writes and releases too much music at the same time. His band Soulfly released SAVAGES in late 2013, which was followed with another band, Killer Be Killed, being released in May. Six months later, we now have a new release from Cavalera Conspiracy called PANDEMONIUM. Like any fan of Cavalera's, a single 12 month period where I get 36 new creations from him is a good year. That said though, it sometimes comes with a bit of boredom, as it's just not likely that he's going to vary his writing greatly from project to project. And he hasn't. PANDEMONIUM features a bit of a deeper voiced, more death metal-like vocal from Cavalera, but the music is fairly similar to most of the other stuff he's done in the last year.
For many musicians, the end of a rigorous and draining touring schedule, menas getting back home and attempting to blend back in to normal life again. Although for some it, the need to stay active is of paramount importance. Once such musician is Anthrax's, Ian Scott.
Born in 1963, Ian is best known for his work with the thrash metal legends, which has spanned nearly 40 years, when they formed back in 1977. Ian, both adept as a guitarist and vocalist is the only surviving member from the original band. He has also featured in the line-up of metal band The Damned Things over the years.
However, what makes Ian interesting among a plethora of metal musicians is that during his downtime, he loves nothing more than to kick back and enjoy a game of competitive poker. He made his bow at poker's biggest stage in 2009 at the World Series of Poker where he finished in 637th place among over 5,000 participants. At the event, Ian took home just over $21,000, which meant he doubled his buy-in – not bad for a relative newcomer to the elite level.
Listen to Scott's interview with talking about his appearance at the WSOP below:
In the interview and a published piece on Bluff Magazine website, Ian went on to mention how he honed his skills online with fellow musicians Slash, Kirk Hamnett from Metallica, Vinnie Paul and Jerry Cantrell. He built up a forum of online players through his rock friends where they regularly enjoy poker games. Online participation has spawned many people's fascination with the game, with the first wagering site launched in 1996 through the evergreen InterCasino. Since then poker fans like Ian have used it as a platform to become better at the card game.
And although, Ian seems to have cooled his participation in major events of late, it seems Hamnett has aspirations to compete at a similar level to Ian soon. Read his interview with Rolling Stone to find read more on his love of poker here.
Do you know any other rock and metal musicians that have played competitive poker? Let us hear below.