This past weekend, The Classic Metal Show and Pitriff interviewed Herman Li and Sam Totsen of Dragonforce about their brand new release MAXIMUM OVERLOAD.
LEAVE A SCAR - LIVE IN NORTH CAROLINA
Right up front, Blackberry Smoke is not a metal band. They are a southern-rock band, in the classic, original sense. These days, the term "southern rock" has been applied to everybody from Black Stone Cherry to Nashville Pussy to Crowbar, all sounds that would be alien and extreme in the days of Skynyrd and Molly Hatchet. Atlanta's Blackberry Smoke, on the other hand, would have fit comfortably in that era. In fact, in 2014, their music sound more like hard, modern country music than anything you would hear on rock radio. The band seems to know this, and in the years since their 2003 debut, Bad Luck Ain't No Crime--produced by Jackyl's Jesse Dupree, who more or less discovered them--they seem to have steered their music in that direction. To that end, they've worked with hot Nashville producer Dann Huff (a reinvented rocker himself, formerly the lead singer and guitarist for the band Giant), and sanding away the rough edges of their music and lyrics.
Neeley and Chris interview Dave "Snake" Sabo of Skid Row. Snake called in to talk about the release of their new EP, UNITED WORLD REBELLION: CHAPTER 2.
Interview with Kristy Majors. The Pretty Boy Floyd guitarist is in the middle of a battle over his reputation with Metal Sludge (and owner/Tuff vocalist Stevie Rachelle). Majors came on to give a no holds barred interview and provide his side of the story regarding the use of the songs that once appeared on the band Suckerpunch's CD, cancelling of the Rock N' Skull festival appearance, his problems with Stevie Rachelle, the use of the Pretty Boy Floyd name and more.
Following their exclusive interview with Kristy Majors, The Classic Metal Show rang up Metal Sludge CEO and Tuff vocalist Stevie Rachelle to comment on what Majors had to say. Much like with the Majors interview, Chris let Stevie say his piece and make his points.
UNITED WORLD REBELLION, CHAPTER 2
Part two of the three part Skid Row series known as UNITED WORLD REBELLION has been unleashed. Dubbed as RISE OF THE DAMNATION ARMY, UWR2 picks up where the first EP left off. There's simple math here. Over the course of these two EPs you have 14 songs. If you put the two together, you've got a really good full length release. That's definitely a testament to Skid Row, who have seemingly found their way back on course following a decade filled with a couple releases even their most hardcore fans (of which I think I'm one) had trouble supporting. Let's face it - REVOLUTIONS PER MINUTE was atrocious, and THICKSKIN had a few moments but was far too much of a sellout of their core sound to be appreciated. Thankfully, they have found their direction once again.
As a fan of Downset, I wasn't really surprised when the band split up in 2009. They claimed that "the band has run it's course". As a fan, I believe that. They definitely had a huge influence on a lot of the bigger nu-metal bands of the 2000s. Certainly, anyone that heard releases like DO WE SPEAK A DEAD LANGUAGE knew the band was onto something good. There were a small number of bands that had a minute, but ultimately didn't last though. Downset was clearly one of them. To be honest, as a fan, I think I was OK with them ending the band when they did. Their last release, UNIVERSAL, was completely unmemorable, and most of the bands of the time had developed the sound far past the Biohazard-influenced material they had always showcased.
As a total fan of hardcore metal, it's a genre that doesn't always make a lot of sense. Certainly, there's no real questioning why a band like Agnostic Front is the "Black Sabbath" of the genre. Equally, it's not much of a surprise that Biohazard was so well regarded as they broke the style into the mainstream with the big budgets that record companies put into a few of their early releases. What is surprising though is the almost complete lack of respect that Madball has always received. Now 20 years old, Madball is the single most consistent band of the genre. Each and every album has achieved a level of excellence that only a select few has come close to achieving. With that said though, they just never became one of those elite bands. No matter though, because those of us that know realize just how incredible this band truly is. HARDCORE LIVES just keeps the train of excellence rolling.