Hammerfist are a no bullshit Hardcore band from Southern California. They are not the kind of guys that will look to explain out the deeper meaning of their songs, or the instrumental idiosyncrasies of their various guitar tones or drum beats. To the contrary, Hammerfist seem like a band that would look you in the eye and say, "here's our shit, so deal with it!" Fair enough. Since I assume this about them, I'll give a little of that back to them. No BSing around here, and no looking for a lot of words to say. ISOLATION is a pretty damn solid hardcore EP that would certainly please the Agnostic Fronts and Integritys of the world for developing their influences into something tangible in 2013. There's a LOT of power here on ISOLATION, and a lot of from the heart energy that's poured into each and every song.
Kyler is a band that I really know NOTHING about. By nothing, I mean that I can find almost nothing at all about them online, so even a quick run through Google didn't help to figure out just what makes this band tick. So, in many ways, this review has to be old school and based solely on old school habits. In short, this band HAS to be reviewed solely based on what I hear in my ears. Fair enough!
Kyler's SWAGGER is a band that reminds me of a lot of great influences from other bands that I enjoy a great deal. Throughout any given song, influences of bands like Pantera and Lamb Of God come screaming through. At other times, you feel a kinship with modern bands like Texas Hippie Coalition. SWAGGER is full of giant guitars, monsterous riffs, gutteral vocals that are clean enough to understand, and a hodge podge of traditional thrash and metalcore stylings that just plain works.
I've been dreading writing this review for a really long time, but I can't dodge it any longer. As much as Iron Maiden is one of the CORE bands of my entire existence, saying that BRITISH LION is anything but mediocre to subpar drivel is impossible. Certainly, the guys from Iron Maiden have done projects outside the band before. Bruce Dickinson's solo career is astoundingly good. Adrian Smith's Psycho Motel albums weren't bad either. But this...ugh. It hurts to write, because more than anything else, Steve Harris basically IS Iron Maiden. He's the maestro of their sound, the creative force behind the band. He's the producer. He's just about everything for Maiden. That said, you have to wonder just why he brought NONE of that skillset to this project that has his name on top of it. BRITISH LION is a dull, drab collection of songs with fairly subpar production value (for which Kevin Shirley should be ashamed for taking a check considering the mix of this turd). Listening to this and even remotely comparing this sound to ANYTHING Iron Maiden has released since, say, 1985 leaves you wondering why Harris didn't just scrap this or put more money into it to make it sound better.
24 STRINGS & A DRUMMER: LIVE AND ACOUSTIC
Night Ranger and Loverboy were two bands that were, pretty much in my eyes, linked together back in the 80s. There was something about the two of them. They weren't quite metal bands at the time, and there was something that was catchy about both but never led you to think they were anything more than cookie cutter hard rock bands. Night Ranger was my favorite of the two, because they weren't all whiny and wrote better songs than Loverboy. I'm sure many of the chicks that were 15 or so during that era would probably disagree with that assessment, but so bet it. It's interesting how at this phase of their careers, both have re-recorded their hits right now for releases to appease the old guard. For Loverboy, their re-recordings was an abortion of epic proportions that pretty much proved they should retire. While Night Ranger is probably a few decades too late to be releasing an UNPLUGGED effort, I'd be lying if I said this wasn't fairly catchy and fun.
33 Love Child
33 LOVE CHILD
So many times, new bands get all wrapped up trying to reinvent the musical wheel so much that they forget to actually showcase the core influences that made them what they are in the first place. 33 Love Child is a band that features vocalist Whiskey Diamond, who many metalheads might remember as the vocalist behind ex-Megadeth guitarist Marty Friedman's solo material some years ago. That said, he's brought his strong voice together with some qualified musicians to create an album chock full of material that doesn't really break any new musical ground, but just kicks ass because of one simple reason - it rocks.
There's been several incarnations of Krokus, at least as I hear it. There's been multiple versions of the band, so much so that I think that there hasn't been a single member that's been along for the entire ride of the band. They have had a metal period, a hard rock period, a hair metal period, and a blues rock (spelled AC/DC) period. While they have had some really bad albums from time to time though, they have never fully lost their edge or their ability to be, ultimately, a solid band. On the heals of their highly successful album HOODOO, Krokus has taken the more blues rock sound from that album and furthered it with their latest, DIRTY DYNAMITE. While certainly not the best thing they've ever done, DIRTY DYNAMITE is a fun, bluesy album chock full of solid songs. While it's almost certainly not going to attract any new audience, it's definitely not going to push anyone that's been following along away.
There's just a feeling of anticipation for the majestic when you hear that a new Saxon release is forthcoming. You know each and every time that these English rockers are going to deliver something that just sounds big, triumphant and awesome. Sure, they have had their albums that weren't that good. But overall, they are one of those bands who's disappointing albums are not so bad that you would ever write them off completely.
STRAIGHT OUT OF HELL
When you history is as long as stoic as a band like Helloween's, people tend to come into each release with a series of expectations. They also tend to judge anything new they release by comparison to the rest of the catalog instead of as a standalone release. Certainly, that's justified. For me, I first remember discovering Helloween when I was stationed in Korea. They used to play their videos in a bar called the "MTV Club" in Itaewon, Korea. I watched for a year as videos for "I Want Out" and "Halloween" played over and over in this club. I remember buying KEEPER OF THE SEVEN KEYS: PART 1 in some bootleg shop in Seoul, and literally wearing that tape out in only a few months. From that point on, I've never missed a release of a disc by Helloween, and I've compared every release to KEYS 1. Some have been hit and some have been miss, but all have pretty much maintained the core sound of the band. Even changes in core members hasn't derailed Helloween...at least to my ears.