• Texas Hippie Coalition - RIDE ON

    Image: Texas Hippie Coalition, Ride On, Heavy Metal, Hard Rock, Review, Classic Metal Texas Hippie Coalition
    RIDE ON

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    I tell this story often, but it's one of my favorites of the past year. I had the chance to interview the Texas Hippie Coalition earlier this year at Rock On The Range in Columbus, Ohio. I was in a small tent with a bunch of photographers. The tent was fairly quiet really, as the much bigger adjacent

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  • Sammy Hagar - LITE ROAST

    Image: Sammy Hagar, Lite Roast, NonMetal, Review Sammy Hagar
    LITE ROAST

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    I get it. You are Sammy Hagar. You've seen huge success in virtually every world you've entered. In music, he was the main focus of Montrose. He parlayed that into a very successful solo career. That wasn't enough, so he joined the world's largest band at the time (Van Halen), and took them to commercial heights that even they

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  • Cavalera Conspiracy - PANDEMONIUM

    Image: Cavalera Conspiracy, Pandemonium, Pitriff, Death Metal, Review Cavalera Conspiracy
    PANDEMONIUM

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    There's always good news and bad news whenever Max Cavalera gets busy with new music. The good is that you get a whole lot of new music, seemingly all in a very short time. The bad news is it's generally spotty at best, because he simply writes and releases too much music at the same time. His band Soulfly released

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  • Slipknot - .5 THE GRAY MATTER

    Image: Slipknot, .5 The Gray Matter, Pitriff, CD Review, Modern Metal Slipknot
    .5 THE GRAY MATTER

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    With a ton of speculation and even more wonderment on this band's ability to continue on without founding members Paul Gray and Joey Jordison, Slipknot has returned after far too long of a layoff with .5 THE GRAY MATTER. I've listened to this release multiple times a day for the last week or so that I've had it,

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  • Opeth - PALE COMMUNION

    Image: Opeth, Pale Communion, Pitriff, Review, Progressive Metal Opeth
    PALE COMMUNION

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    Opeth simply fails as a band, at least to me. While I'll admit to never fully understanding the amazement and awe so many have for this band, I've appreciated them from afar. I've listened, and I've at least wrapped my head around what they were trying to do. Their fusing of death metal with progressive elements always made for an

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  • Cannibal Corpse - A SKELETAL DOMAIN

    Cannibal Corpse, A Skeletal Domain, Review, Death Metal Cannibal Corpse
    A SKELETAL DOMAIN

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    So really, what does anyone expect when you get a Cannibal Corpse release handed to you? Ballads, love songs and fun? Not hardly. There's an expectation of severe brutality which the band delivers time and time again. Certainly, it comes with different levels of acceptance to one's ears, but ultimately the only thing that matters if it says

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  • Exodus - BLOOD IN, BLOOD OUT

    Image: Exodus, Blood In Blood Out, Pitriff, Review, Thrash Metal Exodus
    BLOOD IN, BLOOD OUT

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    Unless you call Testament a "thrash band" (which I don't personally), Exodus would rank as my favorite true Thrash band of all time. They have had good times and bad. Occasionally, like on FABULOUS DISASTER, they have misstepped along the way. But overall, they are one of the true powerhouses in the history of thrash metal. Since 2004

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  • Mr. Big - ...THE STORIES WE COULD TELL

    Mr. Big, The Stories We Could Tell, Reviews, Classic Metal, Chris Akin, Pitriff Mr. Big
    ...THE STORIES WE COULD TELL

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    As a fan of Mr. Big, I can't honestly say that many people thought that their reunion was much more than a cash grab opportunity for the guys in the band who, while immensely talented, failed to find solo success to match their collaborative efforts. It was never a question of if they could still play.

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  • Slash - WORLD ON FIRE

    Image: Slash, Myles Kennedy, Conspirators, World On Fire, Pitriff, review, classic metal Slash
    WORLD ON FIRE

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    Hey Gene Simmons. The corpse of rock n' roll just had a baby. That baby is not an average baby at all. That baby was not stillborn, but came out kicking and screaming with an intensity rarely seen. This baby is destined for greatness. This infant is out to prove you wrong. While your days of spitting fire and

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  • Davey Suicide - WORLDWIDE SUICIDE

    Image: Davey Suicide, Worldwide Suicide, Pitriff, Reviews, Modern Metal Davey Suicide
    WORLDWIDE SUICIDE

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    I had the pleasure of working directly with Davey Suicide as he prepped his debut release a few years ago for release. I got to work with him on some promotional stuff, some publicity stuff, his website and a lot more of that kind of stuff. In that work, I quickly found him to be far more than the

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  • Ministry - LAST TANGLE IN PARIS

    Image: Ministry, Last Tangle In Paris, Pitriff, Review, Industrial Metal Ministry
    LAST TANGLE IN PARIS

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    Al Jourgensen of Ministry has been threatening to take his ball and go home for a long time now. Quite frankly, I'm not sure I believe that he'll ever retire. Every time he says he's retiring, he seems to come right back with more music that's stronger, meaner and just better than anything in his past. Being quite

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Philip H. Anselmo & The Illegals

Image: Philip H. Anselmo & The Illegals, Walk Through Exits Only, Pitriff, CD Review, Heavy MetalPhilip H. Anselmo & The Illegals
WALK THROUGH EXITS ONLY

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There's just something about Philip Anselmo that most metal fans don't get. In fact, I would go as far as to argue that even most of those hardcore Pantera fans don't fully understand the motives and direction that Anselmo takes half the time. More than just about any other musician in metal history, Anselmo is the single guy that has taken a lot of varied metal styles to the masses. Through his notoriety as a legend with Pantera, Anselmo has been able to introduce much more extreme types of metal to the majority of metalheads that would probably have never listened otherwise. Speaking only for myself, my first exposure to such varied music as Anal Cunt, Necrophagia, Christ Inversion, Arson Anthem and Superjoint Ritual all came SOLELY because of Anselmo's involvement with those projects. It has NOTHING to do with any music at all that I heard prior to picking up those releases. To be honest, I haven't liked all of it, but I don't think that's really what it's about for Anselmo anyway. To his credit, he lives and dies metal...all kinds of metal...and he is out to create as much of it as humanly possible.

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Scorpion Child - SCORPION CHILD

Scorpion Child, review, PitriffScorpion Child
SCORPION CHILD

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About every two to three years, a band comes along that I have never heard of that absolutely overwhelms me. A few years ago, it was Volbeat that came out of nowhere and really struck a chord with me. Most recently, that Halestorm record just stays in my player and gets play several times a week. Following an impressive performance at ROCK ON THE RANGE as well as a very fun hang with them after their performance, a new band has jumped on my radar. That band is Scorpion Child. With interest, their self-titled release found it's way to me a week after ROCK ON THE RANGE, and it's been stuck in my player (and my head) ever since. As of today, July 9th, 2013, SCORPION CHILD is the metal album of the year in my eyes. A new band for me to follow religiously has been launched to the world.

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Megadeth - SUPER COLLIDER

Megadeth, Kingmaker, Pitriff, Interviews, CD ReviewsMegadeth
SUPER COLLIDER

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More than most releases, I've taken a lot of extra time listening to Megadeth's SUPER COLLIDER, if for no other reason than to figure out just why I don't think it's very good.  With Megadeth, it's always a scenario where the first few listens remind you of a lot of other stuff they have done.  You have to give them more time though, as the Dave Mustaine sound has a way of either sticking with you when it's truly brilliant, or just sounding tired when it's not.  Certainly, any metalhead knows the difference between an album like RUST IN PEACE and another like THE WORLD NEEDS A HERO.  It's the same guy, and literally the same audio quality of performance, but that spark is completely different between the two albums.  With KINGMAKER, Mustaine and company just fall flat, even though it's a well recorded album that's unmistakably Megadeth.

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Black Sabbath - 13

Black Sabbath, 13, Pitriff, CD Reviews, Interviews, ReviewsBlack Sabbath
13

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I've really given this album a lot of time and listens to sink in before writing anything about it. I did so because I wanted to be fair about it, and not judge it with the anger I, as a fan, have at the band for passing this off as a "reunion" without Bill Ward playing drums. I've read all the arguments online for this. I've had a hundred friends all tell me that they played this album UNTIL they liked it, and had it "grow on them." I've tried that myself, to be honest. A lot of people are all claiming that "as long as it has Iommi's riffs, then they will like it." That is obviously a lie, unless you are like me and love albums like HEADLESS CROSS, FORBIDDEN and TYR. In the end, 13 is a release that needs to be judged like all releases do - on it's own merits and what you hear when listening to it. To me, it's a fairly average offering.

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Queensryche - QUEENSRYCHE

Image: Queensryche, Pitriff, Reviews, news, interviewsQueensryche
QUEENSRYCHE

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Is this sad saga of one band splitting into two not just the saddest thing in recent memory when it comes to classic metal? Let's face it, if you followed Queensryche at all in the 80s or even through a lot of the bad times of the last two years, they were almost always a dignified bunch that seemed above the fray of the rest of the riff raff. Now, we have two bands. We have the Geoff Tate version of the band - an act powered largely by some sort of insanity that has overtaken the once dignified Tate and turned him into a babbling maniac who's more than willing to tell you about his black man's stereotypical penis than about his music. He's REALLY challenged people to even care about anything called Queensryche in recent months, and it's just sad to see happen. Then you have "the other guys". They've stayed largely silent about the split after the first few weeks, and aside from a lot of positive posts on their various social media sites, really haven't had much to say regarding the split and the new version of the band featuring vocalist Todd LaTorre. I guess they've decided to let the music do the talking.

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LA Knights - RUBBER CITY MELTDOWN

Image: LA Knights, Rubber City Meltdown, Pitriff, CD ReviewLA Knights
RUBBER CITY MELTDOWN

There's something that's just plain cool about a throwback band like the LA Knights. I'm not sure what it is. I'm sure for a lot of people, they will just scoff at them as dated dudes stuck in the 80s that haven't "grown with the times". That's always a convenient cop out excuse to me, especially when you look at how the rock world has grown. If you ask most people to name 5 great bands from the 80s, within seconds you'll get five names thrown back at you (top of my head, Motley Crue, Skid Row, Guns N' Roses, Metallica, Dokken). It will literally take them a second. As the same question for five great bands from 2000-2010. The names don't come back quite so quickly, now do they? The reason is simple. The music was just better, or at a minimum more memorable universally. I'm the first guy that will admit that a LOT of the bands from the 80s were pretty embarrassing, but more times than not, they just weren't. At least musically, they were almost all solid. To do a throwback band now, you not only have to be excellent musically, but you also have to be thick skinned enough to not take the criticism to heart. Meet Akron, Ohio's LA Knights!

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