I'm really not sure how Havok has done it, but they have once again topped themselves musically and creatively. While creating music with a pretty rigid framework by purposely claiming themselves to be playing "90s era Thrash", Havok finds ways to improve from release to release. On UNNATURAL SELECTION, they just may have peaked. There really can't be much further they can go to get better. A seething cauldron of frenetic rage, UNNATURAL SELECTION finds Havok creating a thrash metal opus that would stand proudly and deservedly next to any Exodus, Overkill or Anthrax release from the past that you want to line it up against. Without question, this Denver band has their shit REALLY together these days.
SHOW NO MERCY
If BACK TO THE FUTURE was a real concept that could actually happen, it's my belief that Mad Margritt would be a name that every single one of you that owns Skid Row, Slaughter and Dokken records would hold in the highest esteem. You would see them still touring around playing package shows together with other bands that had their run "back in the day", and you would hear interviews with Eddie Smith about his upcoming book that details all the debauchery of being a superstar back in the heyday. Unfortunately though, BACK TO THE FUTURE is fake, which leaves Smith and company recording music they love and that, while solid, is hard to get people to listen to because their door on new music slammed shut the day Kurt Cobain reached #1 on Billboard. It's too bad that so many in that 40-50 age range are like that too, because they are missing out on a ton of music that falls right in their wheelhouse. SHOW NO MERCY is one of those they are missing.
The Classic Metal Show recently caught up with Bruce Corbitt of Warbeast and Rigor Mortis to talk about their new album DESTROY, as well as their current tour with Philip H. Anselmo and the Illegals.
Here is the audio below:
Warbeast's DESTROY is available now.
THE CLASSIC METAL SHOW, heard Saturdays from 9pm to 3am EST at www.cmsradio.net, caught up with Dokken Guitarist Jon Levin recently to talk about a crazy debacle that occurred at their show near Boston, Massachusetts.
Here is the audio:
Dokken's BROKEN BONES is available now.
On the 8/15/13 edition of THE CLASSIC METAL SHOW, Chris Akin had a chance to interview the legendary vocalist of Pantera, Down, Superjoint Ritual and many more bands...the great Philip H. Anselmo.
Check out the interview here:
Philip H. Anselmo's WALK THROUGH EXITS ONLY is available now.
Let's be honest. To the average person that hasn't been following along carefully, it's been hard to impossible to tell the difference between Drowning Pool and Soil for the last decade. Both have had multiple singers in their camp. Both have had Ryan McCombs as one of those singers. And both have released some fairly unmemorable work in the last 10 years. That said though, I'm the first to admit that I was a BIG fan of Soil with McCombs when they first came out. Their THROTTLE JUNKIES release was stellar, and while they traded down to be trendy on both their SCARS and REDEFINE releases, both were still enjoyable if you are accepting the musical style that dominated active rock radio in the early 2000s. Several releases with vocalist AJ Cavalier served as little more than times when people would hear their name and go, "oh, those guys are still around?" McCombs has returned, and the band has come charging back with WHOLE. While not as raw as their earliest days with THROTTLE JUNKIES or the EL CHUPACABRA EP, WHOLE is closer to the original sound than these guys have been in years.
I make no bones about it. I'm not a Dream Theater fan. To be blunt and to the point, I've always appreciated the immense talent they have as individual musicians, but I've always found them to be the single most undisciplined songwriters in the history of heavy metal. They have always written bloated songs that are more focused on getting everyone's individual parts into each song than on writing a cohesive 4-6 minute song that's digestible to the average metal fan (such as I am). That's just my opinion, and I'm sure the throngs of DT loyalists out there will react with their typical "you don't know shit, that's why they're brilliant" response. So be it. I won't convince you, and you won't convince me...so we leave it there. That said though, I've been a big fan of vocalist James Labrie's solo efforts since he started putting them out. Specifically with his release ELEMENTS OF PERSUASION which featured the killer song "Freak", Labrie has proven to be solid for a more traditional listener such as I am. With IMPERMANENT RESONANCE, Labrie has once again put forth a solid effort.
So, what were you really expecting? Did you think that just because vocalist Dez Fafara spent the Winter and Spring touring around with Coal Chamber that the next Devildriver release would be softer and more full of nu-metal elements? It's amazing to me how many times prior to this release making it's rounds that I read just that online. Fans really can be stupid sometimes. For those that need a revisionary lesson in history, Fafara formed Devildriver to be as brutal as possible and as "anti-Coal Chamber" as anything he could make. The odds are that Devildriver will never even resemble Coals Chamber, nu-metal, or anything with the word "soft" in it for as long as they are a band. WINTER KILLS is a seriously intense effort from the band I feel is the best extreme metal band of the last decade. Start to finish, WINTER KILLS does just that - kills.