• Megadeth - DYSTOPIA

    Image: Megadeth, Dystopia, Dave Mustaine, David Ellefson, Kiko Loureiro, Chris Adler Megadeth
    DYSTOPIA

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    More than any other metal band in history, being a hardcore Megadeth fan is truly a rollercoaster ride. This is a band with multiple duds in their catalog, and yet they always seem to rebound. Think about it, they’ve truly had some bad releases in their catalog. RISK was terrible. THE WORLD NEEDS A HERO wasn’t a lot better. And yet,

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  • Anthrax - FOR ALL KINGS

    Image: Anthrax, For All Kings, Pitriff, Chris Akin Anthrax
    FOR ALL KINGS

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    Depending on your perspective, Anthrax is either having a career resurgence or floundering at the end of their career. I’m stunned how many people actually didn’t like their last effort, FOR ALL KINGS. In these ears, that was the best effort of their career. What made it great, to me, was the mixture of crushing heaviness combined with some

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  • Sevendust - KILL THE FLAW

    Image: Sevendust, Kill The Flaw Sevendust
    KILL THE FLAW

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    When I first saw Sevendust’s new release was titled KILL THE FLAW, my initial thought was “what exactly is the flaw?” It leads you to wonder just what it is that caused this band to not break big, while bands with lesser quality catalogs like Disturbed or Korn had such crazy amounts of success at the same time. This

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  • Iron Maiden - THE BOOK OF SOULS

    Image: Iron Maiden, The Book of Souls, Review, Classic Metal, Pitriff, Chris Akin Iron Maiden
    THE BOOK OF SOULS

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    They don’t do it that often anymore, but there’s always excitement when Iron Maiden comes out with new music. Knowing that they are closing in on the end of their career, you really do end up hoping that when they go out for good, it will be with a bang. I think it’s universally agreed upon that

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  • Slayer - REPENTLESS

    Image: Slayer, Repentless, Pitriff, Review, Thrash Metal, Chris Akin Slayer
    REPENTLESS

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    Probably more than any release in their history, Slayer came into releasing this album at a crossroads. This WAS the album that, in many ways, dictated if the band could continue on or if it was indeed time to drift off quietly to Hell. The loss of guitarist Jeff Hanneman and the removal of drummer Dave Lombardo had almost every Slayer

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  • Operation: Mindcrime - THE KEY

    Image: Operation Mindcrime, Geoff Tate, Reviews, Music, heavy metal Operation: Mindcrime
    THE KEY

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    Geoff Tate’s falling out and subsequent two years of lawsuits, multiple versions of the same band and overall craziness in the press definitely tarnished a legacy that once seemed untouchable. Think about it. Even with over a decade of arguably bad releases (Q2K, TRIBE, AMERICAN SOLDIER, DEDICATED TO CHAOS), it wasn’t until the now infamous spitting incident and the

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  • W.A.S.P. - GOLGOTHA

    Image: WASP, Golgotha, Blackie Lawless, Pitriff, Review, Heavy Metal W.A.S.P.
    GOLGOTHA

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    W.A.S.P. is one of those bands that has a ridiculously loyal fanbase...and good for them, actually. Doing THE CLASSIC METAL SHOW, we get shit on repeatedly anytime we say anything that is less than glowing about W.A.S.P., Blackie Lawless or any of the band’s former or present members. Oh well...comes with the territory, I guess. After what seems like quite a

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Image: Boston, Life Love and Hope, Pitriff, heavy metal, reviewsBoston
LIFE, LOVE & HOPE

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Boston is one of those bands that, as a fan, has just been one of the most frustrating to follow.  Their career has been so sporadic musically and so infrequent release-wise that they literally tanked their career for the sake of the creative musings of their leader, guitarist Tom Scholz. To be pretty honest, they haven't done anything that's been that great since the THIRD STAGE release, which came back in 1986.  Following the death of vocalist Brad Delp, they seemed like they may just be over, but were resurrected in the live setting by Stryper vocalist Michael Sweet.  Sweet has since left, but new vocalist Tommy DiCarlo seems to be a pretty good clone of Delp sonically.  So, onward does the Boston spaceship sail.

Image: Pro-Pain, The Final Revolution, Pitriff, Review, Heavy MetalPro-Pain
THE FINAL REVOLUTION

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In almost every subgenre of heavy metal, there's a band where you just know what you are going to get before you ever listen to a note of new music from the band.  In hard rock, it's AC/DC.  In modern rock/metal, it would be Disturbed.  In death metal, you could point to Six Feet Under, Cannibal Corpse or just about anyone else.  In hardcore, it's definitely Pro-Pain.  Before ever playing a single note of THE FINAL REVOLUTION, I had the strongest idea of what was coming.  Needless to say, my hunch was correct.  THE FINAL REVOLUTION is exactly as advertised.  It's violent.  It's a clear spit into the face of authority.  In short, it's Pro-Pain.

Image: Kataklysm, Waiting For The End To Come, Heavy Metal, Review, Death Metal, PitriffKataklysm
WAITING FOR THE END TO COME

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For a lot of people, the second they hear that a band is "death metal", they will exit the conversation.  Their loss, I guess.  Kataklysm are definitely a death metal-like band I guess, but in many ways the continue to remind me of their slightly less heavy former enemies Devildriver.  To be certain, there's nothing here at all resembling anything but the most heavy of music that has ever been created, but there's always that slight bit of melody in the music that has long separated Kataklysm from the myriads of Cookie Monster sounding gurglers that clog the "death metal" world today with what is, basically, average music that plays more to it's genre's stereotype than it does to anything creative.  While not the best release Kataklysm has ever done, WAITING FOR THE END TO COME continues the tradition the band has established and ran with for two decades.

Images: Obey, Benedictum, Heavy Metal, Hard Rock, PitriffBenedictum
OBEY

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Some bands just don't get the love they deserve from metal fans around the world.  One of those bands is Benedictum.  In a large way, I put them in the same bucket as an artist like Jorn Lande.  Musically, they are continually stronger than most of the trendy dreck that's out there, but they are constantly overlooked for reasons that are just not fair to them.  With Lande, he's got the stigma of sounding like Dio (which, to be fair to the metal fans out there he helped to perpetuate) which has led people to not take him as seriously as an individual artist as his music demands.  With Benedictum, I'm quick to believe that the imagery of the beautiful and voluptuous Veronica Freeman does more harm than good, as the dumb metal stereotype of "chicks don't rock" will cause some to not give Benedictum a fair shake.  For those metalheads, I can only say, "your loss, dumbass".  As a band that simply gets better with each and every effort, Benedictum has created their best release yet with OBEY.  Full of speed, heaviness and frenetic energy that is far above their previous releases, OBEY has high jumped the bar the band previously set with DOMINION, and cleared it by a mile.

Image: Metal Church, Generation Nothing, Pitriff, CD Review, heavy metalMetal Church
GENERATION NOTHING

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Back in 2009, there were a lot of us that were less than thrilled with Metal Church announced they were disbanding. While not for all fans, there's a lot of people out there that considered their LIGHT IN THE DARK release to be one of the best in the history of the band. And while other releases in the Ronny Munroe era of the band have been hit or miss, they brought it strong in the live environment. Further, releases like WEIGHT OF THE WORLD and THIS PRESENT DARKNESS were not bad efforts per se. They just weren't as good as LIGHT IN THE DARK or the classic era material. Having seen the Munroe led version of Metal Church a few times, it was really disheartening to hear they had broken up. Thankfully though, they have brought the band back together after a few years away to regroup, adapt to the business model of modern recording, and just recharge the batteries. The resulting GENERATION NOTHING is a very, very strong effort from the mighty Metal Church.

Image: Korn, The paradigm shift, heavy metal, reviewsKorn
THE PARADIGM SHIFT

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Korn has always been one of those bands that either hits or misses with me. I've loved some of them (KORN, FOLLOW THE LEADER), and I've hated others (LIFE IS PEACHY, UNTOUCHABLES). Their last release, the dubstep flavored PATH OF TOTALITY, was pretty much unlistenable to me personally. It just turned into so much more of a Jonathan Davis solo project than anything else. For THE PARADIGM SHIFT, the band has returned to their roots in a lot of ways. They have brought back guitarist Head from his religious revival, and with him comes a lot of the older style flavor. While not perfect, THE PARADIGM SHIFT is one of the stronger releases from Korn in awhile.

Neeley of THE CLASSIC METAL SHOW recently spoke with Vista Chino and former Kyuss mainman John Garcia.  Garcia was calling in regarding Vista Chino's debut release PEACE.  Here's the conversation:

Chris Akin of PITRIFF and THE CLASSIC METAL SHOW recently checked in wit Monster Magnet mainman Dave Wyndorf.  Wyndorf talked about the band's brand new release, THE LAST PATROL.  Listen to the conversation here:

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Image: Cause/Effect Metallica, Chris Akin

A look at one of the most polarizing, iconic and best selling albums of all time from author, rock critic and shock jock radio host Chris Akin.

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The shockingly honest and emotional first book from radio personality and rock critic Chris Akin.

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Read Reviews and Excerpts from LITTLE VICTORIES: A TALE OF DIVORCE, DEBAUCHERY AND FINDING HAPPINESS HERE!

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